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{"id":2162884411454,"title":"MIDAS MR12 DIGITAL MIXER","handle":"midas-mr12-digital-mixer","description":"\u003ch1 data-mce-fragment=\"1\"\u003eDIGITAL MIXER\u003c\/h1\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eFEATURES\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/p\/P0B3I\" target=\"_blank\"\u003eMIDAS M32\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ecompletely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eA Mixer Whose Time has Come\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR12 is an 12-input portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award-winning\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePRO mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a USB connector for storing files or the recording and playback of uncompressed stereo WAV files. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the freedom to dial-in a shared monitor mix. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR12.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 MIDAS PRO Mic Preamps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognized by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR12 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR12 comes equipped with 4 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eBuilt-In Tri-Mode Wifi Router\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned for the ultimate in mobility, the MR12 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR12 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAccess Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute.\u003c\/li\u003e\n\u003cli\u003eWifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.\u003c\/li\u003e\n\u003cli\u003eAlternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRecording Simplified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMR12 features a convenient USB connector that makes it easy to store files or record and playback uncompressed stereo WAV files of your mix. Dial in the perfect monitoring mix with effects and zero-latency performance using one of the Aux buses, while recording up to 12 source signals – and send the keyboard player's MIDI notes to your DAW for recording and editing.\u003cbr\u003e\u003cbr\u003eWhether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRevolutionary Auto-Mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator.\u003cbr\u003e\u003cbr\u003eA major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 4 live microphones. Based on the legendary Dan Dugan automix system, the MR12’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.\u003cbr\u003e\u003cbr\u003eThis function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 Onboard M32 Effects Engines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR12 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.\u003cbr\u003e\u003cbr\u003eYou can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR12 has a whole studio of FX under its bonnet.\u003cbr\u003e\u003cbr\u003eCustom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eHigh-End FX Racks at Your Finger Tips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe ultra-smooth optical attenuator is closely modeled in our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLEISURE COMPRESSOR\u003c\/strong\u003e. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)\u003cbr\u003e\u003cbr\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eOur digital reincarnation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eULTIMO COMPRESSOR\u003c\/strong\u003e, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eOur\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFAIR COMPRESSOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emodel is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCOMBINATOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eXTEC EQ1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cbr\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe new\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSUB OCTAVER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eprovides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEDISON EX1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSOUND MAXER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erestores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDIMENSIONAL CHORUS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eMODULATION DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecombines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elet you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eEXCITERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eincrease presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eUnlike typical graphic EQs, our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO TruEQ\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR12 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eVINTAGE ROOM\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003ePLATE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e3-TAP DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHALL REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)\u003cbr\u003e\u003cbr\u003eThe Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThis handy dynamic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFLANGER \u0026amp; DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eduo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eWAVE DESIGNER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO PRECISION LIMITER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDE-ESSER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eBased on the legendary EMT250, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVINTAGE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eTaking up only one FX slot, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCHORUS \u0026amp; CHAMBER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e100-Band RTA for all Channel\/ Bus Eqs\u003c\/h5\u003e\n\u003cp\u003eThe MR12 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.\u003cbr\u003e\u003cbr\u003eSwitch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eUncompromised Channel Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MR12 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!\u003cbr\u003e\u003cbr\u003eEvery input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency.\u003cbr\u003e\u003cbr\u003eIn addition to the Main L\/R bus for Front of House, 2 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eMIDI In\/Out for Live Performance Controllers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe physical MIDI I\/O port on the MR12 mixer can also be used for connecting external MIDI controllers, such as X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDedicated Apps and Software ? All Platforms Covered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince we wanted the MR12 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC\/Linux\/ Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf your application requires a computer for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR EDIT software from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003emidas.com\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer to Access Point mode and connect your iPad to the MR12 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR MIX App for iPad from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for Android\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more – whether you are running a 12\" tablet or a 5\" smartphone.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR CUE for Android App from the androidapps.com.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eSuperb Value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe feature-packed MR12 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR12's sound quality far surpasses that of competing models, both on paper and in performance. With 12 inputs, 4 MIDAS PRO mic preamps, 2 Aux buses, a built-in Wifi router, a USB connector for simple recording and playback of uncompressed stereo WAV files, MIDI I\/O, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR12 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR12 Digital Mixer, or get yours online – today!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2019-05-20T15:45:00+02:00","created_at":"2019-05-20T15:48:11+02:00","vendor":"MIDAS","type":"DIGITAL MIXERS","tags":["Price_R5000 to R15000","Product Type_DIGITAL MIXERS","VENDOR_MIDAS"],"price":1219900,"price_min":1219900,"price_max":1219900,"available":true,"price_varies":false,"compare_at_price":1799900,"compare_at_price_min":1799900,"compare_at_price_max":1799900,"compare_at_price_varies":false,"variants":[{"id":19786291773502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MR12","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MIDAS MR12 DIGITAL MIXER","public_title":null,"options":["Default Title"],"price":1219900,"weight":6000,"compare_at_price":1799900,"inventory_quantity":3,"inventory_management":"shopify","inventory_policy":"deny","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320","\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/MR12-large.jpg?v=1612780320"],"featured_image":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320","options":["Title"],"media":[{"alt":null,"id":1341182345278,"position":1,"preview_image":{"aspect_ratio":2.087,"height":575,"width":1200,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320"},"aspect_ratio":2.087,"height":575,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/mid-mr12_1-bc3fc85a828518665fa7964bc03010d9.jpg?v=1612780320","width":1200},{"alt":null,"id":1341182312510,"position":2,"preview_image":{"aspect_ratio":1.913,"height":392,"width":750,"src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/MR12-large.jpg?v=1612780320"},"aspect_ratio":1.913,"height":392,"media_type":"image","src":"\/\/www.harrygreenmusicworld.co.za\/cdn\/shop\/products\/MR12-large.jpg?v=1612780320","width":750}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch1 data-mce-fragment=\"1\"\u003eDIGITAL MIXER\u003c\/h1\u003e\n\u003ch4 data-mce-fragment=\"1\"\u003eDESCRIPTION\u003c\/h4\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12-Input Digital Mixer for iPad\/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"features mt-4 mt-sm-6\"\u003e\n\u003cdiv class=\"row mt-sm-4\"\u003e\n\u003cdiv class=\"col\"\u003e\n\u003ch4 class=\"font-weight-normal\"\u003eFEATURES\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mt-0 py-0 py-sm-0 pb-sm-3 mt-sm-3\"\u003e\n\u003cdiv class=\"mt-sm-6\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/p\/P0B3I\" target=\"_blank\"\u003eMIDAS M32\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ecompletely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eA Mixer Whose Time has Come\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR12 is an 12-input portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award-winning\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003ePRO mic preamps, integrated Wifi module for wireless control, MIDI I\/O – and a USB connector for storing files or the recording and playback of uncompressed stereo WAV files. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the freedom to dial-in a shared monitor mix. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR12.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start px-sm-2 pt-sm-2 pb-sm-0 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 MIDAS PRO Mic Preamps\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognized by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR12 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR12 comes equipped with 4 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003cdiv id=\"marketing-copy-collapse\" class=\"marketing-copies collapse show\"\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eBuilt-In Tri-Mode Wifi Router\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned for the ultimate in mobility, the MR12 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR12 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAccess Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone\/tablet or laptop). This mode should have your remote control up and running in less than a minute.\u003c\/li\u003e\n\u003cli\u003eWifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.\u003c\/li\u003e\n\u003cli\u003eAlternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRecording Simplified\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMR12 features a convenient USB connector that makes it easy to store files or record and playback uncompressed stereo WAV files of your mix. Dial in the perfect monitoring mix with effects and zero-latency performance using one of the Aux buses, while recording up to 12 source signals – and send the keyboard player's MIDI notes to your DAW for recording and editing.\u003cbr\u003e\u003cbr\u003eWhether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eRevolutionary Auto-Mixing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator.\u003cbr\u003e\u003cbr\u003eA major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 4 live microphones. Based on the legendary Dan Dugan automix system, the MR12’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.\u003cbr\u003e\u003cbr\u003eThis function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003e4 Onboard M32 Effects Engines\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEquipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR12 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.\u003cbr\u003e\u003cbr\u003eYou can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR12 has a whole studio of FX under its bonnet.