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{"id":4812119212094,"title":"MIDAS PRO-X-CC-IP","handle":"midas-pro-x-cc-ip","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003eLive Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"PRO SERIES PRO X-CC-IP\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1e\/hf5\/8847201927198.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePRO SERIES PRO X-CC-IP\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efamily moves up a gear with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econtrol centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econsoles, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efeatures managed latency and 40 bit floating point processing precision.\u003c\/p\u003e\n\u003cp\u003eHyperMAC and AES50 audio networking technologies allow the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eequally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Audio Networking\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hd3\/had\/8847201959966.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Audio Networking\u003c\/h3\u003e\n\u003cp\u003eSuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esimultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eHyperMAC router provides a dual redundant snake connection to the NEUTRON Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5\/5e cable.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis compatible with all\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edigital I\/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econsoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"PRO X Advanced Navigation Flexibility\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h0a\/hda\/8847202025502.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePRO X Advanced Navigation Flexibility\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eincorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ealso features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e’s new centre section, which features 24 LCD switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Integrated Effects Processors and Graphic Equalisers\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h58\/h4f\/8847202091038.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecan simultaneously process up to 24 internal multi-channel effects and NEUTRON’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/p\/P0ACA\" target=\"_blank\"\u003eKLARK TEKNIK DN370\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eGraphic Equalisers (GEQs) are provided, which can be patched into any output.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides comprehensive automatic latency management of all internal routing andprocessing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs,without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely.\u003c\/p\u003e\n\u003cp\u003eAll effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"MIDAS PRO Fader\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/he9\/hdb\/8847202156574.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\u003cp\u003eNot satisfied with the existing motorised fader choices in the marketplace,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecreated the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO FADER\u003c\/a\u003e, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.\u003c\/p\u003e\n\u003cp\u003eAs a digital console manufacturer,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econsoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offered highly linear positional accuracy, coupled with long-term durability and even response in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Highest Quality Display Screens\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hfb\/haa\/8847202254878.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eHighest Quality Display Screens\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eControl Centre features dual 15\" full colour daylight-viewable TFT displays for use in all environments, both inside and outdoors. The displays provide visual feedback for the entire system, the on-screen menus instantly navigate to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Precision, Analogue Response\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h31\/h4a\/8847202287646.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\u003cp\u003eThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Wireless Remote Control\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hfd\/hc0\/8847202385950.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eWireless Remote Control\u003c\/h3\u003e\n\u003cp\u003eDelivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control of key functions with the highly responsive system metering, allowing users to take control of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eusing an iPad from anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication as well as saving valuable time during set-up.\u003c\/p\u003e\n\u003cp\u003eThe MIXTENDER App for iPad is available as a free download from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Redundancy - For Peace of Mind\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hc0\/h9a\/8847202418718.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eRedundancy - For Peace of Mind\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas dual-redundant control computers, and three removable power supplies - only two of which are required for operation. The power supplies, which are interchangeable with those in the NEUTRON Engine, are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one of the three power supplies.\u003c\/p\u003e\n\u003cp\u003eCombined with the dual-redundant HyperMAC snake and the redundant AES50 networking, no other console goes further in providing peace of mind. This means that during a show the user can focus on what is most important - treating the audience to a flawless sonic experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\u003cp\u003eThe control centre shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 168 simultaneous input channels and 99 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall include Gigabit and 100 Mbit\/s Ethernet frame-based digital audio networking with a total network channel count capability of 288 inputs and 294 outputs at 96 kHz sampling rate. A Gigabit Ethernet frame-based digital audio network router shall be included with 192 bidirectional channels operating over optical fibre up to 500 m and CAT5\/5E cable up to 100 m, and provide a dual redundant digital snake connection to the associated audio system digital signal processing engine.\u003c\/p\u003e\n\u003cp\u003eThe Gigabit digital audio network shall operate on a time-division multiplex basis, and shall provide accurate phase-aligned low-jitter clock distribution using embedded timing markers in the data streams to allow transmission over either Cat5\/5E copper cable up to a distance of 100 m as specified by the IEEE 802.3 Ethernet standard, or up to distances of 500 m using 50\/125 μm multimode optical fibre. It shall provide two levels of cyclic redundancy check (CRC) error detection - a checksum sent with the associated Ethernet frame and an additional checksum for audio data. A dedicated 200 Mbit\/s auxiliary data channel shall be provided for control data.\u003c\/p\u003e\n\u003cp\u003eThe Gigabit digital audio network shall have an individual link latency of 62.5 μs at 96 kHz sampling rate and support dual redundant operation.