{"id":8108152520930,"title":"KORG NAUTILUS 73 MUSIC WORKSTATION","handle":"korg-nautilus-73-music-workstation","description":"\u003ch1\u003eNAUTILUS 73 MUSIC WORKSTATION\u003c\/h1\u003e\n\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp class=\"header1\"\u003e\u003cstrong\u003eThe most dazzling and expansive collection of sounds ever put into a Korg synthesizer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"1\"\u003eNine different sound engines offer massive expressive power\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-s cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"container_s\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eTo start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM\/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003ch4 class=\"header2\"\u003e\u003ca name=\"2\"\u003eNew sounds offered over three broad categories\u003c\/a\u003e\u003c\/h4\u003e\n\u003cp\u003eThe approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Unique” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Current” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS also offers the freshest sounds that blend in well with today's music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandard sounds:\u003c\/strong\u003e\u003cbr\u003eWe’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"3\"\u003eThe DYNAMICS knob makes delicate expression possible\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you'll uncover even more of the possibilities that the NAUTILUS offers.\u003cbr\u003e\u003cbr\u003eWhen you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"4\"\u003eMake intuitive changes to sounds with the Realtime knobs\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"5\"\u003eA user interface designed for easy operation\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.\u003cbr\u003e\u003cbr\u003eThe MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.\u003cbr\u003e\u003cbr\u003eSix quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"6\"\u003eConvenient arpeggiator and drum track functions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"7\"\u003eColor TouchView Display\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.\u003cbr\u003e\u003cbr\u003eIn addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.\u003cbr\u003e\u003cbr\u003eThe TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"8\"\u003eSet list mode that demonstrates its power in live performances\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!\u003cbr\u003e\u003cbr\u003eYou can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"9\"\u003eOpen Sampling System\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUsing KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.\u003cbr\u003e\u003cbr\u003eAIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"10\"\u003e16-Track MIDI Sequencer \/ 16-Track Audio Recorder\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS features a sequencer\/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play\/Recording) functions.\u003cbr\u003e\u003cbr\u003eThe 16-track audio recorder simultaneously captures up to four tracks of 16-bit\/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"11\"\u003e16 Onboard Effect Processors\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eNATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1\/2, and two Total effects can be applied to all tracks at the final stage of the sound.\u003cbr\u003e\u003cbr\u003eA separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-a cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_a\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"12\"\u003eUSB \/ MIDI Host Ports Accommodate MIDI Control Surfaces\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_a\"\u003e\n\u003cdiv class=\"box_image_type_a\"\u003enanoPAD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_a\"\u003e\n\u003cdiv class=\"box_text_type_a\"\u003e\n\u003cp\u003eAny class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\u003cstrong\u003eSmooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_c\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eWhen you switch program sounds during a performance to get ready for the next section, or when you switch from Program mode to Combi mode, the sound that's currently being output is always given priority and its effects are maintained during the program change, ensuring a seamless transition with no dropouts. This function has also earned extremely high praise from pro musicians.\u003c\/p\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"15\"\u003eStand-alone and Plug-in NATULUS Editing Software\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS Editor and NAUTILUS Plug-In Editor allow you to edit your NAUTILUS from your computer while viewing large numbers of parameters simultaneously, or to use NAUTILUS in your DAW as if it were a software synthesizer. You can download the latest version of the NAUTILUS sound editor from the Korg website.\u003c\/p\u003e\n\u003ch4\u003eSPECIFICATIONS\u003c\/h4\u003e\n\u003csection class=\"block type-u cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSystem, Keyboard\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eNAUTILUS System Version 1.0\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003cdd\u003e88 key: RH3 (Real Weighted Hammer Action 3), A - C\u003cbr\u003e73 key: Natural Touch Semi Weighted, C - C\u003cbr\u003e61 key: Natural Touch Semi Weighted, C – C\u003cbr\u003eVelocity sensitive is supported, after touch is not supported.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eTone Generator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSynthesis Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSGX-2: Premium Piano (Acoustic Piano)\u003cbr\u003eEP-1: MDS Electric Piano (Electric Piano)\u003cbr\u003eHD-1: High Definition Synthesizer (PCM)\u003cbr\u003eAL-1: Analog Synthesizer (Analog Modeling)\u003cbr\u003eCX-3: Tonewheel Organ (Tonewheel Organ Modeling)\u003cbr\u003eSTR-1: Plucked String (Physical Modeling)\u003cbr\u003eMOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)\u003cbr\u003eMS-20EX: Component Modeling Technology (Analog Modeling)\u003cbr\u003ePolysixEX: Component Modeling Technology (CMT Analog Modeling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Polyphony*1*2\u003c\/dt\u003e\n\u003cdd\u003eSGX-2: 100 voices*3\u003cbr\u003eEP-1: 104 voices\u003cbr\u003eHD-1: 140 voices\u003cbr\u003eAL-1: 80 voices\u003cbr\u003eCX-3: 200 voices\u003cbr\u003eSTR-1: 40 voices\u003cbr\u003eMOD-7: 52 voices\u003cbr\u003eMS-20EX: 40 voices\u003cbr\u003ePolysixEX: 180 voices\u003cbr\u003e\u003cbr\u003e1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.