Shopify secure badge
{"id":8108152520930,"title":"KORG NAUTILUS 73 MUSIC WORKSTATION","handle":"korg-nautilus-73-music-workstation","description":"\u003ch1\u003eNAUTILUS 73 MUSIC WORKSTATION\u003c\/h1\u003e\n\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp class=\"header1\"\u003e\u003cstrong\u003eThe most dazzling and expansive collection of sounds ever put into a Korg synthesizer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"1\"\u003eNine different sound engines offer massive expressive power\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-s cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"container_s\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eTo start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM\/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003ch4 class=\"header2\"\u003e\u003ca name=\"2\"\u003eNew sounds offered over three broad categories\u003c\/a\u003e\u003c\/h4\u003e\n\u003cp\u003eThe approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Unique” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Current” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS also offers the freshest sounds that blend in well with today's music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandard sounds:\u003c\/strong\u003e\u003cbr\u003eWe’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"3\"\u003eThe DYNAMICS knob makes delicate expression possible\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you'll uncover even more of the possibilities that the NAUTILUS offers.\u003cbr\u003e\u003cbr\u003eWhen you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"4\"\u003eMake intuitive changes to sounds with the Realtime knobs\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"5\"\u003eA user interface designed for easy operation\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.\u003cbr\u003e\u003cbr\u003eThe MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.\u003cbr\u003e\u003cbr\u003eSix quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"6\"\u003eConvenient arpeggiator and drum track functions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"7\"\u003eColor TouchView Display\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.\u003cbr\u003e\u003cbr\u003eIn addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.\u003cbr\u003e\u003cbr\u003eThe TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"8\"\u003eSet list mode that demonstrates its power in live performances\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!\u003cbr\u003e\u003cbr\u003eYou can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"9\"\u003eOpen Sampling System\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUsing KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.\u003cbr\u003e\u003cbr\u003eAIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"10\"\u003e16-Track MIDI Sequencer \/ 16-Track Audio Recorder\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS features a sequencer\/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play\/Recording) functions.\u003cbr\u003e\u003cbr\u003eThe 16-track audio recorder simultaneously captures up to four tracks of 16-bit\/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"11\"\u003e16 Onboard Effect Processors\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eNATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1\/2, and two Total effects can be applied to all tracks at the final stage of the sound.\u003cbr\u003e\u003cbr\u003eA separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-a cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_a\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"12\"\u003eUSB \/ MIDI Host Ports Accommodate MIDI Control Surfaces\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_a\"\u003e\n\u003cdiv class=\"box_image_type_a\"\u003enanoPAD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_a\"\u003e\n\u003cdiv class=\"box_text_type_a\"\u003e\n\u003cp\u003eAny class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\u003cstrong\u003eSmooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_c\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eWhen you switch program sounds during a performance to get ready for the next section, or when you switch from Program mode to Combi mode, the sound that's currently being output is always given priority and its effects are maintained during the program change, ensuring a seamless transition with no dropouts. This function has also earned extremely high praise from pro musicians.\u003c\/p\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"15\"\u003eStand-alone and Plug-in NATULUS Editing Software\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS Editor and NAUTILUS Plug-In Editor allow you to edit your NAUTILUS from your computer while viewing large numbers of parameters simultaneously, or to use NAUTILUS in your DAW as if it were a software synthesizer. You can download the latest version of the NAUTILUS sound editor from the Korg website.\u003c\/p\u003e\n\u003ch4\u003eSPECIFICATIONS\u003c\/h4\u003e\n\u003csection class=\"block type-u cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSystem, Keyboard\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eNAUTILUS System Version 1.0\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003cdd\u003e88 key: RH3 (Real Weighted Hammer Action 3), A - C\u003cbr\u003e73 key: Natural Touch Semi Weighted, C - C\u003cbr\u003e61 key: Natural Touch Semi Weighted, C – C\u003cbr\u003eVelocity sensitive is supported, after touch is not supported.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eTone Generator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSynthesis Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSGX-2: Premium Piano (Acoustic Piano)\u003cbr\u003eEP-1: MDS Electric Piano (Electric Piano)\u003cbr\u003eHD-1: High Definition Synthesizer (PCM)\u003cbr\u003eAL-1: Analog Synthesizer (Analog Modeling)\u003cbr\u003eCX-3: Tonewheel Organ (Tonewheel Organ Modeling)\u003cbr\u003eSTR-1: Plucked String (Physical Modeling)\u003cbr\u003eMOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)\u003cbr\u003eMS-20EX: Component Modeling Technology (Analog Modeling)\u003cbr\u003ePolysixEX: Component Modeling Technology (CMT Analog Modeling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Polyphony*1*2\u003c\/dt\u003e\n\u003cdd\u003eSGX-2: 100 voices*3\u003cbr\u003eEP-1: 104 voices\u003cbr\u003eHD-1: 140 voices\u003cbr\u003eAL-1: 80 voices\u003cbr\u003eCX-3: 200 voices\u003cbr\u003eSTR-1: 40 voices\u003cbr\u003eMOD-7: 52 voices\u003cbr\u003eMS-20EX: 40 voices\u003cbr\u003ePolysixEX: 180 voices\u003cbr\u003e\u003cbr\u003e1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.\u003cbr\u003e*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.\u003cbr\u003e*3: 100 dual-stereo notes (equivalent to 400 mono voices)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset PCM\u003c\/dt\u003e\n\u003cdd\u003eRAM 496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBuild-in Expansion PCM Libraries\u003c\/dt\u003e\n\u003cdd\u003eEXs301: German2 D Piano\u003cbr\u003eEXs302: Italian F Piano\u003cbr\u003eEXs303: Japanese Upright U Piano\u003cbr\u003eEXs304: Prepared Piano\u003cbr\u003eEXs305: Historical Keyboards\u003cbr\u003eEXs306: Vintage Keyboards 2\u003cbr\u003eEXs307: Strings \u0026amp; Synths\u003cbr\u003eEXs308: Guitar Collection\u003cbr\u003eEXs309: Bass Collection\u003cbr\u003eEXs310: World Essence\u003cbr\u003eEXs311: Background Loops\u003cbr\u003eEXs312: SFX \u0026amp; Hits\u003cbr\u003eEXs313: Found Percussions\u003cbr\u003eEXs314: Expansion Drums\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM RAM Capacity\u003c\/dt\u003e\n\u003cdd\u003eApprox. 2GB *4\u003cbr\u003e\u003cbr\u003e*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWave Sequences\u003c\/dt\u003e\n\u003cdd\u003e598 User memory, 377 Preload\u003cbr\u003eSupport for stereo multisamples, synchronization of individual notes, and tempo-based settings.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSGX-2 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePremium Piano\u003c\/dt\u003e\n\u003cdd\u003eFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.\u003cbr\u003eDamper resonance and mechanical noise are reproduced.\u003cbr\u003eUna Corda sample support\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM\u003c\/dt\u003e\n\u003cdd\u003eEXs301 – German2 D Piano\u003cbr\u003e12 velocity levels, includes Ambience Piano type\/samples\u003cbr\u003e\u003cbr\u003eEXs302 – Italian F Piano\u003cbr\u003e12 velocity levels, no Una Corda samples\u003cbr\u003e\u003cbr\u003eEXs303 – Japanese Upright U Piano\u003cbr\u003e8 velocity levels\u003cbr\u003e\u003cbr\u003eExs304 – Prepared Piano\u003cbr\u003e1-4 velocity levels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePiano Type\u003c\/dt\u003e\n\u003cdd\u003e128\u003cbr\u003e(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eDamper Resonance\u003cbr\u003eDamper Noise\u003cbr\u003eMechanical Noise\u003cbr\u003eNote Release\u003cbr\u003eString Resonance\u003cbr\u003eUna Corda\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEP-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMDS Electric Piano\u003c\/dt\u003e\n\u003cdd\u003eTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eElectric Piano Model Types\u003c\/dt\u003e\n\u003cdd\u003e7\u003cbr\u003eTine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePanel Control\u003c\/dt\u003e\n\u003cdd\u003eTine Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003cbr\u003e\u003cbr\u003eReed Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSmall Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eHD-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003eSingle: only OSC1, Double: OSC1 and OSC2.\u003cbr\u003eDouble mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.\u003cbr\u003eDrums: One drum kit, Double Drums: Two drum kits.