\u003c\/p\u003e\n\u003cp\u003eThe 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard.\u003c\/p\u003e\n\u003cp\u003eIn conjunction with the associated audio system engine digital signal processor, the control centre shall provide up to 36 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and up to 24 simultaneous multi-channel digital audio effects. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall provide a user navigation system including 10 variable control association (VCA) groups and 8 population (POP) groups. It shall also provide additional methods of user navigation including a mode to change the operation of the input faders to become send levels to the selected bus or output, a mode mapping of assignable controls to an internal effects processor, a mode to present the faders of an internal graphic equaliser on the VCA section faders and a mode to present the faders for a selected bus output on the VCA section faders.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall have 29 motorised 100 mm faders with a rated life time of up to one million cycles and two daylight-viewable 15\" full colour display screens. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall include dual-redundant control computers, and three auto-ranging universal switch-mode power supplies with N+1 redundancy for use on a worldwide basis. The power supply modules shall be externally removable and interchangeable with those in the associated audio system engine digital signal processor.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall be 1365 mm wide x 940 mm deep x 434 mm high (53.7\" x 37.0\" x 17.1\"), with nominal weight 120 kg (264 lbs). The control centre shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the control centre. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall be the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePRO X-CC-IP and no other alternative shall be acceptable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch2 class=\"mb-0 pt-1 pt-sm-0\"\u003eSpecification\u003cbr\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3 class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003eSystem Specifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"collapse show\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSampling rate\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e96kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLatency delay\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e\u0026lt;2 ms (Input to Master output with no latency compensation)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e110 dB, 22 Hz to 22 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMaximum voltage gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e80 dB, Inputs to Subgroups and Masters\u003cbr\u003e86 dB, Inputs to Aux and Matrix\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCrosstalk\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB physically adjacent input channels\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFader\/pan cut off\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0 dB to -1.0 dB, 20 Hz to 20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain Error @ 1kHz\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e±1.0 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eInput CMRR\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-80 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-90 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ 0 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 17.7958px;\"\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 17.7958px;\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 17.7958px;\"\u003e\n\u003cp\u003e0.01%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 30px;\"\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 30px;\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 30px;\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ +20 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eNoise Floor\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-89 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-87 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEquivalent Input Noise (EIN)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-89 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-127 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e110 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e108 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Inputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic\/Line Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Mic Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Back Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMonitor Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAssignable Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHeadphone Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDigital Audio System Inputs and Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES50 Audio\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSnake (Copper)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSnake (Fibre)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eEthernet Control Data\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eOther Interfaces\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eExternal Ethernet Tunnel\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eScreen Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eKVM Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eUSB Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMIDI Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDisplays\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Supplies\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhysical\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e1365 mm wide x 940 mm deep x 434 mm high (53.7\" x 37.0\" x 17.1\")\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNet weight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e120 kg (264 lbs)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eOperating temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e+5°C to +40°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStorage temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-20°C to +60°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2021-02-08T13:02:37+02:00","created_at":"2021-02-08T13:02:36+02:00","vendor":"MIDAS","type":"DIGITAL MIXERS","tags":["DIGITAL","MIDAS","MIXER","PRO","X"],"price":62459900,"price_min":62459900,"price_max":62459900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32763986444350,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PROX","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS PRO-X-CC-IP","public_title":null,"options":["Default Title"],"price":62459900,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Front_XL.png?v=1612782158","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Left_XL.png?v=1612782159","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Right_XL.png?v=1612782159","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Rear_XL.png?v=1612782159"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Front_XL.png?v=1612782158","options":["Title"],"media":[{"alt":null,"id":9169345544254,"position":1,"preview_image":{"aspect_ratio":1.944,"height":1029,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Front_XL.png?v=1612782158"},"aspect_ratio":1.944,"height":1029,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Front_XL.png?v=1612782158","width":2000},{"alt":null,"id":9169345577022,"position":2,"preview_image":{"aspect_ratio":1.474,"height":1357,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Left_XL.png?v=1612782158"},"aspect_ratio":1.474,"height":1357,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Left_XL.png?v=1612782158","width":2000},{"alt":null,"id":9169345609790,"position":3,"preview_image":{"aspect_ratio":1.455,"height":1375,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Right_XL.png?v=1612782159"},"aspect_ratio":1.455,"height":1375,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Right_XL.png?v=1612782159","width":2000},{"alt":null,"id":9169345642558,"position":4,"preview_image":{"aspect_ratio":2.706,"height":739,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Rear_XL.png?v=1612782158"},"aspect_ratio":2.706,"height":739,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO-X-CC-IP_P0BBM_Rear_XL.png?v=1612782158","width":2000}],"content":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003eLive Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"PRO SERIES PRO X-CC-IP\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1e\/hf5\/8847201927198.