\u003cbr\u003e\u003cbr\u003eCustom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eHigh-End FX Racks at Your Finger Tips\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe ultra-smooth optical attenuator is closely modeled in our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLEISURE COMPRESSOR\u003c\/strong\u003e. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)\u003cbr\u003e\u003cbr\u003eWhen Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003eOur digital reincarnation,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eULTIMO COMPRESSOR\u003c\/strong\u003e, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eOur\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFAIR COMPRESSOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emodel is true to the original signal path, and conveniently provides models for dual, stereo-linked or M\/S operation. (Inspired by Fairchild 670*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCOMBINATOR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eXTEC EQ1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cbr\u003ePut simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe new\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSUB OCTAVER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eprovides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEDISON EX1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I\/O modes allow the processing, or creation, of Mono\/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSOUND MAXER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003erestores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDIMENSIONAL CHORUS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eMODULATION DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ecombines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elet you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eEXCITERS\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eincrease presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eUnlike typical graphic EQs, our\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO TruEQ\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR12 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eVINTAGE ROOM\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003estands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003ePLATE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eemulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e3-TAP DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHALL REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)\u003cbr\u003e\u003cbr\u003eThe Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD\/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThis handy dynamic\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFLANGER \u0026amp; DELAY\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eduo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003e\u003cstrong\u003eWAVE DESIGNER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eSTEREO PRECISION LIMITER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDE-ESSER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eBased on the legendary EMT250, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVINTAGE REVERB\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edelivers a shimmering, bright reverb that will not drown out or overpower your live\/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp\u003eTaking up only one FX slot, the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCHORUS \u0026amp; CHAMBER\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eeffect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003ch5 class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e100-Band RTA for all Channel\/ Bus Eqs\u003c\/h5\u003e\n\u003cp\u003eThe MR12 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.\u003cbr\u003e\u003cbr\u003eSwitch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eUncompromised Channel Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MR12 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!\u003cbr\u003e\u003cbr\u003eEvery input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually \"unlimited\" dynamic range with no internal overload and near-zero overall latency.\u003cbr\u003e\u003cbr\u003eIn addition to the Main L\/R bus for Front of House, 2 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eMIDI In\/Out for Live Performance Controllers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe physical MIDI I\/O port on the MR12 mixer can also be used for connecting external MIDI controllers, such as X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eDedicated Apps and Software ? All Platforms Covered\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSince we wanted the MR12 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC\/Linux\/ Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX \"Plug-Ins\", and functionality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR EDIT (PC\/Mac\/Linux)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf your application requires a computer for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR EDIT software from\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003emidas.com\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFront of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixer to Access Point mode and connect your iPad to the MR12 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to\/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR MIX App for iPad from the Apple App Store.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eM AIR MIX for Android\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/www.music-group.com\/brand\/midas\/home\" target=\"_blank\"\u003eMIDAS\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003eM AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing\/loading scenes or presets, and much more – whether you are running a 12\" tablet or a 5\" smartphone.\u003cbr\u003e\u003cbr\u003eDownload the free M AIR CUE for Android App from the androidapps.com.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection\u003e\n\u003cdiv class=\"pb-sm-4 pt-sm-0 pt-2\"\u003e\n\u003cdiv class=\"row align-items-center\"\u003e\n\u003cdiv class=\"col-sm align-self-start p-sm-2 py-1\"\u003e\n\u003cp class=\"mb-2 mt-3 mt-sm-0 font-weight-normal\"\u003e\u003cstrong\u003eSuperb Value\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe feature-packed MR12 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR12's sound quality far surpasses that of competing models, both on paper and in performance. With 12 inputs, 4 MIDAS PRO mic preamps, 2 Aux buses, a built-in Wifi router, a USB connector for simple recording and playback of uncompressed stereo WAV files, MIDI I\/O, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR12 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR12 Digital Mixer, or get yours online – today!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