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e8 velocity zones per oscillator, with switching, crossfades and layering\u003cbr\u003eEach zone can play mono or stereo Multisamples or Wave Sequences\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEXi Program Common\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eAL-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer-voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCX-3 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTonewheel Organ Modeling\u003c\/dt\u003e\n\u003cdd\u003ePhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEX Mode\u003c\/dt\u003e\n\u003cdd\u003eFour additional, user-specified drawbars, and expanded percussion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInternal Effects\u003c\/dt\u003e\n\u003cdd\u003eRotary speaker, vibrato\/chorus, amp modeling with overdrive, 3-band EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDrawbar Control\u003c\/dt\u003e\n\u003cdd\u003eControlled via nine front-panel sliders (via Tone Adjust)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSplit\u003c\/dt\u003e\n\u003cdd\u003eUpper, Lower (even in EX mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eTwo AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSTR-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePhysically Modeled String\u003c\/dt\u003e\n\u003cdd\u003eIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eString Excitation\u003c\/dt\u003e\n\u003cdd\u003eThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExcitation Filter\u003c\/strong\u003e\u003cbr\u003eDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled\/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input and Feedback\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter Mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMOD-7 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWaveshaping VPM Synthesizer\u003c\/dt\u003e\n\u003cdd\u003eCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003e6 VPM\/Waveshaper\/Ring Modulation Oscillators\u003c\/strong\u003e\u003cbr\u003ePhase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(With saturation and low-pass filter function)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the VPM Oscillators and filters.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003eSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMS-20EX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the synthesis engine and ESP (External Signal Processor)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003e12dB\/octave High Pass and Low Pass self-resonant filters\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP section\u003c\/strong\u003e\u003cbr\u003e24dB\/octave Low Cut and High Cut filters, available per voice.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003ePatchable audio and modulation, at audio rates\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Points\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eKeyboard\u003c\/strong\u003e\u003cbr\u003eKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003cbr\u003eExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO+VCF\u003c\/strong\u003e\u003cbr\u003eTotal External Modulation In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003cbr\u003eExternal Initial Gain Control In, VCA In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEG\u003c\/strong\u003e\u003cbr\u003eEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMG\u003c\/strong\u003e\u003cbr\u003eTriangle Out, Rectangle Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cbr\u003ePink Noise Out, White Noise Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSample and Hold\u003c\/strong\u003e\u003cbr\u003eClock Trigger In, Sample Signal In, S\/H Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModulation VCA\u003c\/strong\u003e\u003cbr\u003eControl Voltage In, Signal In, Signal Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eManual Controller\u003c\/strong\u003e\u003cbr\u003eControl Wheel Out, Momentary Switch\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP\u003c\/strong\u003e\u003cbr\u003eSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOthers\u003c\/strong\u003e\u003cbr\u003eEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eESP (External Signal Processor):\u003c\/dt\u003e\n\u003cdd\u003eUse incoming audio as a trigger and\/or CV source\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026amp;2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003ePolysixEX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eSaw, Pulse, PWM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSub Oscillator:\u003c\/strong\u003e\u003cbr\u003eOff, 1 octave below, 2 octaves below\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilter\u003c\/dt\u003e\n\u003cdd\u003e24dB(4-Pole) Octave Low Pass self-resonant filter\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects\u003c\/dt\u003e\n\u003cdd\u003eIntegrated Polysix Chorus, Phaser, and Ensemble\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator\u003c\/dt\u003e\n\u003cdd\u003eIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003ePolysix\u003c\/strong\u003e\u003cbr\u003eOriginal ADSR EG and MG (with MIDI sync).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNAUTILUS\u003c\/strong\u003e\u003cbr\u003e2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCombination\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Timbres, Master Keyboard Functionality\u003c\/dt\u003e\n\u003cdd\u003e16 Maximum\u003cbr\u003eKeyboard and velocity splits, layers, and crossfades of up to 16 Programs and\/or external MIDI Devices\u003cbr\u003eThe tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-t cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_t\"\u003e\n\u003ch5 class=\"header2\"\u003eDrumkit\u003c\/h5\u003e\n\u003cdiv class=\"box_text_type_t\"\u003eAssignable stereo\/mono samples with 8 velocity zones per oscillator (with crossfade functions)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eNumber of Programs\/Combinations\/Drum kits\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Programs\u003c\/dt\u003e\n\u003cdd\u003e2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Combinations\u003c\/dt\u003e\n\u003cdd\u003e1,792 (256 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Drum Kits\u003c\/dt\u003e\n\u003cdd\u003e264 (104 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003e256 GM Level2 preset programs + 9 GM Level 2 drum preset programs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSet List\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Set Lists\/Slots\u003c\/dt\u003e\n\u003cdd\u003e128 set lists, 128 slots per set list\u003cbr\u003eEach set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted\u003cbr\u003eTranspose setting\u003cbr\u003eHold Time setting of Smooth Sound Transition (SST) supported for each slot\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSampling\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eOpen Sampling System (resampling, In-Track sampling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBit Depth\/Sampling Frequency\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003e16-bit\/48 kHz stereo\/mono sampling\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003e16 or 24-bit\/48 kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSampling Time\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003eDepends on the amount of available PCM RAM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003eMaximum 80 minutes stereo (879MB: 16bit)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSample Locations\u003c\/dt\u003e\n\u003cdd\u003e16,000 samples\/4,000 multisamples (128 indexes per multisample)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFormats\u003c\/dt\u003e\n\u003cdd\u003eKORG format, AKAI S1000\/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEditing\u003c\/dt\u003e\n\u003cdd\u003eTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEffects\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInsert Effects\u003c\/dt\u003e\n\u003cdd\u003e12\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaster Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTotal Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTimbre EQ\u003c\/dt\u003e\n\u003cdd\u003eOne 3-band EQ for each timbre\/track\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e197\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eDynamic Modulation and Common LFO\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects Control Busses\u003c\/dt\u003e\n\u003cdd\u003eStereo side-chaining for compressors, gates, vocoders, etc\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Presets\u003c\/dt\u003e\n\u003cdd\u003eTotal 783 preset, Maximum 32 per 1 effect (Preset User)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eArpeggiator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator Modules\u003c\/dt\u003e\n\u003cdd\u003eOne module in Program mode, two modules in Combination and Sequencer modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggio Pattern\u003c\/dt\u003e\n\u003cdd\u003e5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eDrum Track\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,272 (common with the preset patterns of the MIDI sequencer)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,000\u003cbr\u003ePatterns created in Sequencer mode can be converted to drum track user patterns.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eTrigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo settings can be specified.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSequencer \/ HDR\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTracks\u003c\/dt\u003e\n\u003cdd\u003e16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Songs\u003c\/dt\u003e\n\u003cdd\u003e200\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eResolution\u003c\/dt\u003e\n\u003cdd\u003e1\/480\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTempo\u003c\/dt\u003e\n\u003cdd\u003e40.00 – 300.00 (1\/100 BPM resolution)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Memory\u003c\/dt\u003e\n\u003cdd\u003e400,000 MIDI events or 300,000 audio events\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI Tracks\u003c\/dt\u003e\n\u003cdd\u003e16 tracks plus the master track, 697 preset \/ 100 user patterns (per song), 18 preset\/16 user template songs,\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Tracks\u003c\/dt\u003e\n\u003cdd\u003e16-track playback, 4-track simultaneous recording, WAV file format 16bit\/24bit\u003cbr\u003eMaximum Single-file Recording Time (mono): 80 minutes\u003cbr\u003eAutomation: Volume, Pan, EQ, and Send1\/2\u003cbr\u003e10,000 regions (max.)