Shopify secure badge
{"id":2162911346750,"title":"MIDAS PRO2-CC-IP LIVE DIGITAL MIXER","handle":"midas-pro2cip-live-digital-mixer","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003eLive Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"PRO SERIES PRO2-CC-IP\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h2e\/h14\/8847205269534.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePRO SERIES PRO2-CC-IP\u003c\/h3\u003e\n\u003cp\u003eThe ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifi ers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.\u003c\/p\u003e\n\u003cp\u003eAES50 audio networking technology allows the PRO2 to dynamically assign up to 156 inputs and 164 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO2 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Award-Winning MIDAS Microphone Preamplifier\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/ha4\/hf6\/8847205236766.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eAward-Winning MIDAS Microphone Preamplifier\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.\u003c\/p\u003e\n\u003cp\u003eSince pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO2 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.\u003c\/p\u003e\n\u003cp\u003eOver the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Audio Networking\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h2d\/h7d\/8847205302302.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Audio Networking\u003c\/h3\u003e\n\u003cp\u003eSuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.\u003c\/p\u003e\n\u003cp\u003ePRO2 is compatible with all MIDAS PRO Series digital I\/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Advanced Navigation Flexibility\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf2\/h2d\/8847205466142.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eAdvanced Navigation Flexibility\u003c\/h3\u003e\n\u003cp\u003ePRO2 incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO2 also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO2’s new output section, which features 24 direct bus selection switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhen in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. If the Collapsed Flip (Hide Unassigned Channels) preference is ticked, then the console will only populate with the input channels that are assigned to the selected output, otherwise all channels will be displayed.\u003c\/li\u003e\n\u003cli\u003eWhen the FX navigation button is engaged, selecting an output which is patched to an internal effects processor, this mode will deploy that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels that are sending to that effects processor.\u003c\/li\u003e\n\u003cli\u003eWhen the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels which are sending to that mix.\u003c\/li\u003e\n\u003cli\u003eIf the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Integrated Effects Processors and Graphic Equalisers\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h25\/he2\/8847205662750.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\u003cp\u003eThe PRO2 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1⁄3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output.\u003c\/p\u003e\n\u003cp\u003ePRO2 provides comprehensive automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specifi c frequencies being cancelled out completely.\u003c\/p\u003e\n\u003cp\u003eAll effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"MIDAS PRO Fader\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1e\/h4e\/8847205531678.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\u003cp\u003eNot satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.\u003c\/p\u003e\n\u003cp\u003eAs a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that off er highly linear positional accuracy, coupled with long-term durability and even response in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Highest Quality Display Screen\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1a\/h2f\/8847205498910.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eHighest Quality Display Screen\u003c\/h3\u003e\n\u003cp\u003eThe PRO2 features a 15\" full colour daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Precision, Analogue Response\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf4\/hfe\/8847205728286.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\u003cp\u003eThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Wireless Remote Control\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h30\/he9\/8847205761054.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eWireless Remote Control\u003c\/h3\u003e\n\u003cp\u003eDelivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control of key functions with the highly responsive system metering, allowing users to take control of PRO2 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up.\u003c\/p\u003e\n\u003cp\u003eThe MIXTENDER App for iPad is available as a free download from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Auto-Ranging Universal Switch-Mode Power Supplies\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h3f\/h8a\/8847205826590.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eAuto-Ranging Universal Switch-Mode Power Supplies\u003c\/h3\u003e\n\u003cp\u003ePRO2 features dual-redundant power supplies, which are interchangeable with those in PRO1 and PRO2C, and are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch2 class=\"mb-0 pt-1 pt-sm-0\"\u003eSpecification\u003cbr\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3 class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003eSystem Specifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"collapse show\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSampling rate\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e96kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLatency delay\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e\u0026lt;2 ms (Input to Master output with no latency compensation)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e106 dB, 22 Hz to 22 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMaximum voltage gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e80 dB, Inputs to Subgroups and Masters\u003cbr\u003e86 dB, Inputs to Aux and Matrix\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCrosstalk\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB physically adjacent input channels\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFader\/pan cut off\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0 dB to -1.0 dB, 20 Hz to 20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain Error @ 1kHz\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e±1.0 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eInput CMRR\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-60 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-90 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ 0 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.01%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ +20 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eNoise Floor\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-85 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-81 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEquivalent Input Noise (EIN)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-85 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-126 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e106 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e102 