MIDAS MR12 DIGITAL MIXER

Product Description
R 12,199.00 R 17,999.00
Maximum quantity available reached.

DIGITAL MIXER

DESCRIPTION

12-Input Digital Mixer for iPad/Android Tablets with 4 Midas PRO Preamps, 8 Line Inputs, Integrated Wifi Module and USB Stereo Recorder

FEATURES

The MIDAS M32 completely redefined what is possible from a digital mixer – and thousands of users are enjoying the results. Now that technology has been incorporated into the small but powerful MR12 rack-mountable mixer, which will forever change the way you record and the way you play live music.

A Mixer Whose Time has Come

Over the past few years, the world of recording and performance audio has experienced a major paradigm shift, one that requires musicians and performers alike to take advantage of emerging technologies that offer flexibility and ease of use. The MR12 is an 12-input portable mixer housed in a sturdy stage box design for use with iPad and Android tablets. It is ideally suited for both live and studio applications thanks to 4 award-winning MIDAS PRO mic preamps, integrated Wifi module for wireless control, MIDI I/O – and a USB connector for storing files or the recording and playback of uncompressed stereo WAV files. Free iOS, Android and PC apps enable you to move about the venue or the tracking room and manipulate all the parameters of your mix, and the performers have the freedom to dial-in a shared monitor mix. Advanced engineering and meticulous design combine to deliver professional-grade performance and impressive affordability – the MR12.

4 MIDAS PRO Mic Preamps

The MIDAS PRO mic amp was developed for the PRO Series mixing consoles and is also found in the M32 – and has been recognized by leading live sound and recording engineers as the very essence of the famous MIDAS sound. It is here in the MR12 that more than 40 years of design excellence has come together with premium grade components to provide unparalleled warmth and depth, subtle ambience, and immaculate spatial positioning – for more precise imaging than competing models. The award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide. MR12 comes equipped with 4 MIDAS PRO preamps, all of which are literally ready for your input via the Neutrik combo connectors with locking latches.

Built-In Tri-Mode Wifi Router

Designed for the ultimate in mobility, the MR12 comes with an integrated Wifi module for direct control of your mixer’s functions – without the need to setup and configure an external router. The MR12 gives you the freedom to focus on your mix, while allowing you to move about the venue to experience what every part of the audience is hearing. Plus you can adjust live monitor wedges from the artist’s perspective – or better yet, let them mix their own IEMs and floor monitors via their own tablets.

  1. Access Point is the easiest way to connect up to 4 clients directly and concurrently (i.e., iPad, Android smartphone/tablet or laptop). This mode should have your remote control up and running in less than a minute.
  2. Wifi Client allows you to add your mixer to the existing wireless network where the controlling apps and devices are connected.
  3. Alternately, wired connections can be made directly to your PC, to a local area network (LAN), or when connecting to a dedicated Wifi router, e.g., for extended range or 5 GHz applications.

Recording Simplified

MR12 features a convenient USB connector that makes it easy to store files or record and playback uncompressed stereo WAV files of your mix. Dial in the perfect monitoring mix with effects and zero-latency performance using one of the Aux buses, while recording up to 12 source signals – and send the keyboard player's MIDI notes to your DAW for recording and editing.

Whether you are making rock history in the studio, or you want to capture intimate live performances – it has never been easier to record stunning tracks with exceptional clarity.

Revolutionary Auto-Mixing

When your application calls for a multiple-microphone setup, such as an onstage panel discussion, press conference or courtroom proceeding, etc., it can become a challenge to maintain so many open mics – and preserve maximum gain and priority for the moderator.

A major first for compact audio mixers, our revolutionary M AIR Gain Sharing technology can easily manage fully automated mixes with up to 4 live microphones. Based on the legendary Dan Dugan automix system, the MR12’s gain sharing paradigm automatically controls the levels of all selected microphones in real time, without any gating artifacts or noise modulation.

This function dramatically reduces the typical feedback, studio noise and comb filtering challenges that can occur when two, or more mics are in close proximity of each another. M AIR Gain Sharing technology provides a consistent system gain structure, even when multiple speakers are talking at the same time.

4 Onboard M32 Effects Engines

Equipped with the very same FX engines as the now legendary M32 Digital Mixing Console, the onboard virtual FX Rack provides access to four true-stereo (8 mono), multi-effects processors including delay, chorus, dynamics – plus the MR12 can run production-quality, true-stereo reverbs concurrently with 31-band EQ on the main and aux buses, all without the need for any additional hardware.