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePRO SERIES PRO X-CC-IP\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efamily moves up a gear with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econtrol centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econsoles, the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003efeatures managed latency and 40 bit floating point processing precision.\u003c\/p\u003e\n\u003cp\u003eHyperMAC and AES50 audio networking technologies allow the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eto dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eequally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Audio Networking\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hd3\/had\/8847201959966.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Audio Networking\u003c\/h3\u003e\n\u003cp\u003eSuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/klarkteknik\/home\" target=\"_blank\"\u003eKLARK TEKNIK\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003esimultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eHyperMAC router provides a dual redundant snake connection to the NEUTRON Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5\/5e cable.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eis compatible with all\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003edigital I\/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econsoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"PRO X Advanced Navigation Flexibility\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h0a\/hda\/8847202025502.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePRO X Advanced Navigation Flexibility\u003c\/h3\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eincorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ealso features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires.\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e’s new centre section, which features 24 LCD switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Integrated Effects Processors and Graphic Equalisers\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h58\/h4f\/8847202091038.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecan simultaneously process up to 24 internal multi-channel effects and NEUTRON’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/p\/P0ACA\" target=\"_blank\"\u003eKLARK TEKNIK DN370\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eGraphic Equalisers (GEQs) are provided, which can be patched into any output.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eprovides comprehensive automatic latency management of all internal routing andprocessing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs,without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely.\u003c\/p\u003e\n\u003cp\u003eAll effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"MIDAS PRO Fader\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/he9\/hdb\/8847202156574.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\u003cp\u003eNot satisfied with the existing motorised fader choices in the marketplace,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ecreated the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO FADER\u003c\/a\u003e, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.\u003c\/p\u003e\n\u003cp\u003eAs a digital console manufacturer,\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS PRO Series\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003econsoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offered highly linear positional accuracy, coupled with long-term durability and even response in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Highest Quality Display Screens\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hfb\/haa\/8847202254878.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eHighest Quality Display Screens\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eControl Centre features dual 15\" full colour daylight-viewable TFT displays for use in all environments, both inside and outdoors. The displays provide visual feedback for the entire system, the on-screen menus instantly navigate to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Precision, Analogue Response\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h31\/h4a\/8847202287646.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\u003cp\u003eThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Wireless Remote Control\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hfd\/hc0\/8847202385950.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eWireless Remote Control\u003c\/h3\u003e\n\u003cp\u003eDelivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control of key functions with the highly responsive system metering, allowing users to take control of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eusing an iPad from anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication as well as saving valuable time during set-up.\u003c\/p\u003e\n\u003cp\u003eThe MIXTENDER App for iPad is available as a free download from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Redundancy - For Peace of Mind\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hc0\/h9a\/8847202418718.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eRedundancy - For Peace of Mind\u003c\/h3\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003ePRO X\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003ehas dual-redundant control computers, and three removable power supplies - only two of which are required for operation. The power supplies, which are interchangeable with those in the NEUTRON Engine, are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one of the three power supplies.\u003c\/p\u003e\n\u003cp\u003eCombined with the dual-redundant HyperMAC snake and the redundant AES50 networking, no other console goes further in providing peace of mind. This means that during a show the user can focus on what is most important - treating the audience to a flawless sonic experience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eArchitecture and Engineering Specifications\u003c\/h3\u003e\n\u003cp\u003eThe control centre shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 168 simultaneous input channels and 99 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall include Gigabit and 100 Mbit\/s Ethernet frame-based digital audio networking with a total network channel count capability of 288 inputs and 294 outputs at 96 kHz sampling rate. A Gigabit Ethernet frame-based digital audio network router shall be included with 192 bidirectional channels operating over optical fibre up to 500 m and CAT5\/5E cable up to 100 m, and provide a dual redundant digital snake connection to the associated audio system digital signal processing engine.