\u003cbr\u003e*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.\u003cbr\u003e*3: 100 dual-stereo notes (equivalent to 400 mono voices)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset PCM\u003c\/dt\u003e\n\u003cdd\u003eRAM 496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBuild-in Expansion PCM Libraries\u003c\/dt\u003e\n\u003cdd\u003eEXs301: German2 D Piano\u003cbr\u003eEXs302: Italian F Piano\u003cbr\u003eEXs303: Japanese Upright U Piano\u003cbr\u003eEXs304: Prepared Piano\u003cbr\u003eEXs305: Historical Keyboards\u003cbr\u003eEXs306: Vintage Keyboards 2\u003cbr\u003eEXs307: Strings \u0026amp; Synths\u003cbr\u003eEXs308: Guitar Collection\u003cbr\u003eEXs309: Bass Collection\u003cbr\u003eEXs310: World Essence\u003cbr\u003eEXs311: Background Loops\u003cbr\u003eEXs312: SFX \u0026amp; Hits\u003cbr\u003eEXs313: Found Percussions\u003cbr\u003eEXs314: Expansion Drums\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM RAM Capacity\u003c\/dt\u003e\n\u003cdd\u003eApprox. 2GB *4\u003cbr\u003e\u003cbr\u003e*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWave Sequences\u003c\/dt\u003e\n\u003cdd\u003e598 User memory, 377 Preload\u003cbr\u003eSupport for stereo multisamples, synchronization of individual notes, and tempo-based settings.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSGX-2 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePremium Piano\u003c\/dt\u003e\n\u003cdd\u003eFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.\u003cbr\u003eDamper resonance and mechanical noise are reproduced.\u003cbr\u003eUna Corda sample support\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM\u003c\/dt\u003e\n\u003cdd\u003eEXs301 – German2 D Piano\u003cbr\u003e12 velocity levels, includes Ambience Piano type\/samples\u003cbr\u003e\u003cbr\u003eEXs302 – Italian F Piano\u003cbr\u003e12 velocity levels, no Una Corda samples\u003cbr\u003e\u003cbr\u003eEXs303 – Japanese Upright U Piano\u003cbr\u003e8 velocity levels\u003cbr\u003e\u003cbr\u003eExs304 – Prepared Piano\u003cbr\u003e1-4 velocity levels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePiano Type\u003c\/dt\u003e\n\u003cdd\u003e128\u003cbr\u003e(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eDamper Resonance\u003cbr\u003eDamper Noise\u003cbr\u003eMechanical Noise\u003cbr\u003eNote Release\u003cbr\u003eString Resonance\u003cbr\u003eUna Corda\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEP-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMDS Electric Piano\u003c\/dt\u003e\n\u003cdd\u003eTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eElectric Piano Model Types\u003c\/dt\u003e\n\u003cdd\u003e7\u003cbr\u003eTine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePanel Control\u003c\/dt\u003e\n\u003cdd\u003eTine Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003cbr\u003e\u003cbr\u003eReed Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSmall Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eHD-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003eSingle: only OSC1, Double: OSC1 and OSC2.\u003cbr\u003eDouble mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.\u003cbr\u003eDrums: One drum kit, Double Drums: Two drum kits.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e8 velocity zones per oscillator, with switching, crossfades and layering\u003cbr\u003eEach zone can play mono or stereo Multisamples or Wave Sequences\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEXi Program Common\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eAL-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer-voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCX-3 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTonewheel Organ Modeling\u003c\/dt\u003e\n\u003cdd\u003ePhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEX Mode\u003c\/dt\u003e\n\u003cdd\u003eFour additional, user-specified drawbars, and expanded percussion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInternal Effects\u003c\/dt\u003e\n\u003cdd\u003eRotary speaker, vibrato\/chorus, amp modeling with overdrive, 3-band EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDrawbar Control\u003c\/dt\u003e\n\u003cdd\u003eControlled via nine front-panel sliders (via Tone Adjust)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSplit\u003c\/dt\u003e\n\u003cdd\u003eUpper, Lower (even in EX mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eTwo AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSTR-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePhysically Modeled String\u003c\/dt\u003e\n\u003cdd\u003eIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eString Excitation\u003c\/dt\u003e\n\u003cdd\u003eThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExcitation Filter\u003c\/strong\u003e\u003cbr\u003eDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled\/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input and Feedback\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter Mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMOD-7 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWaveshaping VPM Synthesizer\u003c\/dt\u003e\n\u003cdd\u003eCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003e6 VPM\/Waveshaper\/Ring Modulation Oscillators\u003c\/strong\u003e\u003cbr\u003ePhase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(With saturation and low-pass filter function)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the VPM Oscillators and filters.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003eSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMS-20EX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the synthesis engine and ESP (External Signal Processor)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003e12dB\/octave High Pass and Low Pass self-resonant filters\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP section\u003c\/strong\u003e\u003cbr\u003e24dB\/octave Low Cut and High Cut filters, available per voice.