\u003cbr\u003eEvent Anchors, BPM Adjust\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOther Functions\u003c\/dt\u003e\n\u003cdd\u003eRPPR (Realtime Pattern Play and Record): 1 Pattern set per song\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eGeneral\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Mode\u003c\/dt\u003e\n\u003cdd\u003eLoad, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eJoystick, Switches 1 \u0026amp; 2\u003cbr\u003eArpeggiator Control: On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003cbr\u003eDRUM TRACK: On\/Off, Swing, Drum SD, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisplay\u003c\/dt\u003e\n\u003cdd\u003eTouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePrincipal Specifications\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, +\/-1.0dB, 10k Ω load\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, 0.01%, 10k Ω load (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS\/N\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003cbr\u003e95dB, at 1kHz (typical)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOutputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eL\/MONO, R, Individual 1-4\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eOutput Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\u003cbr\u003eNominal Level: +4.0 dBu,\u003cbr\u003eMaximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\u003cbr\u003eMAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L\/MONO and R\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003cbr\u003e1\/4” stereo phone jack\u003cbr\u003eOutput impedance: 33 Ω,\u003cbr\u003eMaximum Level: 60+60 mW (when load impedance is 33 Ω),\u003cbr\u003eMAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003cbr\u003e(Digital output of the same signals as AUDIO OUTPUT (MAIN) L\/MONO and R)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eAudio Inputs 1 and 2\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eInput Impedance: 10 kΩ\u003cbr\u003eNominal Level: LINE +4 dBu\u003cbr\u003eMaximum Level: LINE +16 dBu\u003cbr\u003eNominal Level: MIC –22 dBu\u003cbr\u003eMaximum Level: MIC -10 dBu\u003cbr\u003eSource Impedance: 600 Ω\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControl Inputs\u003c\/dt\u003e\n\u003cdd\u003eDamper pedal (half damper supported)\u003cbr\u003eAssignable switch, Assignable pedal\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn, Out, Thru\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUSB\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eUSB A (TYPE A)\u003c\/strong\u003e\u003cbr\u003eFor connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB B (TYPE B)\u003c\/strong\u003e\u003cbr\u003eMIDI\/audio interface, MIDI: 1 (16 channel) input \/ 1 (16 channel) output, Audio: 2 channel input \/ 2 channel output\u003cbr\u003e*2 USB high-speed ports (supports 480Mbps)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Drives\u003c\/dt\u003e\n\u003cdd\u003e60 GB SSD (2.5”)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC power supply terminal, Power switch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDimensions: (W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e88 key: 1,437 x 387 x 139 mm \/ 56.57” x 15.24” x 5.47”\u003cbr\u003e73 key: 1,227 x 386 x 116 mm \/ 48.31” x 15.20” x 4.57”\u003cbr\u003e61 key: 1,062 x 386 x 116 mm \/ 41.81” x 15.20” x 4.57”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e88 key: 23.1 kg \/ 50.93 lbs.\u003cbr\u003e73 key: 14.6 kg \/ 32.19 lbs.\u003cbr\u003e61 key: 13.0 kg \/ 28.66 lbs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Consumption\u003c\/dt\u003e\n\u003cdd\u003e40 W\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAC cord, Quick Start Guide\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.korg.com\/za\/products\/synthesizers\/nautilus\/index.php\" title=\"\u0026lt;PRODUCT PAGE\u0026gt;\"\u003e\u0026lt;VIEW PRODUCT LINK HERE\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e","published_at":"2023-06-23T13:26:12+02:00","created_at":"2023-06-23T13:26:12+02:00","vendor":"KORG","type":"SYNTHESIZERS","tags":["Price_R30000 to R45000"],"price":3749900,"price_min":3749900,"price_max":3749900,"available":true,"price_varies":false,"compare_at_price":4829900,"compare_at_price_min":4829900,"compare_at_price_max":4829900,"compare_at_price_varies":false,"variants":[{"id":44137987834082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KA 106","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"KORG NAUTILUS 73 MUSIC WORKSTATION","public_title":null,"options":["Default Title"],"price":3749900,"weight":7000,"compare_at_price":4829900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/aae66d8f2eec0565b79664909baae87e_pc.png?v=1687519615"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574","options":["Title"],"media":[{"alt":null,"id":31956596031714,"position":1,"preview_image":{"aspect_ratio":1.697,"height":707,"width":1200,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574"},"aspect_ratio":1.697,"height":707,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/a99bf0e824364db2722540b88fce3fea_pc.png?v=1687519574","width":1200},{"alt":null,"id":31956596130018,"position":2,"preview_image":{"aspect_ratio":3.727,"height":322,"width":1200,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/aae66d8f2eec0565b79664909baae87e_pc.png?v=1687519615"},"aspect_ratio":3.727,"height":322,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/files\/aae66d8f2eec0565b79664909baae87e_pc.png?v=1687519615","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch1\u003eNAUTILUS 73 MUSIC WORKSTATION\u003c\/h1\u003e\n\u003ch4\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp class=\"header1\"\u003e\u003cstrong\u003eThe most dazzling and expansive collection of sounds ever put into a Korg synthesizer.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"1\"\u003eNine different sound engines offer massive expressive power\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-s cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"container_s\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eTo start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM\/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003ch4 class=\"header2\"\u003e\u003ca name=\"2\"\u003eNew sounds offered over three broad categories\u003c\/a\u003e\u003c\/h4\u003e\n\u003cp\u003eThe approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Unique” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e“Current” sounds:\u003c\/strong\u003e\u003cbr\u003eThe NAUTILUS also offers the freshest sounds that blend in well with today's music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandard sounds:\u003c\/strong\u003e\u003cbr\u003eWe’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"3\"\u003eThe DYNAMICS knob makes delicate expression possible\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you'll uncover even more of the possibilities that the NAUTILUS offers.\u003cbr\u003e\u003cbr\u003eWhen you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"4\"\u003eMake intuitive changes to sounds with the Realtime knobs\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"5\"\u003eA user interface designed for easy operation\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.\u003cbr\u003e\u003cbr\u003eThe MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.\u003cbr\u003e\u003cbr\u003eSix quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"6\"\u003eConvenient arpeggiator and drum track functions\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFour scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"7\"\u003eColor TouchView Display\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.\u003cbr\u003e\u003cbr\u003eIn addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.\u003cbr\u003e\u003cbr\u003eThe TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"8\"\u003eSet list mode that demonstrates its power in live performances\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!\u003cbr\u003e\u003cbr\u003eYou can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.\u003c\/p\u003e\n\u003csection class=\"block type-e cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"9\"\u003eOpen Sampling System\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUsing KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.\u003cbr\u003e\u003cbr\u003eAIFF, WAV, SoundFont 2.0, and AKAI S1000\/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-e cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_e\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"10\"\u003e16-Track MIDI Sequencer \/ 16-Track Audio Recorder\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNAUTILUS features a sequencer\/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play\/Recording) functions.\u003cbr\u003e\u003cbr\u003eThe 16-track audio recorder simultaneously captures up to four tracks of 16-bit\/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"11\"\u003e16 Onboard Effect Processors\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eNATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1\/2, and two Total effects can be applied to all tracks at the final stage of the sound.\u003cbr\u003e\u003cbr\u003eA separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-a cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_a\"\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"12\"\u003eUSB \/ MIDI Host Ports Accommodate MIDI Control Surfaces\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_a\"\u003e\n\u003cdiv class=\"box_image_type_a\"\u003enanoPAD\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_a\"\u003e\n\u003cdiv class=\"box_text_type_a\"\u003e\n\u003cp\u003eAny class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-c cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"title_type_c\"\u003e\u003cstrong\u003eSmooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_image_type_c\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"column_text_type_c\"\u003e\n\u003cdiv class=\"box_text_type_c\"\u003e\n\u003cp\u003eWhen you switch program sounds during a performance to get ready for the next section, or when you switch from Program mode to Combi mode, the sound that's currently being output is always given priority and its effects are maintained during the program change, ensuring a seamless transition with no dropouts. This function has also earned extremely high praise from pro musicians.\u003c\/p\u003e\n\u003cp class=\"header2\"\u003e\u003cstrong\u003e\u003ca name=\"15\"\u003eStand-alone and Plug-in NATULUS Editing Software\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe NAUTILUS Editor and NAUTILUS Plug-In Editor allow you to edit your NAUTILUS from your computer while viewing large numbers of parameters simultaneously, or to use NAUTILUS in your DAW as if it were a software synthesizer. You can download the latest version of the NAUTILUS sound editor from the Korg website.\u003c\/p\u003e\n\u003ch4\u003eSPECIFICATIONS\u003c\/h4\u003e\n\u003csection class=\"block type-u cv_black pad_t80 pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSystem, Keyboard\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eNAUTILUS System Version 1.0\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eKeyboard\u003c\/dt\u003e\n\u003cdd\u003e88 key: RH3 (Real Weighted Hammer Action 3), A - C\u003cbr\u003e73 key: Natural Touch Semi Weighted, C - C\u003cbr\u003e61 key: Natural Touch Semi Weighted, C – C\u003cbr\u003eVelocity sensitive is supported, after touch is not supported.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eTone Generator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSynthesis Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSGX-2: Premium Piano (Acoustic Piano)\u003cbr\u003eEP-1: MDS Electric Piano (Electric Piano)\u003cbr\u003eHD-1: High Definition Synthesizer (PCM)\u003cbr\u003eAL-1: Analog Synthesizer (Analog Modeling)\u003cbr\u003eCX-3: Tonewheel Organ (Tonewheel Organ Modeling)\u003cbr\u003eSTR-1: Plucked String (Physical Modeling)\u003cbr\u003eMOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)\u003cbr\u003eMS-20EX: Component Modeling Technology (Analog Modeling)\u003cbr\u003ePolysixEX: Component Modeling Technology (CMT Analog Modeling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Polyphony*1*2\u003c\/dt\u003e\n\u003cdd\u003eSGX-2: 100 voices*3\u003cbr\u003eEP-1: 104 voices\u003cbr\u003eHD-1: 140 voices\u003cbr\u003eAL-1: 80 voices\u003cbr\u003eCX-3: 200 voices\u003cbr\u003eSTR-1: 40 voices\u003cbr\u003eMOD-7: 52 voices\u003cbr\u003eMS-20EX: 40 voices\u003cbr\u003ePolysixEX: 180 voices\u003cbr\u003e\u003cbr\u003e1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.