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{"id":2162875891774,"title":"MIDAS DM12 ANALOGUE MIXER","handle":"midas-dm12-analogue-mixer","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003e12 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003e\n\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h00\/hd1\/8847217262622.jpg\" class=\"w-100\" alt=\"DM12\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h00\/hd1\/8847217262622.jpg\"\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDM12\u003c\/h3\u003e\n\u003cp\u003eThe compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility – andan unheard of level of affordability.\u003c\/p\u003e\n\u003cp\u003eWhat is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-winning,\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emicrophone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitorouts and 2-track RCA I\/O, and you have an analogue work of art – the fullyfeatured DM12!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1b\/hb2\/8847217328158.jpg\" class=\"w-100\" alt=\"Live Performance and Studio Recording\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1b\/hb2\/8847217328158.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eLive Performance and Studio Recording\u003c\/h3\u003e\n\u003cp\u003eWith 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/he3\/hb5\/8847217360926.jpg\" class=\"w-100\" alt=\"Dedicated Stereo Inputs\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/he3\/hb5\/8847217360926.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDedicated Stereo Inputs\u003c\/h3\u003e\n\u003cp\u003eLine channels 9\/10 - 11\/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"marketing-copies collapse show\" id=\"marketing-copy-collapse\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hef\/hff\/8847217491998.jpg\" class=\"w-100\" alt=\"Sublimely Musical British EQ\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hef\/hff\/8847217491998.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eSublimely Musical British EQ\u003c\/h3\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h14\/h1e\/8847217459230.jpg\" class=\"w-100\" alt=\"Dual Aux Sends\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h14\/h1e\/8847217459230.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDual Aux Sends\u003c\/h3\u003e\n\u003cp\u003eThe DM12 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf6\/h94\/8847217623070.jpg\" class=\"w-100\" alt=\"Classic Precision\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf6\/h94\/8847217623070.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eClassic Precision\u003c\/h3\u003e\n\u003cp\u003eAll of DM12 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hb4\/hef\/8847217655838.jpg\" class=\"w-100\" alt=\"Quality is Job #1\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hb4\/hef\/8847217655838.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eQuality is Job #1\u003c\/h3\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esound – the DM12 is a truly professional audio console.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h78\/h05\/8847217688606.jpg\" class=\"w-100\" alt=\"Value\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h78\/h05\/8847217688606.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eValue\u003c\/h3\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 8 MIDAS microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.\u003c\/p\u003e\n\u003cp\u003eA PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle.\u003c\/p\u003e\n\u003cp\u003eThe mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the MIDAS DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equalled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emicrophone preamplifiers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the fi nal left\/right mix to external amplifi ers and equipment. Adjustment of the fi nal mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the DDA DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifi es that the above combined performance \/ size specifi cations are equalled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch2 class=\"mb-0 pt-1 pt-sm-0\"\u003eSpecification\u003cbr\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3 class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003eMono Inputs\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"collapse show\" id=\"specs\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eLine Input\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eStereo Inputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEqualiser\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eChannel Inserts\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAux Sends\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMonitor Out\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out Inserts\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhones Output\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e2-Track Input\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eRecord Out\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Mix System Noise\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower Supply \/ Voltage (Fuses)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDimensions \/ Weight\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 328 x 370 mm (3.7 x 12.9 x 14.