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003ePatchable audio and modulation, at audio rates\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Points\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eKeyboard\u003c\/strong\u003e\u003cbr\u003eKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003cbr\u003eExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO+VCF\u003c\/strong\u003e\u003cbr\u003eTotal External Modulation In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003cbr\u003eExternal Initial Gain Control In, VCA In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEG\u003c\/strong\u003e\u003cbr\u003eEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMG\u003c\/strong\u003e\u003cbr\u003eTriangle Out, Rectangle Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cbr\u003ePink Noise Out, White Noise Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSample and Hold\u003c\/strong\u003e\u003cbr\u003eClock Trigger In, Sample Signal In, S\/H Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModulation VCA\u003c\/strong\u003e\u003cbr\u003eControl Voltage In, Signal In, Signal Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eManual Controller\u003c\/strong\u003e\u003cbr\u003eControl Wheel Out, Momentary Switch\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP\u003c\/strong\u003e\u003cbr\u003eSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOthers\u003c\/strong\u003e\u003cbr\u003eEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eESP (External Signal Processor):\u003c\/dt\u003e\n\u003cdd\u003eUse incoming audio as a trigger and\/or CV source\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026amp;2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003ePolysixEX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eSaw, Pulse, PWM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSub Oscillator:\u003c\/strong\u003e\u003cbr\u003eOff, 1 octave below, 2 octaves below\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilter\u003c\/dt\u003e\n\u003cdd\u003e24dB(4-Pole) Octave Low Pass self-resonant filter\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects\u003c\/dt\u003e\n\u003cdd\u003eIntegrated Polysix Chorus, Phaser, and Ensemble\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator\u003c\/dt\u003e\n\u003cdd\u003eIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003ePolysix\u003c\/strong\u003e\u003cbr\u003eOriginal ADSR EG and MG (with MIDI sync).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNAUTILUS\u003c\/strong\u003e\u003cbr\u003e2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCombination\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Timbres, Master Keyboard Functionality\u003c\/dt\u003e\n\u003cdd\u003e16 Maximum\u003cbr\u003eKeyboard and velocity splits, layers, and crossfades of up to 16 Programs and\/or external MIDI Devices\u003cbr\u003eThe tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-t cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_t\"\u003e\n\u003ch5 class=\"header2\"\u003eDrumkit\u003c\/h5\u003e\n\u003cdiv class=\"box_text_type_t\"\u003eAssignable stereo\/mono samples with 8 velocity zones per oscillator (with crossfade functions)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eNumber of Programs\/Combinations\/Drum kits\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Programs\u003c\/dt\u003e\n\u003cdd\u003e2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Combinations\u003c\/dt\u003e\n\u003cdd\u003e1,792 (256 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Drum Kits\u003c\/dt\u003e\n\u003cdd\u003e264 (104 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003e256 GM Level2 preset programs + 9 GM Level 2 drum preset programs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSet List\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Set Lists\/Slots\u003c\/dt\u003e\n\u003cdd\u003e128 set lists, 128 slots per set list\u003cbr\u003eEach set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted\u003cbr\u003eTranspose setting\u003cbr\u003eHold Time setting of Smooth Sound Transition (SST) supported for each slot\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSampling\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eOpen Sampling System (resampling, In-Track sampling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBit Depth\/Sampling Frequency\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003e16-bit\/48 kHz stereo\/mono sampling\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003e16 or 24-bit\/48 kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSampling Time\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003eDepends on the amount of available PCM RAM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003eMaximum 80 minutes stereo (879MB: 16bit)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSample Locations\u003c\/dt\u003e\n\u003cdd\u003e16,000 samples\/4,000 multisamples (128 indexes per multisample)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFormats\u003c\/dt\u003e\n\u003cdd\u003eKORG format, AKAI S1000\/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEditing\u003c\/dt\u003e\n\u003cdd\u003eTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEffects\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInsert Effects\u003c\/dt\u003e\n\u003cdd\u003e12\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaster Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTotal Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTimbre EQ\u003c\/dt\u003e\n\u003cdd\u003eOne 3-band EQ for each timbre\/track\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e197\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eDynamic Modulation and Common LFO\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects Control Busses\u003c\/dt\u003e\n\u003cdd\u003eStereo side-chaining for compressors, gates, vocoders, etc\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Presets\u003c\/dt\u003e\n\u003cdd\u003eTotal 783 preset, Maximum 32 per 1 effect (Preset User)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eArpeggiator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator Modules\u003c\/dt\u003e\n\u003cdd\u003eOne module in Program mode, two modules in Combination and Sequencer modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggio Pattern\u003c\/dt\u003e\n\u003cdd\u003e5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eDrum Track\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,272 (common with the preset patterns of the MIDI sequencer)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,000\u003cbr\u003ePatterns created in Sequencer mode can be converted to drum track user patterns.