\u003c\/p\u003e\n\u003cp\u003eThe Gigabit digital audio network shall operate on a time-division multiplex basis, and shall provide accurate phase-aligned low-jitter clock distribution using embedded timing markers in the data streams to allow transmission over either Cat5\/5E copper cable up to a distance of 100 m as specified by the IEEE 802.3 Ethernet standard, or up to distances of 500 m using 50\/125 μm multimode optical fibre. It shall provide two levels of cyclic redundancy check (CRC) error detection - a checksum sent with the associated Ethernet frame and an additional checksum for audio data. A dedicated 200 Mbit\/s auxiliary data channel shall be provided for control data.\u003c\/p\u003e\n\u003cp\u003eThe Gigabit digital audio network shall have an individual link latency of 62.5 μs at 96 kHz sampling rate and support dual redundant operation.\u003c\/p\u003e\n\u003cp\u003eThe 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard.\u003c\/p\u003e\n\u003cp\u003eIn conjunction with the associated audio system engine digital signal processor, the control centre shall provide up to 36 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and up to 24 simultaneous multi-channel digital audio effects. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall provide a user navigation system including 10 variable control association (VCA) groups and 8 population (POP) groups. It shall also provide additional methods of user navigation including a mode to change the operation of the input faders to become send levels to the selected bus or output, a mode mapping of assignable controls to an internal effects processor, a mode to present the faders of an internal graphic equaliser on the VCA section faders and a mode to present the faders for a selected bus output on the VCA section faders.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall have 29 motorised 100 mm faders with a rated life time of up to one million cycles and two daylight-viewable 15\" full colour display screens. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall include dual-redundant control computers, and three auto-ranging universal switch-mode power supplies with N+1 redundancy for use on a worldwide basis. The power supply modules shall be externally removable and interchangeable with those in the associated audio system engine digital signal processor.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall be 1365 mm wide x 940 mm deep x 434 mm high (53.7\" x 37.0\" x 17.1\"), with nominal weight 120 kg (264 lbs). The control centre shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the control centre. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.\u003c\/p\u003e\n\u003cp\u003eThe control centre shall be the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePRO X-CC-IP and no other alternative shall be acceptable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch2 class=\"mb-0 pt-1 pt-sm-0\"\u003eSpecification\u003cbr\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3 class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003eSystem Specifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"collapse show\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSampling rate\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e96kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLatency delay\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e\u0026lt;2 ms (Input to Master output with no latency compensation)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e110 dB, 22 Hz to 22 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMaximum voltage gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e80 dB, Inputs to Subgroups and Masters\u003cbr\u003e86 dB, Inputs to Aux and Matrix\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCrosstalk\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB physically adjacent input channels\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFader\/pan cut off\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0 dB to -1.0 dB, 20 Hz to 20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain Error @ 1kHz\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e±1.0 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eInput CMRR\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-80 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-90 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ 0 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 17.7958px;\"\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 17.7958px;\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 17.7958px;\"\u003e\n\u003cp\u003e0.01%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 30px;\"\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 30px;\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\" style=\"height: 30px;\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ +20 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eNoise Floor\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-89 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-87 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEquivalent Input Noise (EIN)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-89 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-127 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e110 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+40 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e108 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Inputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic\/Line Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Mic Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Back Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMonitor Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAssignable Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHeadphone Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDigital Audio System Inputs and Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES50 Audio\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSnake (Copper)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSnake (Fibre)\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eEthernet Control Data\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eOther Interfaces\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eExternal Ethernet Tunnel\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eScreen Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eKVM Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eUSB Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMIDI Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDisplays\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Supplies\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhysical\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e1365 mm wide x 940 mm deep x 434 mm high (53.7\" x 37.0\" x 17.1\")\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNet weight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e120 kg (264 lbs)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eOperating temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e+5°C to +40°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStorage temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-20°C to +60°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS PRO-X-CC-IP