\u003cbr\u003e*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.\u003cbr\u003e*3: 100 dual-stereo notes (equivalent to 400 mono voices)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset PCM\u003c\/dt\u003e\n\u003cdd\u003eRAM 496 MB \/ DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBuild-in Expansion PCM Libraries\u003c\/dt\u003e\n\u003cdd\u003eEXs301: German2 D Piano\u003cbr\u003eEXs302: Italian F Piano\u003cbr\u003eEXs303: Japanese Upright U Piano\u003cbr\u003eEXs304: Prepared Piano\u003cbr\u003eEXs305: Historical Keyboards\u003cbr\u003eEXs306: Vintage Keyboards 2\u003cbr\u003eEXs307: Strings \u0026amp; Synths\u003cbr\u003eEXs308: Guitar Collection\u003cbr\u003eEXs309: Bass Collection\u003cbr\u003eEXs310: World Essence\u003cbr\u003eEXs311: Background Loops\u003cbr\u003eEXs312: SFX \u0026amp; Hits\u003cbr\u003eEXs313: Found Percussions\u003cbr\u003eEXs314: Expansion Drums\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM RAM Capacity\u003c\/dt\u003e\n\u003cdd\u003eApprox. 2GB *4\u003cbr\u003e\u003cbr\u003e*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWave Sequences\u003c\/dt\u003e\n\u003cdd\u003e598 User memory, 377 Preload\u003cbr\u003eSupport for stereo multisamples, synchronization of individual notes, and tempo-based settings.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSGX-2 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePremium Piano\u003c\/dt\u003e\n\u003cdd\u003eFull key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.\u003cbr\u003eDamper resonance and mechanical noise are reproduced.\u003cbr\u003eUna Corda sample support\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePCM\u003c\/dt\u003e\n\u003cdd\u003eEXs301 – German2 D Piano\u003cbr\u003e12 velocity levels, includes Ambience Piano type\/samples\u003cbr\u003e\u003cbr\u003eEXs302 – Italian F Piano\u003cbr\u003e12 velocity levels, no Una Corda samples\u003cbr\u003e\u003cbr\u003eEXs303 – Japanese Upright U Piano\u003cbr\u003e8 velocity levels\u003cbr\u003e\u003cbr\u003eExs304 – Prepared Piano\u003cbr\u003e1-4 velocity levels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePiano Type\u003c\/dt\u003e\n\u003cdd\u003e128\u003cbr\u003e(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eDamper Resonance\u003cbr\u003eDamper Noise\u003cbr\u003eMechanical Noise\u003cbr\u003eNote Release\u003cbr\u003eString Resonance\u003cbr\u003eUna Corda\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEP-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMDS Electric Piano\u003c\/dt\u003e\n\u003cdd\u003eTine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eElectric Piano Model Types\u003c\/dt\u003e\n\u003cdd\u003e7\u003cbr\u003eTine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillator Control\u003c\/dt\u003e\n\u003cdd\u003eHarmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePanel Control\u003c\/dt\u003e\n\u003cdd\u003eTine Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (On\/Off, Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003cbr\u003e\u003cbr\u003eReed Type\u003cbr\u003ePreamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp\/Cabinet (On\/Off, Drive)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e9\u003cbr\u003eSmall Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eHD-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eStructure\u003c\/dt\u003e\n\u003cdd\u003eSingle: only OSC1, Double: OSC1 and OSC2.\u003cbr\u003eDouble mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.\u003cbr\u003eDrums: One drum kit, Double Drums: Two drum kits.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e8 velocity zones per oscillator, with switching, crossfades and layering\u003cbr\u003eEach zone can play mono or stereo Multisamples or Wave Sequences\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eThree envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEXi Program Common\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eCommon Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEQ\u003c\/dt\u003e\n\u003cdd\u003eThree bands, with sweep-able mid\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eAL-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eExternal audio can be processed through the ring modulator, filter, driver, amp, and EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eTwo multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDriver\u003c\/dt\u003e\n\u003cdd\u003ePer-voice non-linear driver and low boost circuit\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eFive Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCX-3 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTonewheel Organ Modeling\u003c\/dt\u003e\n\u003cdd\u003ePhase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEX Mode\u003c\/dt\u003e\n\u003cdd\u003eFour additional, user-specified drawbars, and expanded percussion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInternal Effects\u003c\/dt\u003e\n\u003cdd\u003eRotary speaker, vibrato\/chorus, amp modeling with overdrive, 3-band EQ\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDrawbar Control\u003c\/dt\u003e\n\u003cdd\u003eControlled via nine front-panel sliders (via Tone Adjust)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSplit\u003c\/dt\u003e\n\u003cdd\u003eUpper, Lower (even in EX mode)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eTwo AMS mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSTR-1 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePhysically Modeled String\u003c\/dt\u003e\n\u003cdd\u003eIncludes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eString Excitation\u003c\/dt\u003e\n\u003cdd\u003eThree independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eExcitation Filter\u003c\/strong\u003e\u003cbr\u003eDedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled\/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input and Feedback\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter Mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMOD-7 Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWaveshaping VPM Synthesizer\u003c\/dt\u003e\n\u003cdd\u003eCombines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003e6 VPM\/Waveshaper\/Ring Modulation Oscillators\u003c\/strong\u003e\u003cbr\u003ePhase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePCM Oscillator\u003c\/strong\u003e\u003cbr\u003eKORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(With saturation and low-pass filter function)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the VPM Oscillators and filters.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003eDual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMulti Filter mode (Filter A only)\u003c\/strong\u003e\u003cbr\u003eModulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003eSupports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eMS-20EX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003eUltra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Input\u003c\/dt\u003e\n\u003cdd\u003eRun real-time audio through the synthesis engine and ESP (External Signal Processor)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilters\u003c\/dt\u003e\n\u003cdd\u003e12dB\/octave High Pass and Low Pass self-resonant filters\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP section\u003c\/strong\u003e\u003cbr\u003e24dB\/octave Low Cut and High Cut filters, available per voice.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Panel\u003c\/dt\u003e\n\u003cdd\u003ePatchable audio and modulation, at audio rates\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePatch Points\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eKeyboard\u003c\/strong\u003e\u003cbr\u003eKeyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eVCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCF\u003c\/strong\u003e\u003cbr\u003eExternal Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCO+VCF\u003c\/strong\u003e\u003cbr\u003eTotal External Modulation In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVCA\u003c\/strong\u003e\u003cbr\u003eExternal Initial Gain Control In, VCA In\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEG\u003c\/strong\u003e\u003cbr\u003eEG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMG\u003c\/strong\u003e\u003cbr\u003eTriangle Out, Rectangle Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNoise Generator\u003c\/strong\u003e\u003cbr\u003ePink Noise Out, White Noise Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSample and Hold\u003c\/strong\u003e\u003cbr\u003eClock Trigger In, Sample Signal In, S\/H Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModulation VCA\u003c\/strong\u003e\u003cbr\u003eControl Voltage In, Signal In, Signal Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eManual Controller\u003c\/strong\u003e\u003cbr\u003eControl Wheel Out, Momentary Switch\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eESP\u003c\/strong\u003e\u003cbr\u003eSignal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOthers\u003c\/strong\u003e\u003cbr\u003eEXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eESP (External Signal Processor):\u003c\/dt\u003e\n\u003cdd\u003eUse incoming audio as a trigger and\/or CV source\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eOriginal DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 \u0026amp;2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003ePolysixEX Program\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOscillators\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eVCO\u003c\/strong\u003e\u003cbr\u003eSaw, Pulse, PWM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSub Oscillator:\u003c\/strong\u003e\u003cbr\u003eOff, 1 octave below, 2 octaves below\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFilter\u003c\/dt\u003e\n\u003cdd\u003e24dB(4-Pole) Octave Low Pass self-resonant filter\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects\u003c\/dt\u003e\n\u003cdd\u003eIntegrated Polysix Chorus, Phaser, and Ensemble\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator\u003c\/dt\u003e\n\u003cdd\u003eIntegrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003ePolysix\u003c\/strong\u003e\u003cbr\u003eOriginal ADSR EG and MG (with MIDI sync).