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eTrigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo settings can be specified.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSequencer \/ HDR\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTracks\u003c\/dt\u003e\n\u003cdd\u003e16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Songs\u003c\/dt\u003e\n\u003cdd\u003e200\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eResolution\u003c\/dt\u003e\n\u003cdd\u003e1\/480\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTempo\u003c\/dt\u003e\n\u003cdd\u003e40.00 – 300.00 (1\/100 BPM resolution)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Memory\u003c\/dt\u003e\n\u003cdd\u003e400,000 MIDI events or 300,000 audio events\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI Tracks\u003c\/dt\u003e\n\u003cdd\u003e16 tracks plus the master track, 697 preset \/ 100 user patterns (per song), 18 preset\/16 user template songs,\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Tracks\u003c\/dt\u003e\n\u003cdd\u003e16-track playback, 4-track simultaneous recording, WAV file format 16bit\/24bit\u003cbr\u003eMaximum Single-file Recording Time (mono): 80 minutes\u003cbr\u003eAutomation: Volume, Pan, EQ, and Send1\/2\u003cbr\u003e10,000 regions (max.)\u003cbr\u003eEvent Anchors, BPM Adjust\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOther Functions\u003c\/dt\u003e\n\u003cdd\u003eRPPR (Realtime Pattern Play and Record): 1 Pattern set per song\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eGeneral\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Mode\u003c\/dt\u003e\n\u003cdd\u003eLoad, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eJoystick, Switches 1 \u0026amp; 2\u003cbr\u003eArpeggiator Control: On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003cbr\u003eDRUM TRACK: On\/Off, Swing, Drum SD, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisplay\u003c\/dt\u003e\n\u003cdd\u003eTouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePrincipal Specifications\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, +\/-1.0dB, 10k Ω load\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, 0.01%, 10k Ω load (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS\/N\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003cbr\u003e95dB, at 1kHz (typical)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOutputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eL\/MONO, R, Individual 1-4\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eOutput Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\u003cbr\u003eNominal Level: +4.0 dBu,\u003cbr\u003eMaximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\u003cbr\u003eMAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L\/MONO and R\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003cbr\u003e1\/4” stereo phone jack\u003cbr\u003eOutput impedance: 33 Ω,\u003cbr\u003eMaximum Level: 60+60 mW (when load impedance is 33 Ω),\u003cbr\u003eMAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003cbr\u003e(Digital output of the same signals as AUDIO OUTPUT (MAIN) L\/MONO and R)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eAudio Inputs 1 and 2\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eInput Impedance: 10 kΩ\u003cbr\u003eNominal Level: LINE +4 dBu\u003cbr\u003eMaximum Level: LINE +16 dBu\u003cbr\u003eNominal Level: MIC –22 dBu\u003cbr\u003eMaximum Level: MIC -10 dBu\u003cbr\u003eSource Impedance: 600 Ω\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControl Inputs\u003c\/dt\u003e\n\u003cdd\u003eDamper pedal (half damper supported)\u003cbr\u003eAssignable switch, Assignable pedal\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn, Out, Thru\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUSB\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eUSB A (TYPE A)\u003c\/strong\u003e\u003cbr\u003eFor connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB B (TYPE B)\u003c\/strong\u003e\u003cbr\u003eMIDI\/audio interface, MIDI: 1 (16 channel) input \/ 1 (16 channel) output, Audio: 2 channel input \/ 2 channel output\u003cbr\u003e*2 USB high-speed ports (supports 480Mbps)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Drives\u003c\/dt\u003e\n\u003cdd\u003e60 GB SSD (2.5”)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC power supply terminal, Power switch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDimensions: (W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e88 key: 1,437 x 387 x 139 mm \/ 56.57” x 15.24” x 5.47”\u003cbr\u003e73 key: 1,227 x 386 x 116 mm \/ 48.31” x 15.20” x 4.57”\u003cbr\u003e61 key: 1,062 x 386 x 116 mm \/ 41.81” x 15.20” x 4.57”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e88 key: 23.1 kg \/ 50.93 lbs.\u003cbr\u003e73 key: 14.6 kg \/ 32.19 lbs.\u003cbr\u003e61 key: 13.0 kg \/ 28.66 lbs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Consumption\u003c\/dt\u003e\n\u003cdd\u003e40 W\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAC cord, Quick Start Guide\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.korg.com\/za\/products\/synthesizers\/nautilus\/index.php\" title=\"\u0026lt;PRODUCT PAGE\u0026gt;\"\u003e\u0026lt;VIEW PRODUCT LINK HERE\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2023-06-23T13:26:12+02:00","created_at":"2023-06-23T13:26:12+02:00","vendor":"KORG","type":"SYNTHESIZERS","tags":["Price_R30000 to R45000"],"price":4249900,"price_min":4249900,"price_max":4249900,"available":false,"price_varies":false,"compare_at_price":4829900,"compare_at_price_min":4829900,"compare_at_price_max":4829900,"compare_at_price_varies":false,"variants":[{"id":44137987834082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KA 106","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"KORG NAUTILUS 73 MUSIC WORKSTATION","public_title":null,"options":["Default