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Inputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic\/Line Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Mic Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Back Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMaster Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMonitor Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHeadphone Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDigital Audio System Inputs and Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES50 Audio\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eEthernet Control Data\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eVideo Sync Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eOther Interfaces\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eScreen Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eUSB Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMIDI Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFootswitch Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLamps\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDisplays\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Supplies\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhysical\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e1179.6 mm wide x 730.3 mm deep x 274.9 mm high (46.4\" x 28.8\" x 10.8\")\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNet weight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e46.0 kg (101.2 lbs)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eOperating temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e+5°C to +40°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStorage temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-20°C to +60°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T16:10:50+02:00","created_at":"2019-05-20T16:14:33+02:00","vendor":"MIDAS","type":"DIGITAL MIXERS","tags":["Price_R45000+","Product Type_DIGITAL MIXERS","VENDOR_MIDAS"],"price":31059900,"price_min":31059900,"price_max":31059900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":19786459643966,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PRO2CCIP","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"MIDAS PRO2-CC-IP LIVE DIGITAL MIXER","public_title":null,"options":["Default Title"],"price":31059900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Front_XL.png?v=1612772653","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Left_XL.png?v=1612772653","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Rear_XL.png?v=1612772654","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Right_XL.png?v=1612772654"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Front_XL.png?v=1612772653","options":["Title"],"media":[{"alt":null,"id":9168692805694,"position":1,"preview_image":{"aspect_ratio":1.938,"height":1032,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Front_XL.png?v=1612772653"},"aspect_ratio":1.938,"height":1032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Front_XL.png?v=1612772653","width":2000},{"alt":null,"id":9168692838462,"position":2,"preview_image":{"aspect_ratio":1.783,"height":1122,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Left_XL.png?v=1612772653"},"aspect_ratio":1.783,"height":1122,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Left_XL.png?v=1612772653","width":2000},{"alt":null,"id":9168692871230,"position":3,"preview_image":{"aspect_ratio":3.442,"height":581,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Rear_XL.png?v=1612772654"},"aspect_ratio":3.442,"height":581,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Rear_XL.png?v=1612772654","width":2000},{"alt":null,"id":9168692903998,"position":4,"preview_image":{"aspect_ratio":1.949,"height":1026,"width":2000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Right_XL.png?v=1612772654"},"aspect_ratio":1.949,"height":1026,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/PRO2-CC-IP_P0BNM_Right_XL.png?v=1612772654","width":2000}],"content":"\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**\u003c\/span\u003e\u003c\/h2\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003ch3\u003eLive Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate\u003c\/h3\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch2 class=\"font-weight-normal\"\u003eProduct Features\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"PRO SERIES PRO2-CC-IP\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h2e\/h14\/8847205269534.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003ePRO SERIES PRO2-CC-IP\u003c\/h3\u003e\n\u003cp\u003eThe ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifi ers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.\u003c\/p\u003e\n\u003cp\u003eAES50 audio networking technology allows the PRO2 to dynamically assign up to 156 inputs and 164 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO2 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Award-Winning MIDAS Microphone Preamplifier\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/ha4\/hf6\/8847205236766.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eAward-Winning MIDAS Microphone Preamplifier\u003c\/h3\u003e\n\u003cp\u003eThe MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.\u003c\/p\u003e\n\u003cp\u003eSince pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO2 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.\u003c\/p\u003e\n\u003cp\u003eOver the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Audio Networking\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h2d\/h7d\/8847205302302.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Audio Networking\u003c\/h3\u003e\n\u003cp\u003eSuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.\u003c\/p\u003e\n\u003cp\u003ePRO2 is compatible with all MIDAS PRO Series digital I\/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I\/O interfaces.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Advanced Navigation Flexibility\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf2\/h2d\/8847205466142.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eAdvanced Navigation Flexibility\u003c\/h3\u003e\n\u003cp\u003ePRO2 incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO2 also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO2’s new output section, which features 24 direct bus selection switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhen in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. If the Collapsed Flip (Hide Unassigned Channels) preference is ticked, then the console will only populate with the input channels that are assigned to the selected output, otherwise all channels will be displayed.\u003c\/li\u003e\n\u003cli\u003eWhen the FX navigation button is engaged, selecting an output which is patched to an internal effects processor, this mode will deploy that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels that are sending to that effects processor.\u003c\/li\u003e\n\u003cli\u003eWhen the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels which are sending to that mix.\u003c\/li\u003e\n\u003cli\u003eIf the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Integrated Effects Processors and Graphic Equalisers\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h25\/he2\/8847205662750.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eIntegrated Effects Processors and Graphic Equalisers\u003c\/h3\u003e\n\u003cp\u003eThe PRO2 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1⁄3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output.\u003c\/p\u003e\n\u003cp\u003ePRO2 provides comprehensive automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specifi c frequencies being cancelled out completely.\u003c\/p\u003e\n\u003cp\u003eAll effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"MIDAS PRO Fader\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1e\/h4e\/8847205531678.