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e3.9 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T15:37:06+02:00","created_at":"2019-05-20T15:39:57+02:00","vendor":"MIDAS","type":"ANALOG MIXERS","tags":["Price_R1000 to R5000","Product Type_ANALOG MIXERS","VENDOR_MIDAS"],"price":569900,"price_min":569900,"price_max":569900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":19786239344702,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DM12","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"MIDAS DM12 ANALOGUE MIXER","public_title":null,"options":["Default Title"],"price":569900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Top_XL.png?v=1612773273","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Left_XL.png?v=1612773273","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Right_XL.png?v=1612773273","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Rear_XL.png?v=1612773268"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Top_XL.png?v=1612773273","options":["Title"],"media":[{"alt":null,"id":9168731111486,"position":1,"preview_image":{"aspect_ratio":0.819,"height":2000,"width":1637,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Top_XL.png?v=1612773273"},"aspect_ratio":0.819,"height":2000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Top_XL.png?v=1612773273","width":1637},{"alt":null,"id":9168731045950,"position":2,"preview_image":{"aspect_ratio":1.08,"height":1851,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Left_XL.png?v=1612773273"},"aspect_ratio":1.08,"height":1851,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Left_XL.png?v=1612773273","width":2000},{"alt":null,"id":9168731078718,"position":3,"preview_image":{"aspect_ratio":1.08,"height":1851,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Right_XL.png?v=1612773273"},"aspect_ratio":1.08,"height":1851,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Right_XL.png?v=1612773273","width":2000},{"alt":null,"id":9168731144254,"position":4,"preview_image":{"aspect_ratio":2.528,"height":791,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Rear_XL.png?v=1612773268"},"aspect_ratio":2.528,"height":791,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/DM12_P0BGA_Rear_XL.png?v=1612773268","width":2000}],"content":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003e12 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003e\n\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h00\/hd1\/8847217262622.jpg\" class=\"w-100\" alt=\"DM12\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h00\/hd1\/8847217262622.jpg\"\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDM12\u003c\/h3\u003e\n\u003cp\u003eThe compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility – andan unheard of level of affordability.\u003c\/p\u003e\n\u003cp\u003eWhat is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-winning,\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emicrophone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre\/post-fader aux sends, 2 monitorouts and 2-track RCA I\/O, and you have an analogue work of art – the fullyfeatured DM12!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1b\/hb2\/8847217328158.jpg\" class=\"w-100\" alt=\"Live Performance and Studio Recording\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1b\/hb2\/8847217328158.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eLive Performance and Studio Recording\u003c\/h3\u003e\n\u003cp\u003eWith 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/he3\/hb5\/8847217360926.jpg\" class=\"w-100\" alt=\"Dedicated Stereo Inputs\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/he3\/hb5\/8847217360926.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDedicated Stereo Inputs\u003c\/h3\u003e\n\u003cp\u003eLine channels 9\/10 - 11\/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv class=\"marketing-copies collapse show\" id=\"marketing-copy-collapse\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hef\/hff\/8847217491998.jpg\" class=\"w-100\" alt=\"Sublimely Musical British EQ\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hef\/hff\/8847217491998.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eSublimely Musical British EQ\u003c\/h3\u003e\n\u003cp\u003eThe British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h14\/h1e\/8847217459230.jpg\" class=\"w-100\" alt=\"Dual Aux Sends\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h14\/h1e\/8847217459230.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDual Aux Sends\u003c\/h3\u003e\n\u003cp\u003eThe DM12 is also equipped with 2 aux sends with pre\/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf6\/h94\/8847217623070.jpg\" class=\"w-100\" alt=\"Classic Precision\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf6\/h94\/8847217623070.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eClassic Precision\u003c\/h3\u003e\n\u003cp\u003eAll of DM12 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hb4\/hef\/8847217655838.jpg\" class=\"w-100\" alt=\"Quality is Job #1\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hb4\/hef\/8847217655838.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eQuality is Job #1\u003c\/h3\u003e\n\u003cp\u003eWhile some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esound – the DM12 is a truly professional audio console.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h78\/h05\/8847217688606.jpg\" class=\"w-100\" alt=\"Value\" data-mce-src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h78\/h05\/8847217688606.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eValue\u003c\/h3\u003e\n\u003cp\u003eNo matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 8 MIDAS microphone preamplifiers.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.\u003c\/p\u003e\n\u003cp\u003eA PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the final left\/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle.\u003c\/p\u003e\n\u003cp\u003eThe mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).\u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the MIDAS DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance \/ size specifications are equalled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture \u0026amp; Engineering Specifications\u003c\/h3\u003e\n\u003cp\u003eThe audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" data-mce-href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003emicrophone preamplifiers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ \" TRS line level input, and a ¼ \" TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ \" TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader\/post-fader switch.