Title"],"price":4249900,"weight":7000,"compare_at_price":4829900,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/aae66d8f2eec0565b79664909baae87e_pc.png?v=1687519615"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574","options":["Title"],"media":[{"alt":null,"id":31956596031714,"position":1,"preview_image":{"aspect_ratio":1.697,"height":707,"width":1200,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574"},"aspect_ratio":1.697,"height":707,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574","width":1200},{"alt":null,"id":31956596130018,"position":2,"preview_image":{"aspect_ratio":3.727,"height":322,"width":1200,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/aae66d8f2eec0565b79664909baae87e_pc.png?v=1687519615"},"aspect_ratio":3.727,"height":322,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/aae66d8f2eec0565b79664909baae87e_pc.png?v=1687519615","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch1\u003eNAUTILUS 73 MUSIC WORKSTATION\u003c\/h1\u003e\n\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp class=\"header1\"\u003e\u003cstrong\u003eThe most dazzling and expansive collection of sounds ever put into a Korg synthesizer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"1\"\u003eNine different sound engines offer massive expressive power\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-s cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"container_s\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eTo start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM\/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003ch4 class=\"header2\"\u003e\u003ca name=\"2\"\u003eNew sounds offered over three broad categories\u003c\/a\u003e\u003c\/h4\u003e\n\u003cp\u003eThe approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Unique” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Current” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS also offers the freshest sounds that blend in well with today's music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandard sounds:\u003c\/strong\u003e\u003cbr\u003eWe’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"3\"\u003eThe DYNAMICS knob makes delicate expression possible\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you'll uncover even more of the possibilities that the NAUTILUS offers.\u003cbr\u003e\u003cbr\u003eWhen you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"4\"\u003eMake intuitive changes to sounds with the Realtime knobs\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"5\"\u003eA user interface designed for easy operation\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.\u003cbr\u003e\u003cbr\u003eThe MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.\u003cbr\u003e\u003cbr\u003eSix quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"6\"\u003eConvenient arpeggiator and drum track functions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"7\"\u003eColor TouchView Display\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.\u003cbr\u003e\u003cbr\u003eIn addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.\u003cbr\u003e\u003cbr\u003eThe TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"8\"\u003eSet list mode that demonstrates its power in live performances\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!\u003cbr\u003e\u003cbr\u003eYou can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"9\"\u003eOpen Sampling System\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUsing KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.\u003cbr\u003e\u003cbr\u003eAIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"10\"\u003e16-Track MIDI Sequencer \/ 16-Track Audio Recorder\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS features a sequencer\/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play\/Recording) functions.\u003cbr\u003e\u003cbr\u003eThe 16-track audio recorder simultaneously captures up to four tracks of 16-bit\/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"11\"\u003e16 Onboard Effect Processors\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eNATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1\/2, and two Total effects can be applied to all tracks at the final stage of the sound.\u003cbr\u003e\u003cbr\u003eA separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-a cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_a\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"12\"\u003eUSB \/ MIDI Host Ports Accommodate MIDI Control Surfaces\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_a\"\u003e\n\u003cdiv class=\"box_image_type_a\"\u003enanoPAD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_a\"\u003e\n\u003cdiv class=\"box_text_type_a\"\u003e\n\u003cp\u003eAny class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\u003cstrong\u003eSmooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_c\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eWhen you switch program sounds during a performance to get ready for the next section, or when you switch from Program mode to Combi mode, the sound that's currently being output is always given priority and its effects are maintained during the program change, ensuring a seamless transition with no dropouts. This function has also earned extremely high praise from pro musicians.\u003c\/p\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"15\"\u003eStand-alone and Plug-in NATULUS Editing Software\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS Editor and NAUTILUS Plug-In Editor allow you to edit your NAUTILUS from your computer while viewing large numbers of parameters simultaneously, or to use NAUTILUS in your DAW as if it were a software synthesizer. You can download the latest version of the NAUTILUS sound editor from the Korg website.\u003c\/p\u003e\n\u003ch4\u003eSPECIFICATIONS\u003c\/h4\u003e\n\u003csection class=\"block type-u cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSystem, Keyboard\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eNAUTILUS System Version 1.0\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003cdd\u003e88 key: RH3 (Real Weighted Hammer Action 3), A - C\u003cbr\u003e73 key: Natural Touch Semi Weighted, C - C\u003cbr\u003e61 key: Natural Touch Semi Weighted, C – C\u003cbr\u003eVelocity sensitive is supported, after touch is not supported.