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eMIDAS PRO Fader\u003c\/h3\u003e\n\u003cp\u003eNot satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.\u003c\/p\u003e\n\u003cp\u003eAs a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that off er highly linear positional accuracy, coupled with long-term durability and even response in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Highest Quality Display Screen\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h1a\/h2f\/8847205498910.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eHighest Quality Display Screen\u003c\/h3\u003e\n\u003cp\u003eThe PRO2 features a 15\" full colour daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Digital Precision, Analogue Response\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/hf4\/hfe\/8847205728286.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eDigital Precision, Analogue Response\u003c\/h3\u003e\n\u003cp\u003eThe oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Wireless Remote Control\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h30\/he9\/8847205761054.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eWireless Remote Control\u003c\/h3\u003e\n\u003cp\u003eDelivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control of key functions with the highly responsive system metering, allowing users to take control of PRO2 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up.\u003c\/p\u003e\n\u003cp\u003eThe MIXTENDER App for iPad is available as a free download from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm\"\u003e\u003cimg alt=\"Auto-Ranging Universal Switch-Mode Power Supplies\" class=\"w-100\" src=\"https:\/\/mediadl.musictribe.com\/media\/sys_master\/h3f\/h8a\/8847205826590.jpg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch3 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eAuto-Ranging Universal Switch-Mode Power Supplies\u003c\/h3\u003e\n\u003cp\u003ePRO2 features dual-redundant power supplies, which are interchangeable with those in PRO1 and PRO2C, and are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003csection class=\"mt-1\"\u003e\n\u003cdiv class=\"show-more text-center text-sm-right p-0 collapsible--arrow collapsible--product-feature\"\u003e\n\u003ch2 class=\"mb-0 pt-1 pt-sm-0\"\u003eSpecification\u003cbr\u003e\n\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-4 mb-sm-0\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3 class=\"d-flex align-items-center col-auto collapsible--arrow collapsible--product-feature\"\u003eSystem Specifications\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs\" class=\"collapse show\"\u003e\n\u003cdiv class=\"mt-sm-1 pt-2 pt-sm-1\"\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eSampling rate\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e96kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLatency delay\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e\u0026lt;2 ms (Input to Master output with no latency compensation)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDynamic range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e106 dB, 22 Hz to 22 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMaximum voltage gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e80 dB, Inputs to Subgroups and Masters\u003cbr\u003e86 dB, Inputs to Aux and Matrix\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eCrosstalk\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB physically adjacent input channels\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFader\/pan cut off\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-100 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFrequency Response\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0 dB to -1.0 dB, 20 Hz to 20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eGain Error @ 1kHz\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e±1.0 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eInput CMRR\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-60 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-90 dB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ 0 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.01%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDistortion @ +20 dBu\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e0.03%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eNoise Floor\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-85 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-81 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eEquivalent Input Noise (EIN)\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-85 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-126 dBu, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e0 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e106 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003e+45 dB gain\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e102 dB, 22 Hz to 22 kHz (unweighted)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Inputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMic\/Line Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Mic Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Back Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eAnalogue Audio System Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLine Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMaster Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMonitor Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eTalk Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eHeadphone Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eDigital Audio System Inputs and Outputs\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Inputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Outputs\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES50 Audio\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eEthernet Control Data\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eWord Clock Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eVideo Sync Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eAES3 Sync Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003eOther Interfaces\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eScreen Output\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eUSB Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eMIDI Interface\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eFootswitch Input\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eLamps\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDisplays\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePower\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Supplies\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003ePower Consumption\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"ml-sm-2 mb-2 font-weight-normal\"\u003ePhysical\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive table-striped border-left border-right border-sm-left-0 border-sm-right-0\"\u003e\n\u003ctable class=\"table w-100 mb-0 border-bottom\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eDimensions\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e1179.6 mm wide x 730.3 mm deep x 274.9 mm high (46.4\" x 28.8\" x 10.8\")\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eNet weight\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e46.0 kg (101.2 lbs)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eOperating temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e+5°C to +40°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"w-25 border-0\"\u003eStorage temperature range\u003c\/td\u003e\n\u003ctd class=\"w-25 border-0\"\u003e\n\u003cp\u003e-20°C to +60°C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS PRO2-CC-IP LIVE DIGITAL MIXER