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNAUTILUS\u003c\/strong\u003e\u003cbr\u003e2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eCombination\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Timbres, Master Keyboard Functionality\u003c\/dt\u003e\n\u003cdd\u003e16 Maximum\u003cbr\u003eKeyboard and velocity splits, layers, and crossfades of up to 16 Programs and\/or external MIDI Devices\u003cbr\u003eThe tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAdvanced Vector Synthesis\u003c\/dt\u003e\n\u003cdd\u003eControl oscillator volumes and synthesis \u0026amp; effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eQuick Layer \/ Split function\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-t cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003cdiv class=\"box_type_t\"\u003e\n\u003ch5 class=\"header2\"\u003eDrumkit\u003c\/h5\u003e\n\u003cdiv class=\"box_text_type_t\"\u003eAssignable stereo\/mono samples with 8 velocity zones per oscillator (with crossfade functions)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eNumber of Programs\/Combinations\/Drum kits\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Programs\u003c\/dt\u003e\n\u003cdd\u003e2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Combinations\u003c\/dt\u003e\n\u003cdd\u003e1,792 (256 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Memory Drum Kits\u003c\/dt\u003e\n\u003cdd\u003e264 (104 come preloaded)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003e256 GM Level2 preset programs + 9 GM Level 2 drum preset programs\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSet List\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Set Lists\/Slots\u003c\/dt\u003e\n\u003cdd\u003e128 set lists, 128 slots per set list\u003cbr\u003eEach set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted\u003cbr\u003eTranspose setting\u003cbr\u003eHold Time setting of Smooth Sound Transition (SST) supported for each slot\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSampling\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSystem\u003c\/dt\u003e\n\u003cdd\u003eOpen Sampling System (resampling, In-Track sampling)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eBit Depth\/Sampling Frequency\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003e16-bit\/48 kHz stereo\/mono sampling\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003e16 or 24-bit\/48 kHz\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSampling Time\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eRAM\u003c\/strong\u003e\u003cbr\u003eDepends on the amount of available PCM RAM\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDISK\u003c\/strong\u003e\u003cbr\u003eMaximum 80 minutes stereo (879MB: 16bit)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eSample Locations\u003c\/dt\u003e\n\u003cdd\u003e16,000 samples\/4,000 multisamples (128 indexes per multisample)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eFormats\u003c\/dt\u003e\n\u003cdd\u003eKORG format, AKAI S1000\/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEditing\u003c\/dt\u003e\n\u003cdd\u003eTime Stretch, Time Slice, Crossfade Loop, and other standard editing features.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eEffects\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInsert Effects\u003c\/dt\u003e\n\u003cdd\u003e12\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaster Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTotal Effects\u003c\/dt\u003e\n\u003cdd\u003e2\u003cbr\u003eStereo in \/ stereo out\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTimbre EQ\u003c\/dt\u003e\n\u003cdd\u003eOne 3-band EQ for each timbre\/track\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Types\u003c\/dt\u003e\n\u003cdd\u003e197\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eModulation\u003c\/dt\u003e\n\u003cdd\u003eDynamic Modulation and Common LFO\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffects Control Busses\u003c\/dt\u003e\n\u003cdd\u003eStereo side-chaining for compressors, gates, vocoders, etc\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eEffect Presets\u003c\/dt\u003e\n\u003cdd\u003eTotal 783 preset, Maximum 32 per 1 effect (Preset User)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eArpeggiator\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggiator Modules\u003c\/dt\u003e\n\u003cdd\u003eOne module in Program mode, two modules in Combination and Sequencer modes\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eArpeggio Pattern\u003c\/dt\u003e\n\u003cdd\u003e5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eOn\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eDrum Track\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePreset Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,272 (common with the preset patterns of the MIDI sequencer)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUser Patterns\u003c\/dt\u003e\n\u003cdd\u003e1,000\u003cbr\u003ePatterns created in Sequencer mode can be converted to drum track user patterns.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdd\u003eTrigger Mode\/ Sync \/ Zone \/ Swing, Drum SD, Tempo settings can be specified.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eSequencer \/ HDR\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTracks\u003c\/dt\u003e\n\u003cdd\u003e16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eNumber of Songs\u003c\/dt\u003e\n\u003cdd\u003e200\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eResolution\u003c\/dt\u003e\n\u003cdd\u003e1\/480\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eTempo\u003c\/dt\u003e\n\u003cdd\u003e40.00 – 300.00 (1\/100 BPM resolution)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMaximum Memory\u003c\/dt\u003e\n\u003cdd\u003e400,000 MIDI events or 300,000 audio events\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI Tracks\u003c\/dt\u003e\n\u003cdd\u003e16 tracks plus the master track, 697 preset \/ 100 user patterns (per song), 18 preset\/16 user template songs,\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAudio Tracks\u003c\/dt\u003e\n\u003cdd\u003e16-track playback, 4-track simultaneous recording, WAV file format 16bit\/24bit\u003cbr\u003eMaximum Single-file Recording Time (mono): 80 minutes\u003cbr\u003eAutomation: Volume, Pan, EQ, and Send1\/2\u003cbr\u003e10,000 regions (max.)\u003cbr\u003eEvent Anchors, BPM Adjust\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOther Functions\u003c\/dt\u003e\n\u003cdd\u003eRPPR (Realtime Pattern Play and Record): 1 Pattern set per song\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"block type-u cv_black pad_b80\"\u003e\n\u003cdiv class=\"side-margin\"\u003e\n\u003ch5 class=\"header2\"\u003eGeneral\u003c\/h5\u003e\n\u003cdiv class=\"box_type_u\"\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Mode\u003c\/dt\u003e\n\u003cdd\u003eLoad, save, utility, data filer function (save\/load MIDI System Exclusive data), CD-R\/RW (UDF format read\/write), ISO9660 Level 1.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControllers\u003c\/dt\u003e\n\u003cdd\u003eJoystick, Switches 1 \u0026amp; 2\u003cbr\u003eArpeggiator Control: On\/Off, Latch, Gate, Velocity, Length, Swing, Tempo\u003cbr\u003eDRUM TRACK: On\/Off, Swing, Drum SD, Tempo\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisplay\u003c\/dt\u003e\n\u003cdd\u003eTouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePrincipal Specifications\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, +\/-1.0dB, 10k Ω load\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003cbr\u003e20Hz-22kHz, 0.01%, 10k Ω load (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eS\/N\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e95dB (typical)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003cbr\u003e95dB, at 1kHz (typical)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eOutputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eL\/MONO, R, Individual 1-4\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eOutput Impedance: 350 Ω Stereo; 175 Ω Mono (L\/MONO Only),\u003cbr\u003eNominal Level: +4.0 dBu,\u003cbr\u003eMaximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)\u003cbr\u003eMAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L\/MONO and R\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003cbr\u003e1\/4” stereo phone jack\u003cbr\u003eOutput impedance: 33 Ω,\u003cbr\u003eMaximum Level: 60+60 mW (when load impedance is 33 Ω),\u003cbr\u003eMAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003cbr\u003e(Digital output of the same signals as AUDIO OUTPUT (MAIN) L\/MONO and R)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eInputs\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eAudio Inputs 1 and 2\u003c\/strong\u003e\u003cbr\u003e1\/4” TRS Balanced\u003cbr\u003eInput Impedance: 10 kΩ\u003cbr\u003eNominal Level: LINE +4 dBu\u003cbr\u003eMaximum Level: LINE +16 dBu\u003cbr\u003eNominal Level: MIC –22 dBu\u003cbr\u003eMaximum Level: MIC -10 dBu\u003cbr\u003eSource Impedance: 600 Ω\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB-B\u003c\/strong\u003e\u003cbr\u003e24-bit, Sample Rate: 48 kHz, 2 channels\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eControl Inputs\u003c\/dt\u003e\n\u003cdd\u003eDamper pedal (half damper supported)\u003cbr\u003eAssignable switch, Assignable pedal\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eMIDI\u003c\/dt\u003e\n\u003cdd\u003eIn, Out, Thru\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eUSB\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cstrong\u003eUSB A (TYPE A)\u003c\/strong\u003e\u003cbr\u003eFor connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUSB B (TYPE B)\u003c\/strong\u003e\u003cbr\u003eMIDI\/audio interface, MIDI: 1 (16 channel) input \/ 1 (16 channel) output, Audio: 2 channel input \/ 2 channel output\u003cbr\u003e*2 USB high-speed ports (supports 480Mbps)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDisk Drives\u003c\/dt\u003e\n\u003cdd\u003e60 GB SSD (2.5”)\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Supply\u003c\/dt\u003e\n\u003cdd\u003eAC power supply terminal, Power switch\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eDimensions: (W x D x H)\u003c\/dt\u003e\n\u003cdd\u003e88 key: 1,437 x 387 x 139 mm \/ 56.57” x 15.24” x 5.47”\u003cbr\u003e73 key: 1,227 x 386 x 116 mm \/ 48.31” x 15.20” x 4.57”\u003cbr\u003e61 key: 1,062 x 386 x 116 mm \/ 41.81” x 15.20” x 4.57”\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eWeight\u003c\/dt\u003e\n\u003cdd\u003e88 key: 23.1 kg \/ 50.93 lbs.\u003cbr\u003e73 key: 14.6 kg \/ 32.19 lbs.\u003cbr\u003e61 key: 13.0 kg \/ 28.66 lbs.\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003ePower Consumption\u003c\/dt\u003e\n\u003cdd\u003e40 W\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt class=\"header3\"\u003eAccessories\u003c\/dt\u003e\n\u003cdd\u003eAC cord, Quick Start Guide\u003c\/dd\u003e\n\u003cdd\u003e\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.korg.com\/za\/products\/synthesizers\/nautilus\/index.php\" title=\"\u0026lt;PRODUCT PAGE\u0026gt;\"\u003e\u0026lt;VIEW PRODUCT LINK HERE\u0026gt;\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e"}

