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{"id":6605101301822,"title":"TAYLOR 314CE","handle":"taylor-314ce","description":"\u003cp\u003e\u003cstrong\u003eTaylor 314ce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features our acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard\/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while our proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eGrand Auditorium\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eBody Length: 20\" (50.8cm) \/ Body Width: 16\" (40.64cm) \/ Body Depth: 4 5\/8\" (11.75cm)\u003c\/p\u003e\n\u003cp\u003eTaylor's signature shape embodies the ultimate all-purpose acoustic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAn original Bob Taylor design introduced in 1994\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull in the lower register, present in the midrange, and sparkling on the treble strings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOur most popular shape and a good place to begin your search\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOur most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eSitka Spruce\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eOrigin: Northwestern North America (Coastal Rainforests of Alaska and Canada)\u003c\/p\u003e\n\u003cp\u003eAs a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.\u003c\/p\u003e\n\u003cp\u003eGoes Well With: All styles of guitars and players.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eSapele\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eOrigin: West Africa\u003c\/p\u003e\n\u003cp\u003eUsed On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby\u003c\/p\u003e\n\u003cp\u003eAn alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany. Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.\u003c\/p\u003e\n\u003cp\u003eGoes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eSapele\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eOrigin: West Africa\u003c\/p\u003e\n\u003cp\u003eUsed On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby\u003c\/p\u003e\n\u003cp\u003eAn alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany. Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.\u003c\/p\u003e\n\u003cp\u003eGoes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.\u003c\/p\u003e\n\u003ch3\u003eBehind the ES2 Design: Rethinking the Piezo Pickup\u003c\/h3\u003e\n\u003cp\u003eFor decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.\u003c\/p\u003e\n\u003cp\u003eThe saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.\u003c\/p\u003e\n\u003cp\u003eLike the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eVenetian Cutaway\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eStandard on all “ce” models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2021-06-26T10:00:10+02:00","created_at":"2021-06-26T10:00:08+02:00","vendor":"TAYLOR","type":"ACOUSTIC ELECTRIC GUITARS","tags":["Price_R30000 to R45000","Product Type_ACOUSTIC ELECTRIC GUITARS","Vendor_TAYLOR"],"price":3909900,"price_min":3909900,"price_max":3909900,"available":true,"price_varies":false,"compare_at_price":5299500,"compare_at_price_min":5299500,"compare_at_price_max":5299500,"compare_at_price_varies":false,"variants":[{"id":39500253528126,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG-314CE","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"TAYLOR 314CE","public_title":null,"options":["Default Title"],"price":3909900,"weight":0,"compare_at_price":5299500,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-fr-2018_0.png?v=1624694410","\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-bk-2018_0_1.png?v=1624694411"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-fr-2018_0.png?v=1624694410","options":["Title"],"media":[{"alt":null,"id":20733956554814,"position":1,"preview_image":{"aspect_ratio":1.775,"height":1352,"width":2400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-fr-2018_0.png?v=1624694410"},"aspect_ratio":1.775,"height":1352,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-fr-2018_0.png?v=1624694410","width":2400},{"alt":null,"id":20733956587582,"position":2,"preview_image":{"aspect_ratio":1.775,"height":1352,"width":2400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-bk-2018_0_1.png?v=1624694411"},"aspect_ratio":1.775,"height":1352,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/2118\/7275\/products\/taylor-314ce-v-class-bk-2018_0_1.png?v=1624694411","width":2400}],"content":"\u003cp\u003e\u003cstrong\u003eTaylor 314ce\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features our acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard\/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while our proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eGrand Auditorium\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eBody Length: 20\" (50.8cm) \/ Body Width: 16\" (40.64cm) \/ Body Depth: 4 5\/8\" (11.75cm)\u003c\/p\u003e\n\u003cp\u003eTaylor's signature shape embodies the ultimate all-purpose acoustic.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eAn original Bob Taylor design introduced in 1994\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFull in the lower register, present in the midrange, and sparkling on the treble strings\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOur most popular shape and a good place to begin your search\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eOur most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eSitka Spruce\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eOrigin: Northwestern North America (Coastal Rainforests of Alaska and Canada)\u003c\/p\u003e\n\u003cp\u003eAs a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.\u003c\/p\u003e\n\u003cp\u003eGoes Well With: All styles of guitars and players.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eSapele\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eOrigin: West Africa\u003c\/p\u003e\n\u003cp\u003eUsed On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby\u003c\/p\u003e\n\u003cp\u003eAn alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany. Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.\u003c\/p\u003e\n\u003cp\u003eGoes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eSapele\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eOrigin: West Africa\u003c\/p\u003e\n\u003cp\u003eUsed On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby\u003c\/p\u003e\n\u003cp\u003eAn alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany. Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.\u003c\/p\u003e\n\u003cp\u003eGoes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.\u003c\/p\u003e\n\u003ch3\u003eBehind the ES2 Design: Rethinking the Piezo Pickup\u003c\/h3\u003e\n\u003cp\u003eFor decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.\u003c\/p\u003e\n\u003cp\u003eThe saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.\u003c\/p\u003e\n\u003cp\u003eLike the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.\u003c\/p\u003e\n\u003ch4 class=\"copy-title\"\u003eVenetian Cutaway\u003c\/h4\u003e\n\u003cdiv class=\"copy-area\"\u003e\n\u003cp\u003eStandard on all “ce” models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