Product Description
R 310,599.00
Maximum quantity available reached.

**This item is stored at our warehouse and not on the shop floor. Allow 5-7 working days for deliveries. Please confirm availability with your salesperson**

Live Digital Console Control Centre with 64 Input Channels, 8 Midas Microphone Preamplifiers, 27 Mix Buses and 96 kHz Sample Rate

Product Features

PRO SERIES PRO2-CC-IP

PRO SERIES PRO2-CC-IP

The ground breaking PRO2 features 64 simultaneous input channels with 8 award-winning MIDAS Microphone Preamplifi ers and 27 time-aligned and phase-coherent mix buses. Like all PRO Series consoles, the PRO2 features managed latency and 40 bit floating point processing precision. Designed for use in high-profile live sound applications, the PRO2 sets a new standard of performance and portability in a compact digital console form factor.

AES50 audio networking technology allows the PRO2 to dynamically assign up to 156 inputs and 164 outputs at 96 kHz sample rate to any of its input channels and bus outputs on a scene-by-scene basis. This high level of connectivity, coupled with the large channel and bus counts, makes the PRO2 equally at home in theatres and clubs as it is in live concert touring, outside broadcast and music festivals.

Award-Winning MIDAS Microphone Preamplifier

Award-Winning MIDAS Microphone Preamplifier

The MIDAS microphone preamplifier is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth - bringing out subtle ambience, maintaining spatial positioning and more effectively capturing a precise sound image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic panoramas that have captivated audiences worldwide.

Since pristine sound always begins with the microphone preamplifier, the first point where the signal enters the console, PRO2 features the latest generation of MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.

Over the years many mix engineers have found this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the crystal-clear audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concert goers and recorded for posterity on countless live albums over the years.

Digital Audio Networking

Digital Audio Networking

SuperMAC (AES50-Compliant) digital audio networking technology from KLARK TEKNIK simultaneously provides high channel counts, ultra low and deterministic latencies, sample-synchronous and phase-aligned networked clock distribution, error detection and correction, network redundancy, and ease of deployment and use – to meet the demanding requirements of live concert touring.

PRO2 is compatible with all MIDAS PRO Series digital I/O units, as well as with any other 96 kHz-enabled AES50-equipped devices. Multiple PRO Series consoles can be connected together to create either larger mixing systems, or multiple discrete mixing consoles can share a common resource of networked and distributed I/O interfaces.

Advanced Navigation Flexibility

Advanced Navigation Flexibility

PRO2 incorporates new and innovative methods of channel and mix bay navigation: FLIP Navigation, FX Navigation, GEQ Navigation, and MCA Navigation. These four options allow an engineer to easily and efficiently mix a large number of inputs on a compact control surface. PRO2 also features the ability to display and control any output bus on the input control bay area. This navigation flexibility makes working with the console as simple as requirements dictate, or as deep and complex as a user desires. PRO2’s new output section, which features 24 direct bus selection switches that provide immediate access to up to 24 stereo pairs of output mix buses, also supports the new navigation modes.

  • When in FLIP navigation mode, and the FLIP button is engaged, selecting an output flips the input faders to become the input channel send levels to the selected output. If the Collapsed Flip (Hide Unassigned Channels) preference is ticked, then the console will only populate with the input channels that are assigned to the selected output, otherwise all channels will be displayed.
  • When the FX navigation button is engaged, selecting an output which is patched to an internal effects processor, this mode will deploy that effects processor on the display screen and map the ASSIGNABLE CONTROLS to the effects processor. If FADER FLIP is also engaged, the input channel faders will become the contributions to the effects processor. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels that are sending to that effects processor.
  • When the GEQ navigation button is engaged, selecting an output which has a graphic equaliser (GEQ) assigned, this mode will present the GEQ on the VCA faders. Scrolling the VCA faders left and right will provide access to all 31 GEQ faders. If FADER FLIP is also engaged, the input channel faders will become the contributions to the selected mix. If COLLAPSED FLIP (Hide Unassigned Channels) preference is selected, the operator will only be presented with input channels which are sending to that mix.
  • If the MCA navigation button is engaged, when an output (mix) is selected, the MCA faders for that output will be deployed on the VCA fader bank. When MCA navigation is engaged, the MCA faders control the contributions of their members only to the currently selected bus. This is a unique and powerful mixing tool, which puts MIDAS in a class of its own for innovation and usability.
Integrated Effects Processors and Graphic Equalisers