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eTone Generator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSynthesis Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSGX-2: Premium Piano (Acoustic Piano)\u003cbr\u003eEP-1: MDS Electric Piano (Electric Piano)\u003cbr\u003eHD-1: High Definition Synthesizer (PCM)\u003cbr\u003eAL-1: Analog Synthesizer (Analog Modeling)\u003cbr\u003eCX-3: Tonewheel Organ (Tonewheel Organ Modeling)\u003cbr\u003eSTR-1: Plucked String (Physical Modeling)\u003cbr\u003eMOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)\u003cbr\u003eMS-20EX: Component Modeling Technology (Analog Modeling)\u003cbr\u003ePolysixEX: Component Modeling Technology (CMT Analog Modeling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Polyphony*1*2\u003c\/dt\u003e\n\u003cdd\u003eSGX-2: 100 voices*3\u003cbr\u003eEP-1: 104 voices\u003cbr\u003eHD-1: 140 voices\u003cbr\u003eAL-1: 80 voices\u003cbr\u003eCX-3: 200 voices\u003cbr\u003eSTR-1: 40 voices\u003cbr\u003eMOD-7: 52 voices\u003cbr\u003eMS-20EX: 40 voices\u003cbr\u003ePolysixEX: 180 voices\u003cbr\u003e\u003cbr\u003e1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.\u003cbr\u003e*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.\u003cbr\u003e*3: 100 dual-stereo notes (equivalent to 400 mono voices)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset PCM\u003c\/dt\u003e\n\u003cdd\u003eRAM 496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBuild-in Expansion PCM Libraries\u003c\/dt\u003e\n\u003cdd\u003eEXs301: German2 D Piano\u003cbr\u003eEXs302: Italian F Piano\u003cbr\u003eEXs303: Japanese Upright U Piano\u003cbr\u003eEXs304: Prepared Piano\u003cbr\u003eEXs305: Historical Keyboards\u003cbr\u003eEXs306: Vintage Keyboards 2\u003cbr\u003eEXs307: Strings \u0026amp; Synths\u003cbr\u003eEXs308: Guitar Collection\u003cbr\u003eEXs309: Bass Collection\u003cbr\u003eEXs310: World Essence\u003cbr\u003eEXs311: Background Loops\u003cbr\u003eEXs312: SFX \u0026amp; Hits\u003cbr\u003eEXs313: Found Percussions\u003cbr\u003eEXs314: Expansion Drums\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM RAM Capacity\u003c\/dt\u003e\n\u003cdd\u003eApprox. 2GB *4\u003cbr\u003e\u003cbr\u003e*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWave Sequences\u003c\/dt\u003e\n\u003cdd\u003e598 User memory, 377 Preload\u003cbr\u003eSupport for stereo multisamples, synchronization of individual notes, and tempo-based settings.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSGX-2 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePremium Piano\u003c\/dt\u003e\n\u003cdd\u003eFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.\u003cbr\u003eDamper resonance and mechanical noise are reproduced.\u003cbr\u003eUna Corda sample support\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM\u003c\/dt\u003e\n\u003cdd\u003eEXs301 – German2 D Piano\u003cbr\u003e12 velocity levels, includes Ambience Piano type\/samples\u003cbr\u003e\u003cbr\u003eEXs302 – Italian F Piano\u003cbr\u003e12 velocity levels, no Una Corda samples\u003cbr\u003e\u003cbr\u003eEXs303 – Japanese Upright U Piano\u003cbr\u003e8 velocity levels\u003cbr\u003e\u003cbr\u003eExs304 – Prepared Piano\u003cbr\u003e1-4 velocity levels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePiano Type\u003c\/dt\u003e\n\u003cdd\u003e128\u003cbr\u003e(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eDamper Resonance\u003cbr\u003eDamper Noise\u003cbr\u003eMechanical Noise\u003cbr\u003eNote Release\u003cbr\u003eString Resonance\u003cbr\u003eUna Corda\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEP-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMDS Electric Piano\u003c\/dt\u003e\n\u003cdd\u003eTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eElectric Piano Model Types\u003c\/dt\u003e\n\u003cdd\u003e7\u003cbr\u003eTine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePanel Control\u003c\/dt\u003e\n\u003cdd\u003eTine Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003cbr\u003e\u003cbr\u003eReed Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSmall Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eHD-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003eSingle: only OSC1, Double: OSC1 and OSC2.\u003cbr\u003eDouble mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.\u003cbr\u003eDrums: One drum kit, Double Drums: Two drum kits.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e8 velocity zones per oscillator, with switching, crossfades and layering\u003cbr\u003eEach zone can play mono or stereo Multisamples or Wave Sequences\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEXi Program Common\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eAL-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High　Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer-voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCX-3 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTonewheel Organ Modeling\u003c\/dt\u003e\n\u003cdd\u003ePhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEX Mode\u003c\/dt\u003e\n\u003cdd\u003eFour additional, user-specified drawbars, and expanded percussion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInternal Effects\u003c\/dt\u003e\n\u003cdd\u003eRotary speaker, vibrato\/chorus, amp modeling with overdrive, 3-band EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDrawbar Control\u003c\/dt\u003e\n\u003cdd\u003eControlled via nine front-panel sliders (via Tone Adjust)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSplit\u003c\/dt\u003e\n\u003cdd\u003eUpper, Lower (even in EX mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eTwo AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSTR-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePhysically Modeled String\u003c\/dt\u003e\n\u003cdd\u003eIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eString Excitation\u003c\/dt\u003e\n\u003cdd\u003eThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExcitation Filter\u003c\/strong\u003e\u003cbr\u003eDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled\/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input and Feedback\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter Mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMOD-7 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWaveshaping VPM Synthesizer\u003c\/dt\u003e\n\u003cdd\u003eCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003e6 VPM\/Waveshaper\/Ring Modulation Oscillators\u003c\/strong\u003e\u003cbr\u003ePhase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(With saturation and low-pass filter function)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the VPM Oscillators and filters.