TAYLOR 314CE

Product Description
R 39,099.00 R 52,995.00
Maximum quantity available reached.

Taylor 314ce

The popular Grand Auditorium 314ce is an acoustic workhorse that performs equally well in the practice room, recording studio, and on stage. This latest edition features our acclaimed V-Class bracing, a revolutionary innovation in acoustic sound that responds with greater musicality and harmonic agreement. By introducing a more orderly vibration to the guitar’s top, V-Class bolsters the sustain and volume to offer players a more dynamic voice to explore, while also resolving the minor intonation issues that players have long had to contend with. Together with a solid Sitka spruce top and solid sapele back and sides, you can expect a balanced and articulate blend of top-end brightness, midrange fullness, and low-end warmth that accommodates an array of playing styles. Appointments include black binding, Gemstone fretboard/peghead inlays in Italian acrylic, and satin-finish back and sides with a gloss top. A Venetian cutaway invites your fretting hand up the neck, while our proprietary ES2 electronics serve up faithful plugged-in tone. The guitar ships in a deluxe hardshell case.

Grand Auditorium

Body Length: 20" (50.8cm) / Body Width: 16" (40.64cm) / Body Depth: 4 5/8" (11.75cm)

Taylor's signature shape embodies the ultimate all-purpose acoustic.

  • An original Bob Taylor design introduced in 1994

  • Full in the lower register, present in the midrange, and sparkling on the treble strings

  • Our most popular shape and a good place to begin your search

Our most popular and versatile body shape, the mid-size Grand Auditorium arrived in 1994 bearing refined proportions that fell between a Dreadnought and Grand Concert. While the bigger Dreadnought was traditionally considered a flatpicker’s guitar and the smaller Grand Concert catered to fingerstylists, the GA was designed to deliver on both fronts. The shape produced an original acoustic voice that was big enough to handle medium-strength picking and strumming, yet with impressive balance across the tonal spectrum, especially in the midrange, producing clear, well-defined notes that suited both strumming and fingerstyle playing. The GA’s overall presence tracks well with other instruments both in a studio mix and on stage, and singer-songwriters have embraced its utility both for composing and traveling with one guitar. Many people want a single guitar that can cover a variety of styles, which is why the GA continues to be our bestselling shape. If you want a great all-purpose guitar, the multi-dimensional GA won’t let you down.

Sitka Spruce

Origin: Northwestern North America (Coastal Rainforests of Alaska and Canada)

As a guitar soundboard, or top, Sitka spruce is the tonewood standard of the modern era. It’s used on 85-90 percent of the guitars that Taylor makes. Its combination of strength and elasticity translates into a broad dynamic range, yielding crisp articulation and allowing for everything from aggressive strumming and flatpicking to fingerpicking. Sitka spruce is Bob Taylor’s personal favorite for an all-around great guitar.

Goes Well With: All styles of guitars and players.

Sapele

Origin: West Africa

Used On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby

An alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany. Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.

Goes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.

Sapele

Origin: West Africa

Used On: 300 Series, Acoustic 3 Series, Laminate 100 Series, GS Mini, Baby and Big Baby

An alternative tonewood that joined the Taylor fold over a decade ago. It’s sometimes mistakenly referred to as African mahogany because it closely resembles the West African wood khaya, which is commercially known as African mahogany. Sapele is a highly sustainable, relatively fast-growing wood. Tonally, it does everything that mahogany does, with a little extra treble zing. We’ll be able to offer it for a long, long time.

Goes Well With: Everything. Like ovangkol, it’s a great all-purpose tonewood that will deliver a consistent, balanced tone in a variety of playing applications, from fingerstyle to strumming.