Integrated Effects Processors and Graphic Equalisers

The PRO2 can simultaneously provide up to 6 multi-channel digital signal processing engines for a wide choice of virtual effect devices, which range from dual-mono delay units, stereo modulation and numerous diverse reverberation simulations, multi-band compression, dynamic EQ and multi-channel dual-function dynamics processing. Up to 28 1⁄3 octave KLARK TEKNIK DN370 Graphic Equalisers (GEQs) are provided, which can be patched into any output.

PRO2 provides comprehensive automatic latency management of all internal routing and processing latency – and also includes compensation for external analogue inserts. All audio samples are synchronised before summing, resulting in absolute phase coherence at the outputs, without the comb filtering effects of many of its Competitor's products that often result in specifi c frequencies being cancelled out completely.

All effects processors and GEQs are custom-designed to function within this automatic latency compensation system. This ensures a phase-coherent, sample-accurate mix regardless of whether the devices are used as channel inserts or on auxiliary buses.

MIDAS PRO Fader

MIDAS PRO Fader

Not satisfied with the existing motorised fader choices in the marketplace, MIDAS created the PRO FADER, rated for up to a million cycles – three times that of other leading manufacturers - and providing high linearity, robustness, and smooth feel during operation. This decision yielded many other benefits, including total quality control over the manufacturing process and lower costs that could be passed on to customers.

As a digital console manufacturer, MIDAS has a perspective on the actual application of motor faders that a component manufacturer would not have. The multi-disciplinary development project combined mechanical design, electronic hardware and software optimisation with a rigorous testing programme and an investment in material science to produce the best possible performance in actual operation in MIDAS PRO Series consoles. Semi-precious metals are used for the wiper fingers for their hard-wearing properties, and precision resistive tracks were created that off er highly linear positional accuracy, coupled with long-term durability and even response in use.

Highest Quality Display Screen

Highest Quality Display Screen

The PRO2 features a 15" full colour daylight-viewable TFT display for use in all environments, both inside and outdoors. The display provides visual feedback for the entire system, pressing the HOME key (just to the left of the assignable controls) instantly navigates to the console overview page, which keeps all vital information (all metering, all fader positions, mutes and solos) in view at all times.

Digital Precision, Analogue Response

Digital Precision, Analogue Response

The oversampled digital signal processing algorithms, combined with the fully interpolated and touch sensitive user controls, result in the smooth continuous response and immediacy of working on an analogue console. Parameter adjustment becomes fast and easy and the continuous phase shift of a swept frequency control is heard without the quantisation artefacts exhibited by competing digital consoles.

Wireless Remote Control

Wireless Remote Control

Delivering unprecedented control and mobility, the MIXTENDER App for iPad* combines control of key functions with the highly responsive system metering, allowing users to take control of PRO2 from an iPad anywhere in a venue. Support for multiple simultaneous iPads allows FOH and monitor engineers to work collaboratively, enhancing productivity and communication, as well as saving valuable time during set-up.

The MIXTENDER App for iPad is available as a free download from the Apple App Store.

Auto-Ranging Universal Switch-Mode Power Supplies

Auto-Ranging Universal Switch-Mode Power Supplies

PRO2 features dual-redundant power supplies, which are interchangeable with those in PRO1 and PRO2C, and are auto-voltage sensing for use on a worldwide basis and provide seamless switchover in the unlikely event of a loss of one power supply.

Specification

System Specifications

Sampling rate

96kHz

Latency delay

<2 ms (Input to Master output with no latency compensation)

Dynamic range

106 dB, 22 Hz to 22 kHz

Maximum voltage gain

80 dB, Inputs to Subgroups and Masters
86 dB, Inputs to Aux and Matrix

Crosstalk

-100 dB physically adjacent input channels

Fader/pan cut off

-100 dB

Frequency Response

0 dB to -1.0 dB, 20 Hz to 20 kHz

Gain Error @ 1kHz

±1.0 dB

Input CMRR

0 dB gain

-60 dB

+45 dB gain

-90 dB

Distortion @ 0 dBu

0 dB gain

0.01%

+45 dB gain

0.03%

Distortion @ +20 dBu

0 dB gain

0.03%

+45 dB gain

0.03%

Noise Floor

0 dB gain

-85 dBu, 22 Hz to 22 kHz (unweighted)