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced ¼ \" TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 1 stereo ¼ \" TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with 2 balanced XLR outputs to send out the fi nal left\/right mix to external amplifi ers and equipment. Adjustment of the fi nal mix output shall be provided by 2x 60 mm master faders. 2 ¼ \" TRS main out insert jacks shall be provided.\u003c\/p\u003e\n\u003cp\u003eGlobal 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50\/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6\"). The nominal weight shall be 3.9 kg (1.8 lbs).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe mixing console shall be the DDA DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifi es that the above combined performance \/ size specifi cations are equalled or exceeded.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch2 class=\"mb-0 pt-1 pt-sm-0\"\u003eSpecification\u003cbr\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3 class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003eMono Inputs\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"collapse show\" id=\"specs\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic inputs (MIDAS mic preamp)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eXLR, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 50 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-131 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic EIN @ 60 dB gain, 150 O source at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-128 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNoise @ 10dB Gain, at insert send\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-97 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-1 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 Hz to 20 kHz (-1 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency response (-3 dB) at main output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e70 kHz (-3 dB)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+10 dB to +60 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+11 dBu @ +10 dB gain\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCMRR @ +60dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTypically -90 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 kO, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDistortion (THD+N) at 0 dBu\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0.005% @ 1kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePhantom power\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitchable, +48 V\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eLine Input\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Gain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-10 dB to +40 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+30 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eStereo Inputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e4 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO balanced \/ unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-20 dB to +20 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEqualiser\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLow\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 80 Hz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMid (mono inputs only)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHigh\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e±15 dB @ 12 kHz, shelving\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eChannel Inserts\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAux Sends\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMonitor Out\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e240 O balanced, 120 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x XLR, electronically balanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100 O balanced, 50 O unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Out Inserts\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x ¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input \/ output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhones Output\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e¼\" TRS connector, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e25 O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003e2-Track Input\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e20 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. input level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eRecord Out\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eType\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e2 x RCA, unbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eImpedance\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e1 kO\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMax. output level\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+21 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eMain Mix System Noise\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ -?, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-104 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ -8\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-91 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMain mix @ 0 dB, channel fader @ 0 dB\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e-84 dBu, unweighted, 20 Hz to 20 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower Supply \/ Voltage (Fuses)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSwitch mode power supply\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e100-240 V~ 50\/60 Hz, switchable (T 1.6 A H 250 V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e40 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMains connection\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStandard IEC receptacle\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDimensions \/ Weight\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions (H x W x D)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e95 x 328 x 370 mm (3.7 x 12.9 x 14.6\")\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e3.9 kg (1.8 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS DM12 ANALOGUE MIXER