KORG NAUTILUS 73 MUSIC WORKSTATION

Product Description
R 37,499.00 R 48,299.00
Maximum quantity available reached.

NAUTILUS 73 MUSIC WORKSTATION

DESCRIPTION

The most dazzling and expansive collection of sounds ever put into a Korg synthesizer.

NAUTILUS pushes the boundaries of what a performance synth and workstation is capable of. With the power of nine engines to drive a new approach to sounds, plentiful sampling, audio recording, effects, and processing power, there is simply no other synth that delivers more to explore sonically, with the workflow to get you there faster than ever. Korg spent years refining all our digital, analog, processing, and hardware technologies and delivering them in a way that helps the musician connect with their instrument. The result is the incredibly powerful, one-of-a-kind NAUTILUS.

Nine different sound engines offer massive expressive power

The NAUTILUS features nine dedicated sound engines to realistically reproduce sounds such as pianos, electric pianos, organs and more.

To start, the enhanced SGX-2 piano sound generator offers delicate expressiveness to capture all the nuances of the acoustic piano, and NAUTILUS features the most piano libraries ever put into one product; with 12-step velocity-switched sound, string resonance and more. The EP-1 electric piano sound generator realistically reproduces seven different famous electric piano sounds. The CX-3 engine – the heart of our sought-after CX-3 reissue -covers the distinct sound of classic tonewheel organs. Add to that MOD-7 VPM/FM synthesis, the PolysixEX and MS-20EX for analog modeling, and the STR-1 for physical modeling, and you have essentially an engine for any type of sound you’re looking to get. Used together in Program or Combination mode, these distinctive engines create completely new timbres.

New sounds offered over three broad categories

The approach to the included sound on NAUTILUS, started with Korg setting aside our preconceptions of what sound should be like on a conventional music workstation, and instead focused on pushing the boundaries of sampling and programming to create a brand-new classifications of programs that we divide into three groups:

“Unique” sounds:
The NAUTILUS brings you distinctive sounds including phrase loops, prepared pianos, found percussion and more. Many seldom heard-of musical instruments found in different regions around the world can be difficult to play, but distinctive phrases played on these instruments are featured on the NAUTILUS. Use these phrases as-is in your songs—let your imagination be your guide. The NAUTILUS features sounds that were sampled for the first time just for this instrument, including prepared piano sounds created by placing different objects between piano strings and recording samples, or “found percussion” sounds made by turning ordinary items into instruments to be struck. Not only do these novel and mysterious sounds provide an unexpected flavor to your songs, they offer broad possibilities for sound effects used in film and TV music as well.

“Current” sounds:
The NAUTILUS also offers the freshest sounds that blend in well with today's music scene, including synths, drum kits, special effects and more. For synths, be sure to check out the EDM, electro and chiptune sounds for starters. Also, the NAUTILUS features more than 50 kinds of drum kits—sounds that most strongly reflect the changes in music over time. The special effect sounds offer useful material like drums added to dance music to create beats—sounds that you can put to use right away.

Standard sounds:
We’ve brought together all of the most important sounds a workstation needs including piano, electric piano, guitar, bass guitar and more, covering all genres. For the newly sampled piano sound, we’ve also recorded the lovely sonic ambience of the studio, and you can mix the piano and ambience sound as you like with the new ambience sound. A new electric piano model with a characteristic thick sound has been added, which works great for funky playing styles. We’ve also added many phrases that let you play back actual performances of guitar and bass parts that keyboardists will find useful.

The DYNAMICS knob makes delicate expression possible

With the DYNAMICS knob, you can instantly control the changes in volume and tone in response to how hard you play the keyboard (velocity); and you can customize this knob in real time to match the keyboard playing feel required for each style and song. Even when playing the same sound, you can turn this knob to get the feeling of playing a completely different sound. By finding just the right setting for your playing style, you'll uncover even more of the possibilities that the NAUTILUS offers.

When you activate the DYNAMICS knob and turn it to the left, the keyboard responds more softly to your playing, giving you a wide range of dynamics. This allows for delicate, expressive playing when accompanying a piano solo or vocals, which directly reflects the dynamics of your performance. On the other hand, turning the knob to the right gives a stronger, more flat dynamic response. This brings out the sound when you’re playing in a band or ensemble, which works best when performing with a more even feel.

Make intuitive changes to sounds with the Realtime knobs

The six RT (real-time) knobs at the top left of the panel give you direct control over changes to the PROG and COMBI sounds. A variety of functions are assigned to each knob that lets you enjoy making changes to sounds, such as the filter cutoff and effect depth, the gate time, tempo and swing of the arpeggiator or drum track, the type of snare drum and more. In COMBI mode, you can group timbres and control their levels with the knobs. Further, you can press these knobs into the panel to lock them in place, preventing them from being accidentally changed while you’re playing. For instance, you could use this to enable only the knobs you often use onstage and push the ones in that you do not need.

A user interface designed for easy operation

For the NAUTILUS, we have completely rethought the user interface, considering that panel controls tend to become denser as more functions are added. The interface of the NAUTILUS lets users find just the things they’re looking for once they understand the principles.

The MODE button lets you see what you’ve selected in each mode on a single screen, from PROG and COMBI to the set list, sampling, sequence and global modes. Each mode has tabs for each function, and the PAGE buttons offer more detailed editing with consistent operations. With the user-friendly navigation of the NAUTILUS, you can press the MODE button at any time to return to the start if you get lost. A dark mode is available for the display, using black as the primary color to reduce eye fatigue.

Six quick access buttons are also available as shortcut buttons. The NAUTILUS further offers four templates as a continuation of the previous user-friendly features, which can be used to select modes like PROG and COMBI, as transport buttons for sequencer playback and recording and so on. You can also select your own settings as you like. What’s more, you can freely assign functions you frequently use and save them in one of four sets.

Convenient arpeggiator and drum track functions

Four scenes of arpeggio patterns and drum track sets are made available that perfectly match each PROG and COMBI preset sound. These are useful for switching between scenes while they’re played, for use when improvising during performance, or for expanding your vision when composing music starting from a sound.

Color TouchView Display

The nerve center of the NAUTILUS is KORG’s enormous eight-inch (800 x 480 pixel) WVGA color TouchView display.

In addition to simply selecting a sound or choosing a parameter with the touch of a finger, the enhanced Touch-Drag ability allows more detailed control of parameter values. Interactive instruments and panel graphics provide the ability to do everything from adjusting the lid of a grand piano to connecting patch cable on a semi-modular synthesizer model.

The TouchView display also hosts a convenient new Search Function, allowing you to search for (and preview) sounds based on their titles.

Set list mode that demonstrates its power in live performances

NAUTILUS can organize all of the resources you need to get through a song—or a set—using the Set List mode. Using the Set List mode, the TouchView display can host 16 color-coded touch-screen buttons; each one can instantly call up the appropriate Preset, Combination, or Sequence—regardless of mode!

You can also select different button colors, such as when you want to change the colors within a song while playing live. This is a powerful feature for situations that require quick and accurate control. The Set List mode even adds a nine-band graphic EQ, allowing the overall tone to be tweaked to match the venue.

Open Sampling System

Using KORG’s Open Sampling System, NAUTILUS can quickly sample an external audio source, regardless of whether NAUTILUS is in the Program, Combination, or Sequencer modes. The Open Sampling Mode can even resample the performance of the NAUTILUS itself. The user sample bank, which extends the convenience of the EXs sample library to user samples, allows custom samples to be loaded and played, taking advantage of the gigantic SSD capacity.

AIFF, WAV, SoundFont 2.0, and AKAI S1000/3000 format samples can be loaded into memory via USB memory. Additionally, you can use a USB Ethernet adapter to exchange large amounts of sample data with your computer at high speed. Instruments or samples that you've previously created on your PC can be used to construct a music production setup based on just the NAUTILUS itself.

16-Track MIDI Sequencer / 16-Track Audio Recorder

NAUTILUS features a sequencer/recording section that offers both 16 MIDI tracks plus 16 audio tracks; a great resource for putting together a dazzling performance or a brilliant production. MIDI sequencing makes it easy to capture ideas, inspiration, and pro-quality phrases using the Drum Track, or RPPR (Realtime Pattern Play/Recording) functions.

The 16-track audio recorder simultaneously captures up to four tracks of 16-bit/24-bit uncompressed data at a sampling rate of 48 kHz. Play along with recorded tracks, add effects, and then resample the NAUTILUS itself and place the resampled WAV files directly in a track. When polishing your tracks, feel free to use mixer automation and editing functions such as copy, paste, and normalize to get the results you want.

NATILUS provides 16 internal effects to add impact to your sonic creations. Each of the 12 Insert effects can be applied to individual or multiple timbres in a combination, or to individual or multiple tracks of the sequencer. In addition, two Master effects can be applied to sends 1/2, and two Total effects can be applied to all tracks at the final stage of the sound.