+45 dB gain

-81 dBu, 22 Hz to 22 kHz (unweighted)

Equivalent Input Noise (EIN)

0 dB gain

-85 dBu, 22 Hz to 22 kHz (unweighted)

+45 dB gain

-126 dBu, 22 Hz to 22 kHz (unweighted)

Dynamic Range

0 dB gain

106 dB, 22 Hz to 22 kHz (unweighted)

+45 dB gain

102 dB, 22 Hz to 22 kHz (unweighted)

Analogue Audio System Inputs

Mic/Line Inputs
Talk Mic Input
Talk Back Input

Analogue Audio System Outputs

Line Outputs
Master Outputs
Monitor Outputs
Talk Output
Headphone Output

Digital Audio System Inputs and Outputs

AES3 Inputs
AES3 Outputs
AES50 Audio
Ethernet Control Data
Word Clock Input
Word Clock Output
Video Sync Input
AES3 Sync Input
AES3 Sync Output

Other Interfaces

Screen Output
USB Interface
MIDI Interface
Footswitch Input
Lamps
Displays

Power

Power Supplies
Power Consumption

Physical

Dimensions

1179.6 mm wide x 730.3 mm deep x 274.9 mm high (46.4" x 28.8" x 10.8")

Net weight

46.0 kg (101.2 lbs)

Operating temperature range

+5°C to +40°C

Storage temperature range

-20°C to +60°C

Sku: PRO2CCIP
Vendor: MIDAS

Are you buying multiple items or perhaps not finding what you are looking for? Send us an email now and we will gladly send you a quotation. If you find the same product more affordable somewhere else, send us proof and we will gladly work at beating that quotation. And of course friendly service and after sales peace of mind is part of the package! Mail us now: info@harrygreenmusic.online

FREE DELIVERY

Harry Green Music World offers FREE door to door delivery to all main distribution points within South Africa for orders above R4000.00. A standard flat rate of R249.00 will be charged for orders below this.

DELIVERY TIME

Normal delivery time is 2-7 working days. We will always try and give you the best possible ETA on your order together with your Waybill Number. It remains your responsibility to give as much special information on the delivery and address as possible. In the events of natural disasters, strikes etc. that delays the process, we will notify you as soon as possible.

Sometimes you may receive your order in more than one delivery if you have purchased several items that consist of different brands. When it comes to guitars that have built in electronics, we always do the necessary checks beforehand (which takes a day) to ensure that you get a good working guitar. Any other items, including amps, speakers, drums etc. is not part of this pre-check system. It may also be required of the client to assemble his own piano with few simple screws. Alternatively we can arrange for a setup at an additional cost. Larger Piano's will need more man power which means we will include setup fees in our quotes always.

We deliver from Monday to Friday during our business hours, excluding public holidays. If you require an emergency delivery please contact us at 013 752 7725 and we will do our very best to accommodate you. This may require an additional delivery fee.

INSURANCE

You can be rest assured that your items are insured in all cases including theft, fire, or damage. Our trusted and dedicated delivery company will notify us immediately if this happens and we will call you as soon as possible. We will then take you through the steps of refunding or replacing your lost item(s). Should you receive a damaged product upon delivery, please notify us within 2 hours after signing the waybill. It remains your responsibilty to send us photos of the damage caused together with the signed waybill.

FORCE MAJEURE

Neither party shall be liable for any loss suffered by the other Party arising out of delay in or prevention of performance of that Party’s obligations in terms of this Agreement if such delay is directly or indirectly caused by an event beyond that Party’s reasonable control, provided that:

  • the onus be on the Party alleging the occurrence of such an event to immediately notify the other Party of such event;
  • the Party delayed or prevented from performing its obligations by the occurrence of such an event shall do everything that could reasonably be expected of it in order to remedy the situation  

DELIVERY OUTSIDE OF SOUTH AFRICA

If you need a delivery to be done outside of South Africa, give us a call so we can send you a quotation together with an ETA. These areas cover most of the African Continent. Normally delivery to the borders of *Swaziland and *Mozambique is not a problem for us. Give us a call!

mobicred

mobicred is an online account that gives buyers access to credit, which they can use on PayFast. The facility works in a similar fashion to retail store credit: only online. Sellers can choose to enable/disable mobicred on their PayFast accounts and there is no risk of default or repudiation to them. Apply Now
mobicred

Related Products