You can select any combination of high-end simulations of legendary studio effects, such as the Lexicon 480L and PCM70, as well as the EMT250 and Quantec QRS reverbs. Onboard processing means your computer no longer has to do the heavy lifting during a mixing session with DAW plugins, as the MR12 has a whole studio of FX under its bonnet.

Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32 mix engine, ensuring flawless performance, flexible routing and the end of cable faults.

High-End FX Racks at Your Finger Tips

The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.

The ultra-smooth optical attenuator is closely modeled in our LEISURE COMPRESSOR. It provides breezy, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)

When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented, and the 1176 was one of the first audio processors to benefit from this new technology.

Our digital reincarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model, and authentically captures the smooth character of the original Class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)

The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VRs preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.

Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670*)

The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors. A highly complex processor, the COMBINATOR utilizes automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.

The XTEC EQ1 emulates one of the undisputedly best passive studio equalizers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement. We analyzed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)


Put simply, Pultec literally wrote the book on passive equalization. By digitally “rebuilding” every aspect of this original classic, we captured the very essence in our mid-range focused parametric equalizer XTEC EQ5. Our digital re-incarnation authentically emulates the smooth character of its rather unique components. (Inspired by Pultec MEQ5*)

The new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the effect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...

The EDISON EX1 is the reincarnation of one of our own analog classics. This remarkably effective tool allows manipulation of the stereo field. Selectable Mono or Stereo I/O modes allow the processing, or creation, of Mono/Stereo recorded sound sources. (Inspired by BEHRINGER EDISON)

The SOUND MAXER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalizers. (Inspired by Sonic Maximizer 482i*)

The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analog Chorus unit ever created”. Four simple Mode preset buttons activate amazing effects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)

MODULATION DELAY combines three of the most-used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with your choice of three very unique reverb models, Ambience, Club and Hall.

ENHANCERS let you emphasize the Bass, Midrange and Hi output at selectable frequencies, allowing you to generate maximum punch, clarity and detail – without turning up the overall volume. (Inspired by SPL Vitalizer*)

EXCITERS increase presence and intelligibility in live sound applications, and are indispensable for adding clarity, air and harmonic overtones in the studio. (Inspired by Aphex Aural Exciter*)

Unlike typical graphic EQs, our STEREO TruEQ delivers the exact frequency response for the new fader setting, taking neighboring fader settings into account – for surgical and responsive filtering or general room equalization (Modeled after BEHRINGER UltraCurve DEQ2496). The MR12 can provide up to 16 mono graphic EQs – one in each of the 6 Aux Buses and Main LR, plus 8 additional mono GEQ effects (4 stereo) that may be inserted into channels.

VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in the air and room resonances. Invented in the early ‘80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available. It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals – highly valued in classical music and broadcasting environments. (Inspired by Quantec QRS*)

PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. This classic effect will give your tracks the sound heard on countless hit records since the late 1950s. (Inspired by Lexicon PCM70*)

The 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns. Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.

The HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)

The Lexicon 480L* has been recognized as the gold standard of digital reverb. In addition to the Hall Reverb program, we have included four more of the finest reverb models: Ambience, Rich Plate, Room and Rich Chamber. These models precisely capture all nuances based on our “True Physical Modeling”, and our algorithms even incorporate the unit’s AD/DA gain stepping converters – nailing the entire analog and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)

This handy dynamic FLANGER & DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)

WAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)

The STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of ”hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)

The DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1219*)

Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that will not drown out or overpower your live/recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)

Taking up only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)

100-Band RTA for all Channel/ Bus Eqs

The MR12 includes a high-resolution 100-band Real Time Analyzer (RTA), with full Bar and Spectrograph views. This high-resolution RTA displays the audio energy distribution in 100 frequency bands over time – capturing a sonogram window of a full 10 seconds.

Switch between the Large RTA view, displaying any available signal in full screen resolution, or the Combined RTA view shown above each of the channel and bus EQ curves – and see the results of your filtering choices. Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the Main LR or Aux buses. Monitoring and controlling frequencies has never been easier!

Uncompromised Channel Processing

The MR12 allows you to achieve the same incredible level of EQ finesse as the award-winning M32 thanks to its 100-band Real Time Analyzer, which is built into every input channel and bus EQ. Visual feedback built into the control app allows you to see and make fast, surgical adjustments to frequencies in need of a boost or a cut. You will wonder how you ever EQ’d without it!