Product Description
R 624,599.00
Maximum quantity available reached.

**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**

Live Digital Console Control Centre with 168 Input Channels, 99 Mix Buses and 96 kHz Sample Rate

Product Features

PRO SERIES PRO X-CC-IP

PRO SERIES PRO X-CC-IP

The MIDAS PRO Series family moves up a gear with the PRO X control centre and the industry-changing NEUTRON Audio System Engine. Featuring 168 simultaneous input channels and 99 time-aligned and phase-coherent mix buses, the PRO X sets a new performance benchmark in high-profile live sound applications and is a truly impressive digital control surface for the engineer whose very livelihood depends on both unparalleled functionality and reliability. Like all PRO Series consoles, the PRO X features managed latency and 40 bit floating point processing precision.

HyperMAC and AES50 audio networking technologies allow the PRO X to dynamically assign up to 288 inputs and 294 outputs at 96 kHz sampling rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO X equally at home in theatres and symphony halls as it is in live concert touring, outside broadcast and music festivals.

Digital Audio Networking

Digital Audio Networking

SuperMAC (AES50-Compliant) and HyperMAC digital audio networking technologies from KLARK TEKNIK simultaneously provide high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.

The PRO X HyperMAC router provides a dual redundant snake connection to the NEUTRON Audio System Engine over optical fibre and copper with a bandwidth of 192 bidirectional channels of 96 kHz 24 bit digital audio, up to a distance of 500 m with optical fibre or 100 m with CAT5/5e cable.

PRO X is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHz enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.

PRO X Advanced Navigation Flexibility

PRO X Advanced Navigation Flexibility

PRO X incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO X also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO X’s new centre section, which features 24 LCD switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.

Integrated Effects Processors and Graphic Equalisers

Integrated Effects Processors and Graphic Equalisers

The PRO X can simultaneously process up to 24 internal multi-channel effects and NEUTRON’s 40 bit floating-point audio processing hosts a wide choice of virtual effects devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 36 1⁄3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output.

PRO X provides comprehensive automatic latency management of all internal routing andprocessing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs,without the comb filtering effects of competing products that often result in specific frequencies being cancelled out completely.

All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.

MIDAS PRO Fader

MIDAS PRO Fader

Not satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.

As a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that offered highly linear positional accuracy, coupled with long-term durability and even response in use.

Highest Quality Display Screens

Highest Quality Display Screens

The PRO X Control Centre features dual 15" full colour daylight-viewable TFT displays for use in all environments, both inside and outdoors. The displays provide visual feedback for the entire system, the on-screen menus instantly navigate to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.

Digital Precision, Analogue Response

Digital Precision, Analogue Response

The oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy, and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.

Wireless Remote Control

Wireless Remote Control

Delivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control of key functions with the highly responsive system metering, allowing users to take control of PRO X using an iPad from anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication as well as saving valuable time during set-up.

The MIXTENDER App for iPad is available as a free download from the Apple App Store.

Redundancy - For Peace of Mind

Redundancy - For Peace of Mind

The PRO X has dual-redundant control computers, and three removable power supplies - only two of which are required for operation. The power supplies, which are interchangeable with those in the NEUTRON Engine, are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one of the three power supplies.

Combined with the dual-redundant HyperMAC snake and the redundant AES50 networking, no other console goes further in providing peace of mind. This means that during a show the user can focus on what is most important - treating the audience to a flawless sonic experience.

Architecture and Engineering Specifications

The control centre shall be designed for digital audio mixing applications and be optimised for use in live performance. It shall feature 168 simultaneous input channels and 99 time-aligned and phase-coherent output mix buses and operate at 96 kHz sampling rate.