Product Description
R 5,699.00
Maximum quantity available reached.

**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**

12 Input Analogue Live and Studio Mixer with Midas Microphone Preamplifiers

Product Features

DM12

DM12

The compact DM12 honours yourstage or studio desktop space,while providing incredible sonicperformance, amazing versatility – andan unheard of level of affordability.

What is the secret behind DM12’ssuperb, studio-quality sound? TheDM12 features 8 award-winning,MIDAS microphone preamplifi ers withtrue +48 V Phantom Power, acclaimedby audio engineers the world over for their transparency and nuancedlow noise, high-headroom design. Add to this TRS Line Inputs on all 12channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ withmid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitorouts and 2-track RCA I/O, and you have an analogue work of art – the fullyfeatured DM12!

Live Performance and Studio Recording

Live Performance and Studio Recording

With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare – both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.

Dedicated Stereo Inputs

Dedicated Stereo Inputs

Line channels 9/10 - 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards – and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.

Sublimely Musical British EQ

Sublimely Musical British EQ

The British consoles of the 1960s and ‘70s changed the sound of rock and roll – without them the British Invasion might not have happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.

Dual Aux Sends

Dual Aux Sends

The DM12 is also equipped with 2 aux sends with pre/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.

Classic Precision

Classic Precision

All of DM12 mixer’s 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.

Quality is Job #1

Quality is Job #1

While some manufacturers cut quality when they design small mixers, we understand that every mixer should provide uncompromising performance and a robust feature set. The very embodiment of quality, from its rugged construction and top-of-the-range components to that unmistakable MIDAS sound – the DM12 is a truly professional audio console.

Value

Value

No matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary MIDAS mic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording. Try one out today, or feel free to order yours online.

Architecture & Engineering Specifications

The audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 8 MIDAS microphone preamplifiers.

The mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ " TRS line level input, and a ¼ " TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix.

A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.

The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ " TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix. The mixing console shall be provided with 2 balanced ¼ " TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader/post-fader switch.

The mixing console shall be provided with 2 balanced ¼ " TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.

The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.

The mixing console shall be provided with 1 stereo ¼ " TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.

The mixing console shall be provided with 2 balanced XLR outputs to send out the final left/right mix to external amplifiers and equipment. Adjustment of the final mix output shall be provided by 2x 60 mm master faders. 2 ¼ " TRS main out insert jacks shall be provided.

Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.

2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.

The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50/60 Hz. The mains connection shall be a standard IEC receptacle.

The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6"). The nominal weight shall be 3.9 kg (1.8 lbs).

The mixing console shall be the MIDAS DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifies that the above combined performance / size specifications are equalled or exceeded.

Architecture & Engineering Specifications

The audio mixing console shall be an analogue design suitable for use in live performance and studio recording, and equipped with 12 MIDAS microphone preamplifiers.

 

The mixing console shall have 8 mono channels, and each shall provide the following: 1 balanced XLR microphone input, 1 balanced ¼ " TRS line level input, and a ¼ " TRS Insert. A gain control shall provide adjustment of the input signal from 10 to 60 dB (mic) and -10 to +40 dB (line). An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ mid control shall provide a range of 15 dB of boost and cut, and a mid-sweep control shall provide peak EQ adjustment from 150 Hz to 3.5 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall provide adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A pan control shall position the mono channel in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm mono channel fader shall allow adjustment of the channel level in the mix.

 

The mixing console shall have 2 stereo channels, and each shall provide the following: 2 balanced ¼ " TRS line level inputs. A stereo gain control shall provide adjustment of the input signal from -20 to +20 dB. An EQ treble control shall provide a range of 15 dB of boost and cut of shelving EQ at 12 kHz. An EQ bass control shall provide a range of 15 dB of boost and cut of shelving EQ at 80 Hz. Aux 1 and Aux 2 controls shall off er adjustment of the Auxiliary 1 and 2 outputs from 0 to +10 dB. A balance control shall position the stereo channels in the mix. A PFL (pre fader listen) switch shall allow the channel signal to be soloed and routed to the master meters, monitors, and headphones. A mute switch shall be provided to mute the channel, and a peak LED shall indicate channel signal overloading. A 60 mm stereo channel fader shall allow adjustment of the channel levels in the mix.

 

The mixing console shall be provided with 2 balanced ¼ " TRS Auxiliary outputs. Each mono and stereo channel shall have an Aux 1 and Aux 2 level control. Each Aux output shall be provided with a pre-fader/post-fader switch.

 

The mixing console shall be provided with 2 balanced ¼ " TRS monitor outputs. Level adjustment shall be provided with a local level control. The output shall be a copy of the main mix, or the pre-fader output from any soloed channels (channel PFL switch engaged), or the 2 track input.