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003eSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMS-20EX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the synthesis engine and ESP (External Signal Processor)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003e12dB\/octave High Pass and Low Pass self-resonant filters\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP section\u003c\/strong\u003e\u003cbr\u003e24dB\/octave Low Cut and High Cut filters, available per voice.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003ePatchable audio and modulation, at audio rates\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Points\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eKeyboard\u003c\/strong\u003e\u003cbr\u003eKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003cbr\u003eExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO+VCF\u003c\/strong\u003e\u003cbr\u003eTotal External Modulation In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003cbr\u003eExternal Initial Gain Control In, VCA In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEG\u003c\/strong\u003e\u003cbr\u003eEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMG\u003c\/strong\u003e\u003cbr\u003eTriangle Out, Rectangle Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cbr\u003ePink Noise Out, White Noise Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSample and Hold\u003c\/strong\u003e\u003cbr\u003eClock Trigger In, Sample Signal In, S\/H Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModulation VCA\u003c\/strong\u003e\u003cbr\u003eControl Voltage In, Signal In, Signal Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eManual Controller\u003c\/strong\u003e\u003cbr\u003eControl Wheel Out, Momentary Switch\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP\u003c\/strong\u003e\u003cbr\u003eSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOthers\u003c\/strong\u003e\u003cbr\u003eEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eESP (External Signal Processor):\u003c\/dt\u003e\n\u003cdd\u003eUse incoming audio as a trigger and\/or CV source\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026amp;2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003ePolysixEX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eSaw, Pulse, PWM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSub Oscillator:\u003c\/strong\u003e\u003cbr\u003eOff, 1 octave below, 2 octaves below\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilter\u003c\/dt\u003e\n\u003cdd\u003e24dB(4-Pole) Octave Low Pass self-resonant filter\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects\u003c\/dt\u003e\n\u003cdd\u003eIntegrated Polysix Chorus, Phaser, and Ensemble\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator\u003c\/dt\u003e\n\u003cdd\u003eIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003ePolysix\u003c\/strong\u003e\u003cbr\u003eOriginal ADSR EG and MG (with MIDI sync).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNAUTILUS\u003c\/strong\u003e\u003cbr\u003e2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCombination\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Timbres, Master Keyboard Functionality\u003c\/dt\u003e\n\u003cdd\u003e16 Maximum\u003cbr\u003eKeyboard and velocity splits, layers, and crossfades of up to 16 Programs and\/or external MIDI Devices\u003cbr\u003eThe tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-t cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_t\"\u003e\n\u003ch5 class=\"header2\"\u003eDrumkit\u003c\/h5\u003e\n\u003cdiv class=\"box_text_type_t\"\u003eAssignable stereo\/mono samples with 8 velocity zones per oscillator (with crossfade functions)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eNumber of Programs\/Combinations\/Drum kits\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Programs\u003c\/dt\u003e\n\u003cdd\u003e2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Combinations\u003c\/dt\u003e\n\u003cdd\u003e1,792 (256 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Drum Kits\u003c\/dt\u003e\n\u003cdd\u003e264 (104 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003e256 GM Level2 preset programs + 9 GM Level 2 drum preset programs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSet List\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Set Lists\/Slots\u003c\/dt\u003e\n\u003cdd\u003e128 set lists, 128 slots per set list\u003cbr\u003eEach set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted\u003cbr\u003eTranspose setting\u003cbr\u003eHold Time setting of Smooth Sound Transition (SST) supported for each slot\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSampling\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eOpen Sampling System (resampling, In-Track sampling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBit Depth\/Sampling Frequency\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003e16-bit\/48 kHz stereo\/mono sampling\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003e16 or 24-bit\/48 kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSampling Time\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003eDepends on the amount of available PCM RAM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003eMaximum 80 minutes stereo (879MB: 16bit)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSample Locations\u003c\/dt\u003e\n\u003cdd\u003e16,000 samples\/4,000 multisamples (128 indexes per multisample)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFormats\u003c\/dt\u003e\n\u003cdd\u003eKORG format, AKAI S1000\/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEditing\u003c\/dt\u003e\n\u003cdd\u003eTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEffects\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInsert Effects\u003c\/dt\u003e\n\u003cdd\u003e12\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaster Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTotal Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTimbre EQ\u003c\/dt\u003e\n\u003cdd\u003eOne 3-band EQ for each