Every input channel also features Low-Cut, 4-band fully parametric EQ and the same Gate and Compressor dynamics suite found in the M32 – with one very special addition; you can choose either Expert or Simple functionality. In Expert mode, you can drill down and take total control over every nuance of your dynamics. Or, if you are more of the ‘plug and play’ type, Simple mode lets you either select from one of 4 carefullyoptimized presets – or load your own channel templates. Add to this 40-Bit, floating-point DSP and you will experience virtually "unlimited" dynamic range with no internal overload and near-zero overall latency.

In addition to the Main L/R bus for Front of House, 2 Aux buses are provided for dialing in the perfect monitor mixes, or creating a dedicated mix for your USB stereo recording – complete with inserts, dynamics, and either a 6-band parametric EQ or 31-band graphic EQ. And if you want even more precise control over your EQ, 100-band RTAs are available for all of these buses, too.

MIDI In/Out for Live Performance Controllers

The physical MIDI I/O port on the MR12 mixer can also be used for connecting external MIDI controllers, such as X-TOUCH or B-CONTROL products, for dynamically controlling channel level, muting and panorama adjustments during your performance. The installed firmware also supports the Mackie Control protocol, allowing you to easily apply comprehensive remote editing and parameter adjustments via any compatible MIDI device.

Dedicated Apps and Software ? All Platforms Covered

Since we wanted the MR12 to benefit from the best remote apps, we engaged dedicated development teams for the iOS*, Android*, and PC/Linux/ Mac* based remote control applications. When you download an M AIR app for your operating system, you can rest assured that you will get the fully optimized experience we intended. Future firmware updates will be available free of charge and add even more professional-grade features, FX "Plug-Ins", and functionality.

M AIR EDIT (PC/Mac/Linux)

If your application requires a computer for MIDAS M AIR mixer remote control, then M AIR EDIT was made just for you. Simply copy and launch the free software with your computer, connect to the mixer via its built-in Ethernet (LAN) connector using a Cat 5e cable (max. 100 m length) – and all M AIR mixer functions are instantly mirrored on your computer screen. Since a PC screen is larger than the one on your telephone, M AIR EDIT allows the opening and scaling of more app windows, such as routing or FX editing – letting you decide how much information you need at a glance. All touch screens are supported, or you can use a mouse to adjust your physical mixer’s settings. You can even control multiple mixers remotely from a single computer, or create several strategically placed computer stations to control the same mixer. With M AIR EDIT, your PC, Linux or Mac computer becomes your virtual mixer – both live and in the studio.

Download the free M AIR EDIT software from midas.com.

M AIR MIX for iPad

Front of House is wherever you and your iPad are – thanks to the new M AIR MIX app for iPad. Simply download the free app to your iPad, set the MIDAS M AIR mixer to Access Point mode and connect your iPad to the MR12 network that will show up. After launching the M AIR MIX app, select the mixer image, and all of your M AIR mixer’s settings can now be adjusted directly from your iPad. You can save your favorite scenes, and load previously stored scenes and presets to/from your iPad or customize your channel layout – all with the support of innovative drag 'n' drop functionality.

Download the free M AIR MIX App for iPad from the Apple App Store.

M AIR MIX for Android

Designed specifically for all Android mobile devices (2.2 or higher), which includes tablets and smartphones, the app can be used in one of two modes: full access mixing mode; or bound to a specific aux bus for creating personal monitor mixes remotely on MIDAS M AIR mixers. Using this free and easy to learn app, each performer can use their Android device to dial-in the perfect personal IEM or wedge monitor mix, without having to consult the audio engineer for assistance. With the M AIR MIX App for Android, personal monitor mixing just got a whole lot more personal – both live and in the studio! But M AIR MIX offers even more; in full access mixing mode, the app provides control over all channel processing including the RTA overlay, effects editing, storing/loading scenes or presets, and much more – whether you are running a 12" tablet or a 5" smartphone.

Download the free M AIR CUE for Android App from the androidapps.com.