The control centre shall include Gigabit and 100 Mbit/s Ethernet frame-based digital audio networking with a total network channel count capability of 288 inputs and 294 outputs at 96 kHz sampling rate. A Gigabit Ethernet frame-based digital audio network router shall be included with 192 bidirectional channels operating over optical fibre up to 500 m and CAT5/5E cable up to 100 m, and provide a dual redundant digital snake connection to the associated audio system digital signal processing engine.

The Gigabit digital audio network shall operate on a time-division multiplex basis, and shall provide accurate phase-aligned low-jitter clock distribution using embedded timing markers in the data streams to allow transmission over either Cat5/5E copper cable up to a distance of 100 m as specified by the IEEE 802.3 Ethernet standard, or up to distances of 500 m using 50/125 μm multimode optical fibre. It shall provide two levels of cyclic redundancy check (CRC) error detection - a checksum sent with the associated Ethernet frame and an additional checksum for audio data. A dedicated 200 Mbit/s auxiliary data channel shall be provided for control data.

The Gigabit digital audio network shall have an individual link latency of 62.5 μs at 96 kHz sampling rate and support dual redundant operation.

The 100 Megabit Ethernet frame-based digital audio network shall offer N+1 cable redundancy and be compliant with the Audio Engineering Society AES50-2011 standard.

In conjunction with the associated audio system engine digital signal processor, the control centre shall provide up to 36 assignable digital audio emulations of industry standard one-third octave proportional-Q response graphic equalisers and up to 24 simultaneous multi-channel digital audio effects. There shall be automatic latency management of all internal routing, external analogue insert and digital signal processing delays. This latency management system shall synchronise audio samples when summing to mix buses to ensure phase alignment of the summed signals.

The control centre shall provide a user navigation system including 10 variable control association (VCA) groups and 8 population (POP) groups. It shall also provide additional methods of user navigation including a mode to change the operation of the input faders to become send levels to the selected bus or output, a mode mapping of assignable controls to an internal effects processor, a mode to present the faders of an internal graphic equaliser on the VCA section faders and a mode to present the faders for a selected bus output on the VCA section faders.

The control centre shall have 29 motorised 100 mm faders with a rated life time of up to one million cycles and two daylight-viewable 15" full colour display screens. It shall include software interpolation of physical control elements and associated display feedback to eliminate digital quantisation artefacts.

The control centre shall have the provision for the optional wireless control using an Apple iPad, with a bespoke software application available as a free download from the Apple App Store.

The control centre shall include dual-redundant control computers, and three auto-ranging universal switch-mode power supplies with N+1 redundancy for use on a worldwide basis. The power supply modules shall be externally removable and interchangeable with those in the associated audio system engine digital signal processor.

The control centre shall be 1365 mm wide x 940 mm deep x 434 mm high (53.7" x 37.0" x 17.1"), with nominal weight 120 kg (264 lbs). The control centre shall be installed on a flat horizontal surface capable of safely supporting its weight. Input, output, and power connections shall be made at the rear panel of the control centre. Installers shall allow adequate space at the rear for connection and disconnection of input, output, and power connections. The power requirements shall be 100 to 240 VAC, 50 to 60 Hz.

The control centre shall be the MIDAS PRO X-CC-IP and no other alternative shall be acceptable.

Specification

System Specifications

Sampling rate

96kHz

Latency delay

<2 ms (Input to Master output with no latency compensation)

Dynamic range

110 dB, 22 Hz to 22 kHz

Maximum voltage gain

80 dB, Inputs to Subgroups and Masters
86 dB, Inputs to Aux and Matrix

Crosstalk

-100 dB physically adjacent input channels

Fader/pan cut off

-100 dB

Frequency Response

0 dB to -1.0 dB, 20 Hz to 20 kHz

Gain Error @ 1kHz

±1.0 dB

Input CMRR

0 dB gain

-80 dB

+40 dB gain

-90 dB

Distortion @ 0 dBu

0 dB gain

0.01%

+40 dB gain

0.03%

Distortion @ +20 dBu

0 dB gain

0.03%

+40 dB gain

0.03%

Noise Floor

0 dB gain

-89 dBu, 22 Hz to 22 kHz (unweighted)

+40 dB gain

-87 dBu, 22 Hz to 22 kHz (unweighted)

Equivalent Input Noise (EIN)