timbre\/track\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e197\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eDynamic Modulation and Common LFO\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects Control Busses\u003c\/dt\u003e\n\u003cdd\u003eStereo side-chaining for compressors, gates, vocoders, etc\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Presets\u003c\/dt\u003e\n\u003cdd\u003eTotal 783 preset, Maximum 32 per 1 effect (Preset User)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eArpeggiator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator Modules\u003c\/dt\u003e\n\u003cdd\u003eOne module in Program mode, two modules in Combination and Sequencer modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggio Pattern\u003c\/dt\u003e\n\u003cdd\u003e5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eDrum Track\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,272 (common with the preset patterns of the MIDI sequencer)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,000\u003cbr\u003ePatterns created in Sequencer mode can be converted to drum track user patterns.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eTrigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo settings can be specified.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSequencer \/ HDR\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTracks\u003c\/dt\u003e\n\u003cdd\u003e16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Songs\u003c\/dt\u003e\n\u003cdd\u003e200\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eResolution\u003c\/dt\u003e\n\u003cdd\u003e1\/480\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTempo\u003c\/dt\u003e\n\u003cdd\u003e40.00 – 300.00 (1\/100 BPM resolution)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Memory\u003c\/dt\u003e\n\u003cdd\u003e400,000 MIDI events or 300,000 audio events\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI Tracks\u003c\/dt\u003e\n\u003cdd\u003e16 tracks plus the master track, 697 preset \/ 100 user patterns (per song), 18 preset\/16 user template songs,\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Tracks\u003c\/dt\u003e\n\u003cdd\u003e16-track playback, 4-track simultaneous recording, WAV file format 16bit\/24bit\u003cbr\u003eMaximum Single-file Recording Time (mono): 80 minutes\u003cbr\u003eAutomation: Volume, Pan, EQ, and Send1\/2\u003cbr\u003e10,000 regions (max.)\u003cbr\u003eEvent Anchors, BPM Adjust\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOther Functions\u003c\/dt\u003e\n\u003cdd\u003eRPPR (Realtime Pattern Play and Record): 1 Pattern set per song\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eGeneral\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Mode\u003c\/dt\u003e\n\u003cdd\u003eLoad, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eJoystick, Switches 1 \u0026amp; 2\u003cbr\u003eArpeggiator Control: On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003cbr\u003eDRUM TRACK: On\/Off, Swing, Drum SD, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisplay\u003c\/dt\u003e\n\u003cdd\u003eTouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePrincipal Specifications\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, +\/-1.0dB, 10k Ω load\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, 0.01%, 10k Ω load (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS\/N\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003cbr\u003e95dB, at 1kHz (typical)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOutputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eL\/MONO, R, Individual 1-4\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eOutput Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\u003cbr\u003eNominal Level: +4.0 dBu,\u003cbr\u003eMaximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\u003cbr\u003eMAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L\/MONO and R\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003cbr\u003e1\/4” stereo phone jack\u003cbr\u003eOutput impedance: 33 Ω,\u003cbr\u003eMaximum Level: 60+60 mW (when load impedance is 33 Ω),\u003cbr\u003eMAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003cbr\u003e(Digital output of the same signals as AUDIO OUTPUT (MAIN) L\/MONO and R)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eAudio Inputs 1 and 2\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eInput Impedance: 10 kΩ\u003cbr\u003eNominal Level: LINE +4 dBu\u003cbr\u003eMaximum Level: LINE +16 dBu\u003cbr\u003eNominal Level: MIC –22 dBu\u003cbr\u003eMaximum Level: MIC -10 dBu\u003cbr\u003eSource Impedance: 600 Ω\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControl Inputs\u003c\/dt\u003e\n\u003cdd\u003eDamper pedal (half damper supported)\u003cbr\u003eAssignable switch, Assignable pedal\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn, Out, Thru\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUSB\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eUSB A (TYPE A)\u003c\/strong\u003e\u003cbr\u003eFor connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB B (TYPE B)\u003c\/strong\u003e\u003cbr\u003eMIDI\/audio interface, MIDI: 1 (16 channel) input \/ 1 (16 channel) output, Audio: 2 channel input \/ 2 channel output\u003cbr\u003e*2 USB high-speed ports (supports 480Mbps)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Drives\u003c\/dt\u003e\n\u003cdd\u003e60 GB SSD (2.5”)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC power supply terminal, Power switch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDimensions: (W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e88 key: 1,437 x 387 x 139 mm \/ 56.57” x 15.24” x 5.47”\u003cbr\u003e73 key: 1,227 x 386 x 116 mm \/ 48.31” x 15.20” x 4.57”\u003cbr\u003e61 key: 1,062 x 386 x 116 mm \/ 41.81” x 15.20” x 4.57”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e88 key: 23.1 kg \/ 50.93 lbs.\u003cbr\u003e73 key: 14.6 kg \/ 32.19 lbs.\u003cbr\u003e61 key: 13.0 kg \/ 28.66 lbs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Consumption\u003c\/dt\u003e\n\u003cdd\u003e40 W\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAC cord, Quick Start Guide\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.korg.com\/za\/products\/synthesizers\/nautilus\/index.php\" title=\"\u0026lt;PRODUCT PAGE\u0026gt;\"\u003e\u0026lt;VIEW PRODUCT LINK HERE\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}