 

The mixing console shall be provided with 2 unbalanced RCA line level inputs, and 2 switches shall allow the input signals to be routed to the main mix, or to the monitor outputs. There shall be 2 unbalanced RCA line level outputs to allow the main mix to be recorded.

 

The mixing console shall be provided with 1 stereo ¼ " TRS output for headphone monitoring of the main mix, or soloed channels (channel PFL switch engaged). Level adjustment shall be provided by a Phones level control.

 

The mixing console shall be provided with 2 balanced XLR outputs to send out the fi nal left/right mix to external amplifi ers and equipment. Adjustment of the fi nal mix output shall be provided by 2x 60 mm master faders. 2 ¼ " TRS main out insert jacks shall be provided.

Global 48 Volt phantom power shall be provided to each microphone input via a phantom power switch. A +48V LED shall indicate when phantom power is activated.

 

2 LED ladders shall indicate the levels of the main mix, or soloed channels (channel PFL switch engaged). An LED will indicate when the mixer is powered on, and a PFL LED will indicate when the meters are monitoring soloed channels.

 

The mixing console shall be provided with an internal switch mode power supply, capable of operation at AC voltages ranging from 100 to 240 VAC, at 50/60 Hz. The mains connection shall be a standard IEC receptacle. The mixing console dimensions shall be 95 mm high x 328 mm wide x 370 mm deep (3.7 x 12.9 x 14.6"). The nominal weight shall be 3.9 kg (1.8 lbs).

 

The mixing console shall be the DDA DM12. No other mixing console shall be acceptable unless submitted data from an independent test laboratory verifi es that the above combined performance / size specifi cations are equalled or exceeded.

Specification

Mono Inputs

Mic inputs (MIDAS mic preamp) 8
Type XLR, balanced
Mic EIN @ 60 dB gain, 50 O source at insert send -131 dBu, unweighted, 20 Hz to 20 kHz
Mic EIN @ 60 dB gain, 150 O source at insert send -128 dBu, unweighted, 20 Hz to 20 kHz
Noise @ 10dB Gain, at insert send -97 dBu, unweighted, 20 Hz to 20 kHz
Frequency response (-1 dB) at main output 20 Hz to 20 kHz (-1 dB)
Frequency response (-3 dB) at main output 70 kHz (-3 dB)
Mic Gain range +10 dB to +60 dB
Max. input level +11 dBu @ +10 dB gain
CMRR @ +60dB gain Typically -90 dB
Impedance 2 kO, balanced
Distortion (THD+N) at 0 dBu 0.005% @ 1kHz
Phantom power Switchable, +48 V

Line Input

Type ¼" TRS, balanced
Impedance 20 kO balanced / unbalanced
Line Gain range -10 dB to +40 dB
Max. input level +30 dBu

Stereo Inputs

Type 4 x ¼" TRS connector, balanced
Impedance 20 kO balanced / unbalanced
Gain range -20 dB to +20 dB
Max. input level +21 dBu

Equaliser

Low ±15 dB @ 80 Hz, shelving
Mid (mono inputs only) ±15 dB @ 150 Hz to 3.5 kHz, variable semi-parametric
High ±15 dB @ 12 kHz, shelving

Channel Inserts

Type ¼" TRS connector, unbalanced
Max. input / output level +21 dBu

Aux Sends

Type 2 x ¼" TRS connector, balanced
Impedance 240 O balanced, 120 O unbalanced
Max. output level +21 dBu

Monitor Out

Type 2 x ¼" TRS connector, balanced
Impedance 240 O balanced, 120 O unbalanced
Max. output level +21 dBu

Main Out

Type 2 x XLR, electronically balanced
Impedance 100 O balanced, 50 O unbalanced
Max. output level +21 dBu