0 dB gain

-89 dBu, 22 Hz to 22 kHz (unweighted)

+40 dB gain

-127 dBu, 22 Hz to 22 kHz (unweighted)

Dynamic Range

0 dB gain

110 dB, 22 Hz to 22 kHz (unweighted)

+40 dB gain

108 dB, 22 Hz to 22 kHz (unweighted)

Analogue Audio System Inputs

Mic/Line Inputs
Talk Mic Input
Talk Back Input

Analogue Audio System Outputs

Line Outputs
Monitor Outputs
Assignable Outputs
Talk Output
Headphone Output

Digital Audio System Inputs and Outputs

AES3 Inputs
AES3 Outputs
AES50 Audio
Snake (Copper)
Snake (Fibre)
Ethernet Control Data
Word Clock Input
Word Clock Output
AES3 Sync Input
AES3 Sync Output

Other Interfaces

External Ethernet Tunnel
Screen Outputs
KVM Inputs
USB Interface
MIDI Interface
Displays

Power

Power Supplies
Power Consumption

Physical

Dimensions

1365 mm wide x 940 mm deep x 434 mm high (53.7" x 37.0" x 17.1")

Net weight

120 kg (264 lbs)

Operating temperature range

+5°C to +40°C

Storage temperature range

-20°C to +60°C

Sku: PROX
Vendor: MIDAS

Are you buying multiple items or perhaps not finding what you are looking for? Send us an email now and we will gladly send you a quotation. If you find the same product more affordable somewhere else, send us proof and we will gladly work at beating that quotation. And of course friendly service and after sales peace of mind is part of the package! Mail us now: info@harrygreenmusic.online

FREE DELIVERY

Harry Green Music World offers FREE door to door delivery to all main distribution points within South Africa for orders above R4000.00. A standard flat rate of R249.00 will be charged for orders below this.

DELIVERY TIME

Normal delivery time is 2-7 working days. We will always try and give you the best possible ETA on your order together with your Waybill Number. It remains your responsibility to give as much special information on the delivery and address as possible. In the events of natural disasters, strikes etc. that delays the process, we will notify you as soon as possible.

Sometimes you may receive your order in more than one delivery if you have purchased several items that consist of different brands. When it comes to guitars that have built in electronics, we always do the necessary checks beforehand (which takes a day) to ensure that you get a good working guitar. Any other items, including amps, speakers, drums etc. is not part of this pre-check system. It may also be required of the client to assemble his own piano with few simple screws. Alternatively we can arrange for a setup at an additional cost. Larger Piano's will need more man power which means we will include setup fees in our quotes always.

We deliver from Monday to Friday during our business hours, excluding public holidays. If you require an emergency delivery please contact us at 013 752 7725 and we will do our very best to accommodate you. This may require an additional delivery fee.

INSURANCE

You can be rest assured that your items are insured in all cases including theft, fire, or damage. Our trusted and dedicated delivery company will notify us immediately if this happens and we will call you as soon as possible. We will then take you through the steps of refunding or replacing your lost item(s). Should you receive a damaged product upon delivery, please notify us within 2 hours after signing the waybill. It remains your responsibilty to send us photos of the damage caused together with the signed waybill.

FORCE MAJEURE

Neither party shall be liable for any loss suffered by the other Party arising out of delay in or prevention of performance of that Party’s obligations in terms of this Agreement if such delay is directly or indirectly caused by an event beyond that Party’s reasonable control, provided that:

  • the onus be on the Party alleging the occurrence of such an event to immediately notify the other Party of such event;
  • the Party delayed or prevented from performing its obligations by the occurrence of such an event shall do everything that could reasonably be expected of it in order to remedy the situation  

DELIVERY OUTSIDE OF SOUTH AFRICA

If you need a delivery to be done outside of South Africa, give us a call so we can send you a quotation together with an ETA. These areas cover most of the African Continent. Normally delivery to the borders of *Swaziland and *Mozambique is not a problem for us. Give us a call!

mobicred

mobicred is an online account that gives buyers access to credit, which they can use on PayFast. The facility works in a similar fashion to retail store credit: only online. Sellers can choose to enable/disable mobicred on their PayFast accounts and there is no risk of default or repudiation to them. Apply Now
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