Superb Value

The feature-packed MR12 is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK – and MUSIC’s unique ability to deliver a superior value proposition. MR12's sound quality far surpasses that of competing models, both on paper and in performance. With 12 inputs, 4 MIDAS PRO mic preamps, 2 Aux buses, a built-in Wifi router, a USB connector for simple recording and playback of uncompressed stereo WAV files, MIDI I/O, and free downloadable apps for iOS, Android and PC, and a host of other high-end professional features, the M AIR MR12 is equipped to handle your most demanding audio application. Visit your local dealer and take a closer look at the M AIR MR12 Digital Mixer, or get yours online – today!

Sku: MR12
Vendor: MIDAS

Are you buying multiple items or perhaps not finding what you are looking for? Send us an email now and we will gladly send you a quotation. If you find the same product more affordable somewhere else, send us proof and we will gladly work at beating that quotation. And of course friendly service and after sales peace of mind is part of the package! Mail us now: online@HGMW.co.za

 

DELIVERY

Harry Green Music World offers FREE  delivery to all *main distribution points within South Africa for orders above R1000.00.

Harry Green Music World will only make use of their couriers if a fixed address such as a personal/business address is provided.

For areas that are not considered to be a Major Distribution Point, as per our "Major Distribution Centre List", Harry Green Music World will gladly cover up to R250.00 of the courier fee, after having received a quotation from our delivery company.

*As per our "Major Distribution Centre List"

DELIVERY TIME

Normal delivery time is 3-7 working days. We will always try and give you the best possible ETA on your order together with your Waybill Number. It remains your responsibility to give as much special information on the delivery and address as possible.

In the events of natural disasters, strikes etc. that delays the process, we will notify you as soon as possible.

Sometimes you may receive your order in more than one delivery if you have purchased several items that consist of different brands. When it comes to guitars that have built in electronics, we always do the necessary checks beforehand (which takes a day) to ensure that you get a good working guitar. Any other items, including amps, speakers, drums etc. is not part of this pre-check system. It may also be required of the client to assemble his own piano with few simple screws. Alternatively we can arrange for a setup at an additional cost. Larger Piano's will need more man power which means we will include setup fees in our quotes always.

We deliver from Monday to Friday during our business hours, excluding public holidays. If you require an emergency delivery please contact us at 013 752 7725 and we will do our very best to accommodate you. This may require an additional delivery fee.

INSURANCE

You can be rest assured that your items are insured in all cases including theft, fire, or damage. Our trusted and dedicated delivery company will notify us immediately if this happens and we will call you as soon as possible. We will then take you through the steps of refunding or replacing your lost item(s). Should you receive a damaged product upon delivery, please notify us within 2 hours after signing the waybill. It remains your responsibility to send us photos of the damage caused together with the signed waybill.

FORCE MAJEURE

Neither party shall be liable for any loss suffered by the other Party arising out of delay in or prevention of performance of that Party’s obligations in terms of this Agreement if such delay is directly or indirectly caused by an event beyond that Party’s reasonable control, provided that:

  • the onus be on the Party alleging the occurrence of such an event to immediately notify the other Party of such event;
  • the Party delayed or prevented from performing its obligations by the occurrence of such an event shall do everything that could reasonably be expected of it in order to remedy the situation . 

DELIVERY OUTSIDE OF SOUTH AFRICA

FOB “FREE ON BOARD” TERMS:

Harry Green Music World does not deliver outside of South Africa. If you would like for your item(s) to be delivered to you in a area outside of South Africa, you would need to organize and pay for your own transport.

Any additional transport costs will be the buyer’s responsibility, such as:

  • Delivery in an outlaying area is subject to the terms and conditions of the seller’s couriers and will be payable in advance prior to delivery by the buyer.
  • In the event that the buyer wants to export goods, the buyer is financially and administratively responsible for costs to transport to the port/border, if applicable, and for costs such as custom taxes and fees. We will not be held responsible for any duty costs arising from exporting goods by the buyer.
  • As mentioned on Shopifys blog post: “…as soon as the shipment of goods leaves the seller's warehouse, the seller records the sale as complete. The buyer owns the product on route to its warehouse and must then pay any delivery charges.”

Please contact us if you have any questions regarding this FOB terms.

Thank you.

Contact information:

Telephone number(s): (013) 752 7725 / (013) 752 4766
Email: online@hgmw.co.za

 

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