Behind the ES2 Design: Rethinking the Piezo Pickup

For decades, piezo-electric transducers have been positioned under the saddle of a guitar based on the long-held belief that the string and top vibration cause the saddle to “bounce” up and down. But Taylor’s electronics team, led by developer David Hosler, discovered that the vertical movement is actually heavily restricted, and that the saddle gets “locked down” due to the string tension’s downward pressure. That’s why a traditional under-saddle pickup with piezo-electric crystals often responds with a sound often characterized as thin, brittle, brash or synthetic, especially with more aggressive playing.

The saddle’s natural range of movement as the guitar is being played is actually back and forth like a pendulum. That revelation led Taylor’s design team to relocate the crystals from under the saddle to behind it. The new positioning enables the crystals to respond more naturally to the guitar’s energy as it is transferred through the saddle. Three pickup sensors are installed behind the saddle, through the bridge, with three tiny Allen screws that calibrate the position of the sensors in relation to the saddle.

Like the original Expression System, the ES2 features the same volume and tone control knobs. The preamp is similar but with a slightly different gain structure. As a result it will be about 25 percent hotter, which is more in line with other pickups. This makes it plug-and-play friendly both for artists and live sound mixers.

Venetian Cutaway

Standard on all “ce” models in the 300 Series through the Presentation Series, the Venetian cutaway is known for its soft, round lines. The sloping peak of the cutaway will vary depending on the shape of the guitar. The Grand Concert, Grand Auditorium, and Grand Symphony have a steeper slope, while the Dreadnought and Jumbo are a bit flatter. Our Grand Concert nylon-string models also feature a subtle, flatter slope, while our 100 and 200 Series cutaway models incorporate our flattest slope.

 

Sku: TG-314CE
Vendor: TAYLOR

Are you buying multiple items or perhaps not finding what you are looking for? Send us an email now and we will gladly send you a quotation. If you find the same product more affordable somewhere else, send us proof and we will gladly work at beating that quotation. And of course friendly service and after sales peace of mind is part of the package! Mail us now: info@harrygreenmusic.online

FREE DELIVERY

Harry Green Music World offers FREE door to door delivery to all main distribution points within South Africa for orders above R4000.00. A standard flat rate of R249.00 will be charged for orders below this.

DELIVERY TIME

Normal delivery time is 2-7 working days. We will always try and give you the best possible ETA on your order together with your Waybill Number. It remains your responsibility to give as much special information on the delivery and address as possible. In the events of natural disasters, strikes etc. that delays the process, we will notify you as soon as possible.

Sometimes you may receive your order in more than one delivery if you have purchased several items that consist of different brands. When it comes to guitars that have built in electronics, we always do the necessary checks beforehand (which takes a day) to ensure that you get a good working guitar. Any other items, including amps, speakers, drums etc. is not part of this pre-check system. It may also be required of the client to assemble his own piano with few simple screws. Alternatively we can arrange for a setup at an additional cost. Larger Piano's will need more man power which means we will include setup fees in our quotes always.

We deliver from Monday to Friday during our business hours, excluding public holidays. If you require an emergency delivery please contact us at 013 752 7725 and we will do our very best to accommodate you. This may require an additional delivery fee.

INSURANCE

You can be rest assured that your items are insured in all cases including theft, fire, or damage. Our trusted and dedicated delivery company will notify us immediately if this happens and we will call you as soon as possible. We will then take you through the steps of refunding or replacing your lost item(s). Should you receive a damaged product upon delivery, please notify us within 2 hours after signing the waybill. It remains your responsibilty to send us photos of the damage caused together with the signed waybill.

FORCE MAJEURE

Neither party shall be liable for any loss suffered by the other Party arising out of delay in or prevention of performance of that Party’s obligations in terms of this Agreement if such delay is directly or indirectly caused by an event beyond that Party’s reasonable control, provided that:

  • the onus be on the Party alleging the occurrence of such an event to immediately notify the other Party of such event;
  • the Party delayed or prevented from performing its obligations by the occurrence of such an event shall do everything that could reasonably be expected of it in order to remedy the situation  

DELIVERY OUTSIDE OF SOUTH AFRICA

If you need a delivery to be done outside of South Africa, give us a call so we can send you a quotation together with an ETA. These areas cover most of the African Continent. Normally delivery to the borders of *Swaziland and *Mozambique is not a problem for us. Give us a call!

mobicred

mobicred is an online account that gives buyers access to credit, which they can use on PayFast. The facility works in a similar fashion to retail store credit: only online. Sellers can choose to enable/disable mobicred on their PayFast accounts and there is no risk of default or repudiation to them. Apply Now
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