Main Out Inserts

Type 2 x ¼" TRS connector, unbalanced
Max. input / output level +21 dBu

Phones Output

Type ¼" TRS connector, unbalanced
Impedance 25 O
Max. output level +21 dBu

2-Track Input

Type 2 x RCA, unbalanced
Impedance 20 kO
Max. input level +21 dBu

Record Out

Type 2 x RCA, unbalanced
Impedance 1 kO
Max. output level +21 dBu

Main Mix System Noise

Main mix @ -?, channel fader @ -8 -104 dBu, unweighted, 20 Hz to 20 kHz
Main mix @ 0 dB, channel fader @ -8 -91 dBu, unweighted, 20 Hz to 20 kHz
Main mix @ 0 dB, channel fader @ 0 dB -84 dBu, unweighted, 20 Hz to 20 kHz

Power Supply / Voltage (Fuses)

Switch mode power supply 100-240 V~ 50/60 Hz, switchable (T 1.6 A H 250 V)
Power consumption 40 W
Mains connection Standard IEC receptacle

Dimensions / Weight

Dimensions (H x W x D) 95 x 328 x 370 mm (3.7 x 12.9 x 14.6")
Weight 3.9 kg (1.8 lbs)
Sku: DM12
Vendor: MIDAS

Are you buying multiple items or perhaps not finding what you are looking for? Send us an email now and we will gladly send you a quotation. If you find the same product more affordable somewhere else, send us proof and we will gladly work at beating that quotation. And of course friendly service and after sales peace of mind is part of the package! Mail us now: info@harrygreenmusic.online

FREE DELIVERY

Harry Green Music World offers FREE door to door delivery to all main distribution points within South Africa for orders above R4000.00. A standard flat rate of R249.00 will be charged for orders below this.

DELIVERY TIME

Normal delivery time is 2-7 working days. We will always try and give you the best possible ETA on your order together with your Waybill Number. It remains your responsibility to give as much special information on the delivery and address as possible. In the events of natural disasters, strikes etc. that delays the process, we will notify you as soon as possible.

Sometimes you may receive your order in more than one delivery if you have purchased several items that consist of different brands. When it comes to guitars that have built in electronics, we always do the necessary checks beforehand (which takes a day) to ensure that you get a good working guitar. Any other items, including amps, speakers, drums etc. is not part of this pre-check system. It may also be required of the client to assemble his own piano with few simple screws. Alternatively we can arrange for a setup at an additional cost. Larger Piano's will need more man power which means we will include setup fees in our quotes always.

We deliver from Monday to Friday during our business hours, excluding public holidays. If you require an emergency delivery please contact us at 013 752 7725 and we will do our very best to accommodate you. This may require an additional delivery fee.

INSURANCE

You can be rest assured that your items are insured in all cases including theft, fire, or damage. Our trusted and dedicated delivery company will notify us immediately if this happens and we will call you as soon as possible. We will then take you through the steps of refunding or replacing your lost item(s). Should you receive a damaged product upon delivery, please notify us within 2 hours after signing the waybill. It remains your responsibilty to send us photos of the damage caused together with the signed waybill.

FORCE MAJEURE

Neither party shall be liable for any loss suffered by the other Party arising out of delay in or prevention of performance of that Party’s obligations in terms of this Agreement if such delay is directly or indirectly caused by an event beyond that Party’s reasonable control, provided that:

  • the onus be on the Party alleging the occurrence of such an event to immediately notify the other Party of such event;
  • the Party delayed or prevented from performing its obligations by the occurrence of such an event shall do everything that could reasonably be expected of it in order to remedy the situation  

DELIVERY OUTSIDE OF SOUTH AFRICA

If you need a delivery to be done outside of South Africa, give us a call so we can send you a quotation together with an ETA. These areas cover most of the African Continent. Normally delivery to the borders of *Swaziland and *Mozambique is not a problem for us. Give us a call!

mobicred

mobicred is an online account that gives buyers access to credit, which they can use on PayFast. The facility works in a similar fashion to retail store credit: only online. Sellers can choose to enable/disable mobicred on their PayFast accounts and there is no risk of default or repudiation to them. Apply Now
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