A separate three-band EQ is provided for every timbre, for every sequencer track, and for every audio track for adjusting subtle tonal balances or for creatively modifying the overall sound.

nanoPAD

Any class-compliant USB-MIDI controller can be connected directly to the NAUTILUS. Assign functions to a Korg USB MIDI controller with pads (nanoPAD, nanoPAD2, padKONTROL) to play drum parts.

Smooth sound transitions that eliminate dropouts when changing sounds, regardless of the mode you're in

When you switch program sounds during a performance to get ready for the next section, or when you switch from Program mode to Combi mode, the sound that's currently being output is always given priority and its effects are maintained during the program change, ensuring a seamless transition with no dropouts. This function has also earned extremely high praise from pro musicians.

Stand-alone and Plug-in NATULUS Editing Software

The NAUTILUS Editor and NAUTILUS Plug-In Editor allow you to edit your NAUTILUS from your computer while viewing large numbers of parameters simultaneously, or to use NAUTILUS in your DAW as if it were a software synthesizer. You can download the latest version of the NAUTILUS sound editor from the Korg website.

SPECIFICATIONS

System, Keyboard
System
NAUTILUS System Version 1.0
Keyboard
88 key: RH3 (Real Weighted Hammer Action 3), A - C
73 key: Natural Touch Semi Weighted, C - C
61 key: Natural Touch Semi Weighted, C – C
Velocity sensitive is supported, after touch is not supported.
Tone Generator
Synthesis Types
9
SGX-2: Premium Piano (Acoustic Piano)
EP-1: MDS Electric Piano (Electric Piano)
HD-1: High Definition Synthesizer (PCM)
AL-1: Analog Synthesizer (Analog Modeling)
CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
STR-1: Plucked String (Physical Modeling)
MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
MS-20EX: Component Modeling Technology (Analog Modeling)
PolysixEX: Component Modeling Technology (CMT Analog Modeling)
Maximum Polyphony*1*2
SGX-2: 100 voices*3
EP-1: 104 voices
HD-1: 140 voices
AL-1: 80 voices
CX-3: 200 voices
STR-1: 40 voices
MOD-7: 52 voices
MS-20EX: 40 voices
PolysixEX: 180 voices

1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.
*2: A portion of the multicore processor in NAUTILUS is devoted to generating voices, and a separate portion is devoted to generating effects. NAUTILUS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.
*3: 100 dual-stereo notes (equivalent to 400 mono voices)
Preset PCM
RAM 496 MB / DISK 2.3G (ROM 1,771 Multisamples, 3,955 Drumsamples)
Build-in Expansion PCM Libraries
EXs301: German2 D Piano
EXs302: Italian F Piano
EXs303: Japanese Upright U Piano
EXs304: Prepared Piano
EXs305: Historical Keyboards
EXs306: Vintage Keyboards 2
EXs307: Strings & Synths
EXs308: Guitar Collection
EXs309: Bass Collection
EXs310: World Essence
EXs311: Background Loops
EXs312: SFX & Hits
EXs313: Found Percussions
EXs314: Expansion Drums
PCM RAM Capacity
Approx. 2GB *4

*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 260 MB is available when shipped from the factory (When loading the file named “PRELOAD.KSC”).
Wave Sequences
598 User memory, 377 Preload
Support for stereo multisamples, synchronization of individual notes, and tempo-based settings.
SGX-2 Program
Premium Piano
Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
Damper resonance and mechanical noise are reproduced.
Una Corda sample support
PCM
EXs301 – German2 D Piano
12 velocity levels, includes Ambience Piano type/samples

EXs302 – Italian F Piano
12 velocity levels, no Una Corda samples

EXs303 – Japanese Upright U Piano
8 velocity levels

Exs304 – Prepared Piano
1-4 velocity levels
Piano Type
128
(With the factory settings, the 64 varieties of EXs6: German D Piano, EXs7: Japanese C Piano, EXs12: SGX-1 Austrian D Piano, EXs17: Berlin D Piano do not produce sound. The options must be downloaded. (Those will be released at a later date.))
Oscillator Control
Damper Resonance
Damper Noise
Mechanical Noise
Note Release
String Resonance
Una Corda
EP-1 Program
MDS Electric Piano
Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
Electric Piano Model Types
7
Tine EP I Early, Tine EP I Late, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control
Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control
Tine Type
Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)

Reed Type
Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)
Effect Types
9
Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah
HD-1 Program
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Structure
Single: only OSC1, Double: OSC1 and OSC2.
Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
Drums: One drum kit, Double Drums: Two drum kits.
Oscillators
8 velocity zones per oscillator, with switching, crossfades and layering
Each zone can play mono or stereo Multisamples or Wave Sequences
Filters
Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject), Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver
Per voice non-linear driver and low boost circuit
EQ
Three bands, with sweep-able mid
Modulation
Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers
Quick Layer / Split function
EXi Program Common
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Modulation
Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQ
Three bands, with sweep-able mid
Quick Layer / Split function
AL-1 Program
Oscillators
Ultra-low-aliasing oscillators, OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input
External audio can be processed through the ring modulator, filter, driver, amp, and EQ
Filters
Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode), Multi Filter mode (only Filter-A; modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
Driver
Per-voice non-linear driver and low boost circuit
Modulation
Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer
CX-3 Program
Tonewheel Organ Modeling
Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
EX Mode
Four additional, user-specified drawbars, and expanded percussion
Internal Effects
Rotary speaker, vibrato/chorus, amp modeling with overdrive, 3-band EQ
Drawbar Control
Controlled via nine front-panel sliders (via Tone Adjust)
Split
Upper, Lower (even in EX mode)
Modulation
Two AMS mixers
STR-1 Program
Physically Modeled String
Includes physically modeled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more. Most string parameters can be controlled in realtime
String Excitation
Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM. 16 preset “pluck” types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter

PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1; 4 velocity zones per oscillator; Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.

Excitation Filter
Dedicated 2-pole multimode filter for shaping the string excitation. Filter can be enabled/disabled separately for each excitation source. Low Pass, High Pass, Band Pass, and Band Reject modes
Audio Input and Feedback
Run real-time audio through the string, including feedback through effects. Modeled feedback includes modulate-able instrument-to-amp distance and orientation
Filters
Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes

Multi Filter Mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Modulation
5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers
MOD-7 Program
Waveshaping VPM Synthesizer
Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files
Oscillators
6 VPM/Waveshaper/Ring Modulation Oscillators
Phase and modulatable pitch per oscillator. 101 Waveshaper tables plus modulatable Drive and Offset. Use as oscillators, or as Waveshapers or Ring Modulators for other signals

PCM Oscillator
KORG’s ultra-low-aliasing technology, as introduced in the HD-1. 4 velocity zones per oscillator.Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory

Noise Generator (With saturation and low-pass filter function)
Audio input
Run real-time audio through the VPM Oscillators and filters.
Filters
Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes) , Two types of filter looping (Parallel and 24 dB “4-Pole”)

Multi Filter mode (Filter A only)
Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Patch Panel
Supports both preset algorithm (78 types) selection and free patching.Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion. Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation
10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers
MS-20EX Program
Oscillators
Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio Input
Run real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters
12dB/octave High Pass and Low Pass self-resonant filters

ESP section
24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel
Patchable audio and modulation, at audio rates
Patch Points
Keyboard
Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In

VCO
VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out

VCF
External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out

VCO+VCF
Total External Modulation In

VCA
External Initial Gain Control In, VCA In

EG
EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out

MG
Triangle Out, Rectangle Out

Noise Generator
Pink Noise Out, White Noise Out

Sample and Hold
Clock Trigger In, Sample Signal In, S/H Out

Modulation VCA
Control Voltage In, Signal In, Signal Out

Manual Controller
Control Wheel Out, Momentary Switch

ESP
Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out

Others
EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor):
Use incoming audio as a trigger and/or CV source
Modulation
Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2, Original MG (with MIDI sync), Sample-and- Hold, MVCA, NAUTILUS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.
PolysixEX Program
Oscillators
VCO
Saw, Pulse, PWM

Sub Oscillator:
Off, 1 octave below, 2 octaves below
Filter
24dB(4-Pole) Octave Low Pass self-resonant filter
Effects
Integrated Polysix Chorus, Phaser, and Ensemble
Arpeggiator
Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation
Polysix
Original ADSR EG and MG (with MIDI sync).

NAUTILUS
2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.
Combination
Number of Timbres, Master Keyboard Functionality
16 Maximum
Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
Advanced Vector Synthesis
Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope
Quick Layer / Split function
Drumkit
Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
Number of Programs/Combinations/Drum kits
User Memory Programs
2,560 (1,920 [1,280 HD-1+640 EXi] come preloaded)
User Memory Combinations
1,792 (256 come preloaded)
User Memory Drum Kits
264 (104 come preloaded)
256 GM Level2 preset programs + 9 GM Level 2 drum preset programs
Set List
Number of Set Lists/Slots
128 set lists, 128 slots per set list
Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted
Transpose setting
Hold Time setting of Smooth Sound Transition (SST) supported for each slot
Sampling
System
Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency
RAM
16-bit/48 kHz stereo/mono sampling

DISK
16 or 24-bit/48 kHz
Sampling Time
RAM
Depends on the amount of available PCM RAM

DISK
Maximum 80 minutes stereo (879MB: 16bit)
Sample Locations
16,000 samples/4,000 multisamples (128 indexes per multisample)
Formats
KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
Editing
Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.
Effects
Insert Effects
12
Stereo in / stereo out
Master Effects
2
Stereo in / stereo out
Total Effects
2
Stereo in / stereo out
Timbre EQ
One 3-band EQ for each timbre/track
Effect Types
197
Modulation
Dynamic Modulation and Common LFO
Effects Control Busses
Stereo side-chaining for compressors, gates, vocoders, etc
Effect Presets
Total 783 preset, Maximum 32 per 1 effect (Preset User)
Arpeggiator
Arpeggiator Modules
One module in Program mode, two modules in Combination and Sequencer modes
Arpeggio Pattern
5 presets + ARP A 2,048 slots (1,593 come Preload) + ARP B 128 slots
Controllers
On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
Drum Track
Preset Patterns
1,272 (common with the preset patterns of the MIDI sequencer)
User Patterns
1,000
Patterns created in Sequencer mode can be converted to drum track user patterns.
Trigger Mode/ Sync / Zone / Swing, Drum SD, Tempo settings can be specified.
Sequencer / HDR
Tracks
16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
Number of Songs
200
Resolution
1/480
Tempo
40.00 – 300.00 (1/100 BPM resolution)
Maximum Memory
400,000 MIDI events or 300,000 audio events
MIDI Tracks
16 tracks plus the master track, 697 preset / 100 user patterns (per song), 18 preset/16 user template songs,
Audio Tracks
16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit
Maximum Single-file Recording Time (mono): 80 minutes
Automation: Volume, Pan, EQ, and Send1/2
10,000 regions (max.)
Event Anchors, BPM Adjust
Other Functions
RPPR (Realtime Pattern Play and Record): 1 Pattern set per song
General
Disk Mode
Load, save, utility, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
Controllers
Joystick, Switches 1 & 2
Arpeggiator Control: On/Off, Latch, Gate, Velocity, Length, Swing, Tempo
DRUM TRACK: On/Off, Swing, Drum SD, Tempo
Display
TouchView graphical user interface, 7 inch color TFT, WVGA (800 x 480 dots), adjustable brightness
Principal Specifications
Frequency Response
20Hz-22kHz, +/-1.0dB, 10k Ω load

THD+N
20Hz-22kHz, 0.01%, 10k Ω load (typical)

S/N
95dB (typical)

Dynamic Range
95dB (typical)

Crosstalk
95dB, at 1kHz (typical)
Outputs
L/MONO, R, Individual 1-4
1/4” TRS Balanced
Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
Nominal Level: +4.0 dBu,
Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
MAIN VOLUME slider controls only AUDIO OUTPUT (MAIN) L/MONO and R

Headphones
1/4” stereo phone jack
Output impedance: 33 Ω,
Maximum Level: 60+60 mW (when load impedance is 33 Ω),
MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))

USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
(Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)
Inputs
Audio Inputs 1 and 2
1/4” TRS Balanced
Input Impedance: 10 kΩ
Nominal Level: LINE +4 dBu
Maximum Level: LINE +16 dBu
Nominal Level: MIC –22 dBu
Maximum Level: MIC -10 dBu
Source Impedance: 600 Ω

USB-B
24-bit, Sample Rate: 48 kHz, 2 channels
Control Inputs
Damper pedal (half damper supported)
Assignable switch, Assignable pedal
MIDI
In, Out, Thru
USB
USB A (TYPE A)
For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)

USB B (TYPE B)
MIDI/audio interface, MIDI: 1 (16 channel) input / 1 (16 channel) output, Audio: 2 channel input / 2 channel output
*2 USB high-speed ports (supports 480Mbps)
Disk Drives
60 GB SSD (2.5”)
Power Supply
AC power supply terminal, Power switch
Dimensions: (W x D x H)
88 key: 1,437 x 387 x 139 mm / 56.57” x 15.24” x 5.47”
73 key: 1,227 x 386 x 116 mm / 48.31” x 15.20” x 4.57”
61 key: 1,062 x 386 x 116 mm / 41.81” x 15.20” x 4.57”
Weight
88 key: 23.1 kg / 50.93 lbs.
73 key: 14.6 kg / 32.19 lbs.
61 key: 13.0 kg / 28.66 lbs.
Power Consumption
40 W
Accessories
AC cord, Quick Start Guide

<VIEW PRODUCT LINK HERE>

Sku: KA 106
Vendor: KORG

Are you buying multiple items or perhaps not finding what you are looking for? Send us an email now and we will gladly send you a quotation. If you find the same product more affordable somewhere else, send us proof and we will gladly work at beating that quotation. And of course friendly service and after sales peace of mind is part of the package! Mail us now: online@HGMW.co.za

 

DELIVERY

Harry Green Music World offers FREE  delivery to all *main distribution points within South Africa for orders above R1000.00.

Harry Green Music World will only make use of their couriers if a fixed address such as a personal/business address is provided.

For areas that are not considered to be a Major Distribution Point, as per our "Major Distribution Centre List", Harry Green Music World will gladly cover up to R250.00 of the courier fee, after having received a quotation from our delivery company.

*As per our "Major Distribution Centre List"

DELIVERY TIME

Normal delivery time is 3-7 working days. We will always try and give you the best possible ETA on your order together with your Waybill Number. It remains your responsibility to give as much special information on the delivery and address as possible.

In the events of natural disasters, strikes etc. that delays the process, we will notify you as soon as possible.

Sometimes you may receive your order in more than one delivery if you have purchased several items that consist of different brands. When it comes to guitars that have built in electronics, we always do the necessary checks beforehand (which takes a day) to ensure that you get a good working guitar. Any other items, including amps, speakers, drums etc. is not part of this pre-check system. It may also be required of the client to assemble his own piano with few simple screws. Alternatively we can arrange for a setup at an additional cost. Larger Piano's will need more man power which means we will include setup fees in our quotes always.

We deliver from Monday to Friday during our business hours, excluding public holidays. If you require an emergency delivery please contact us at 013 752 7725 and we will do our very best to accommodate you. This may require an additional delivery fee.

INSURANCE

You can be rest assured that your items are insured in all cases including theft, fire, or damage. Our trusted and dedicated delivery company will notify us immediately if this happens and we will call you as soon as possible. We will then take you through the steps of refunding or replacing your lost item(s). Should you receive a damaged product upon delivery, please notify us within 2 hours after signing the waybill. It remains your responsibility to send us photos of the damage caused together with the signed waybill.

FORCE MAJEURE

Neither party shall be liable for any loss suffered by the other Party arising out of delay in or prevention of performance of that Party’s obligations in terms of this Agreement if such delay is directly or indirectly caused by an event beyond that Party’s reasonable control, provided that:

  • the onus be on the Party alleging the occurrence of such an event to immediately notify the other Party of such event;
  • the Party delayed or prevented from performing its obligations by the occurrence of such an event shall do everything that could reasonably be expected of it in order to remedy the situation . 

DELIVERY OUTSIDE OF SOUTH AFRICA

FOB “FREE ON BOARD” TERMS:

Harry Green Music World does not deliver outside of South Africa. If you would like for your item(s) to be delivered to you in a area outside of South Africa, you would need to organize and pay for your own transport.

Any additional transport costs will be the buyer’s responsibility, such as:

  • Delivery in an outlaying area is subject to the terms and conditions of the seller’s couriers and will be payable in advance prior to delivery by the buyer.
  • In the event that the buyer wants to export goods, the buyer is financially and administratively responsible for costs to transport to the port/border, if applicable, and for costs such as custom taxes and fees. We will not be held responsible for any duty costs arising from exporting goods by the buyer.
  • As mentioned on Shopifys blog post: “…as soon as the shipment of goods leaves the seller's warehouse, the seller records the sale as complete. The buyer owns the product on route to its warehouse and must then pay any delivery charges.”

Please contact us if you have any questions regarding this FOB terms.

Thank you.

Contact information:

Telephone number(s): (013) 752 7725 / (013) 752 4766
Email: online@hgmw.co.za

 

mobicred

mobicred is an online account that gives buyers access to credit, which they can use on PayFast. The facility works in a similar fashion to retail store credit: only online. Sellers can choose to enable/disable mobicred on their PayFast accounts and there is no risk of default or repudiation to them. Apply Now
mobicred

Related Products

Shopify secure badge
Back to the top